I’ve previously written up McCay’s Little Nemo (aka Winsor McCay, the Famous Cartoonist of the N.Y. Herald and His Moving Comics) and How a Mosquito Operates and The Sinking of the Lusitania, and Bill Plympton’s restoration of The Flying House. Well, I got my hands on the Master Edition DVD, so now I’m watching (in most cases rewatching) the rest.
Gertie The Dinosaur (1914)
Similar to Lusitania, the full movie is more than the animation – it opens with a documentary account of the cartoon’s inspiration, with intertitles explaining to audiences unfamiliar with animation how work-intensive the process was. Per the commentary, the shorter version of this film lacks the intro and titles and was played in a live show with McCay on stage interacting with his dinosaur, giving commands and having conversation. I like how the commentary says Emile Cohl and J. Stuart Blackton were McCay’s primary influences, but that McCay also publicly claimed to have invented the animated film.
Gertie attacks the camera/presenter:
Guess what’s about to happen to that stack of original Gertie drawings:
The Centaurs (fragment)
Because you can show topless women if they’re half horse. A weird, slow-moving little piece that Canemaker imagines may have been part of McCay’s vaudeville act a la Gertie.
Gertie On Tour (fragment)
Gertie torments a trolley then dances for a crowd of dinosaurs. Animation scholars today don’t know why.
Flip’s Circus (fragment)
Little Nemo character Flip performs a stage show with a mini-Gertie, which finally eats Flip then vomits him out. Serves him right, really, since Flip spends half the movie beating the thing with a club.
Bug Vaudeville (1921)
Sketches of insects doing circus-like stunt routines on a stage, each one lasting about twice as long as it could. All this is being dreamt by a hobo under a tree (his head appearing MST3K-style watching the insect action) who frustratingly ate some cheesecake, not rarebit.
The Pet (1921)
Cute little creature walks into a house where a woman feeds it. It grows visibly larger while eating. As as it grows, it eats increasingly large things, from food to dishes to household decorations, finally to buildings and airplanes, until the army blows it to bits. Favorite scene: the pet drinks from a hose, then slurps up and eats the hose like spaghetti. Of course this is all just a rarebit dream by the man of the house, who eats dinner at “the club” and resents his wife for wanting a pet. Plympton’s redo of The Flying House is great and all, but I think this was my favorite of the rarebit fiend shorts.
The included documentary, Remembering Winsor McCay (1976) by John Canemaker, is cool for providing first-hand accounts of McCay’s life and work by his younger assistant John Fitzsimmons. But since the films are silent, I’d already played them with Canemaker’s commentary, which reuses all of Fitz’s stories and comments.