Spends a significant amount of time with a makeshift family who adopt/kidnap a neighbor from an abusive home. Their daily life and care for each other is seen up close for the first hour, until just like in yesterday’s movie Too Many Husbands, the decision of how to arrange their own family is taken out of their hands when the Morality Police show up and straighten it out according to the Law. Suddenly each member of our close movie family is revealed as a low-class criminal, reduced to a mugshot and named by their crime (thief / murderer / kidnapper / fraudster). It’s an extremely effective sympathy tactic – a moving film even though I could see the gears turning.
The first Kore-Eda I’ve watched since Nobody Knows, 15 years ago, even though the eight he made in between were variously acclaimed, making top-ten lists and Criterion blu-rays… I guess the Palme d’Or finally got me. Sakura Andô (Love Exposure) won Japan’s top acting award as the mother. One of the final films by Kirin Kiki (Suzuki’s Zigeunerweisen and Pistol Opera) as the grandma.