Maybe I’m just in a mood, but this seems like one of the greatest documentaries ever. In filming eight locations (four sets of antipodes – places on land directly opposite the globe from each other), much fun is had with lenses and camera orientation. The music and sound design is terrific as well as the cinematography, and the movie’s gimmick and structure aside, he is filming absolute magic and wonder. In fact, the antipode concept is only mentioned in some opening titles, and from there it’s just observation of the chosen locations, left to viewer’s imagination and his excellent visual transitions between locales to draw geographic connections.
Won an award at the 2012 True/False Fest. We hope to attend next year, so we’re catching up on some docs we missed.
I looked up a little about Kossakovsky. He teaches a documentary class – among the rules he presents to students:
– Don’t film if you can live without filming.
– Don’t film if you want to say something – just say it or write it. Film only if you want to show something, or you want people to see something. This concerns both the film as a whole and every single shot within the film.
– Don’t film something you just hate. Don’t film something you just love. Film when you aren’t sure if you hate it or love it. Doubts are crucial for making art. Film when you hate and love at the same time.
– You need your brain both before and after filming, but don’t use your brain during filming. Just film using your instinct and intuition.
– Story is important for documentary, but perception is even more important. Think, first, what the viewers will feel while seeing your shots. Then, form a dramatic structure of your film using the changes to their feelings.
– Documentary is the only art where every esthetical element almost always has ethical aspects and every ethical aspect can be used esthetically. Try to remain human, especially whilst editing your films. Maybe, nice people should not make documentaries.