A UFO called The Wild Boys made my top-ten list of 2018, so I tracked down some shorts by the same director to see what he’s on about.
Any Virgin Left Alive (2015)
A rude reimagining of the death of Joan of Arc (Elina Löwensohn). Only her eyes are burned, and she roams the battlefields in a metal mask, capturing and tormenting a young woman.
Our Lady of Hormones (2014)
Two women come across a hairy, fleshy creature with a penile protuberance, squabble over its ownership and care. Löwensohn is eventually murdered with a sickle by Nathalie Richard (the great dancer from Up, Down, Fragile). These shorts have the Argento-Maddin coloring of The Wild Boys, and are similarly perverse fun. Narration by Michel Piccoli (currently his most recent credit), making this the Mandico film with the highest percentage of Rivette actors.
Living Still Life (2012)
A woman finds dead animals and poses them obsessively in stop-motion scenarios, stalked by a grieving man. Great sound and music and color, a perfect short, docked a couple points since I’ve recently seen A Zed and Two Noughts.
Ultra Pulpe (2018)
“I am the most hated filmmaker of my generation, the tribal pornographer, the scavenger of the genre. Who will remember me?” Absolute madness involving women and other creatures on a film set. Pascale Granel shot everything else I’ve seen by Mandico, now Sylvain Verdet takes over… I don’t know either of them from anything else, just trying to keep up. Löwensohn and Richard are joined by Lola Créton (Bastards), two of the Wild Boys, and (as actors) the costume designer of Knife+Heart and Michael Haneke’s casting director.