“People have become slaves to probability.”
Been waiting for this to come out in HD so I could watch it again, and didn’t have to wait long at all – because we live in the glorious future. Cool looking movie and Eddie, in his eighth film as Lemmy Caution, is a convincingly noir hero. But it’s got a strangely somnambulist atmosphere, and sometimes it feels like I’ve been given prank subtitles.
“The meaning of words and of expressions is no longer understood.”
Lemmy is visiting Alphaville from the outer countries, guided by the lovely Anna Karina, daughter of some important professor. I think Lemmy asks some questions, tells some lies, shoots some guys, then confounds the computer controlling the city (voiced by a mechanical voice-box) using poetry.
“No one has lived in the past and no one will live in the future … The present is terrifying because it is irreversible.”
Soundtrack features big dramatic music, shrill morse-code tones and a croaky Central Scrutinizer voice, each annoying in its own way. Welles regular Akim Tamiroff plays a short-lived ally, Howard Vernon (Dracula and Dr. Orloff in France and Spain) plays the professor, and Christa Lang (not yet married to Sam Fuller) plays a “seductress third-class”.
Lang and Tamiroff:
The supercomputers of the early and mid-1970s inevitably shared DNA with HAL, the murderous companion computer of 2001: A Space Odyssey, whose influence can be felt throughout the decade (and beyond). But HAL had his antecedents, too, and in many respects he and his brethren share much in common with an unlikely source: Alpha 60 of Jean-Luc Godard’s 1965 film Alphaville … To create the technocratic totalitarian state of Alphaville, Godard looked no further than the newest additions to Paris: buildings made of steel and glass controlled by pushbuttons and glowing under fluorescent lights. As Jacques Tati would a couple years later with Play Time, Godard considered the price of this progress and wondered where humanity could live in it, and what kind of life people might lead there.