The Killing of a Sacred Deer (2017, Yorgos Lanthimos)

Colin Farrell and Nicole Kidman are happily married with two kids, Kim and Bob. Colin is a surgeon, whose dead patient’s son Barry Keoghan (also memorably great in Dunkirk this year) has been hanging around, and Colin has been talking with Barry and bringing him gifts out of guilt. Now Barry’s plan accelerates, and when Colin refuses to leave his own family and join Barry and his mom Alicia Silverstone, Barry curses the family, says they will all die unless Colin chooses one to kill. “Do you understand? It’s metaphorical.”

Everyone is going with the flat line-reads and bizarre, unnatural dialogue and behavior of previous Lanthimos movies (“I’d love to know how much painstaking trial-and-error was involved in crafting such magnificently stilted, awkward performances from these accomplished actors,” said Mike D’Angelo on Letterboxd). There’s some slow-motion and soft-focus, and a repeated Danny’s-tricycle-in-Shining tracking shot through corridors, sometimes at normal level, sometimes from Danny POV, and sometimes as if Danny is riding on the ceiling. Tied with the new Lynne Ramsay for screenplay at Cannes.

Related posts