So soon after Moonlight and Certain Women, another movie in three parts. In 1999, Zhao Tao (I Wish I Knew, A Touch of Sin) is friends with sharp-chinned coal miner Liangzi (Jingdong Liang, Tao’s Platform costar) and petulant boss Jinsheng. When the boss decides he wants to marry her, he pulls strings to stay close to her and gets his former friend fired.
2014: Liangzi has health problems and a family in another town, moves back to the city and sees Tao again. Her father dies, and her son Daole visits from Australia for the funeral but barely knows her.
2025: Daole enlists his university English teacher (Sylvia Chang, the boss in Office) to translate conversations with his dad, now a gun dealer, then to Katy’s chagrin, Daole starts sleeping with the teacher. He thinks about visiting his mom, decides not to. Back in China, Mom dances alone in the snow.
Neither man is willing to let Zhao make her own decision, both only desire to possess her. So in this sense Zhao’s sporadic weaving in and out of the narrative reveal both tradition and capitalism stifling femininity.