or Gazing at Women in Cafes: The Movie
Our Hero, who looks like a shirt model, stares at girls in an outdoor cafe while accordion music plays.
In the middle third, he follows a woman through the city, past some conspicuous “Laure, je t’aime” graffiti, finally confronting her on a bus to ask if she’s Sylvie, who me met six years ago at the Aviators bar. But she’s not, and she’s less than thrilled that he’s been stalking her across the city.
An hour in, he goes to the Aviators and stares at more women while Heart of Glass plays.
He is Xavier Lafitte of the recent Saint Laurent movie which was not by Bonello, and she Pilar López de Ayala, Angélica herself. This played Venice in a packed year with Redacted, Mad Detective, The Assassination of Jesse James and I’m Not There.
Patrick Devitt in Letterboxd: “All of the imagery depicted has to do with memory in some shape or form.” Kenji Fujishima has a good writeup in Movie Mezzanine, calling it “alternately enchanting and disturbing.”
Some Photos in the City of Sylvia (2007, José Luis Guerín)
Shot in summer and winter 2004, this is the documentary(?) version of the previous film, in which our unseen photographer revisits the city (Strasbourg, France) where he met Sylvie 22 years before, distracting himself along the way with other women and wall graffiti.
He visits hospitals since his Sylvie was a nurse. No luck.
Besides his faded memory of this woman, he also follows the paths of Dante and Goethe and Petrarque, who all spent time in the city.
Silent and composed entirely of still photographs, cut and cross-faded. This was released a few months before the other, and maybe it would’ve made more sense to watch this first.
I listened to The Mysteries by John Zorn, which I believe was the Director’s True Intent – I called him and asked if Some Photos is supposed to be silent, and he said he’d rather it was scored by John Zorn’s The Mysteries, so there you have it. He didn’t say what to do when the album ended, so I put on some Boards of Canada.