Knife + Heart (2018, Yann Gonzalez)

In late 1970’s Paris, Anne, the boss of a porn film company (pop star Vanessa Paradis) has to deal with being dumped by her editor (You and the Night‘s Kate Moran) and being investigated for the murder of one of her actors, actually perpetrated by a masked psycho wielding bladed sex toys.

Anne decides to deal with this by filming a porn parody of the investigation called Homocidal and casting herself as the murderer.

As actors keep dying, she visits a bird museum, discovers the victims are visited by a blind grackle, an extinct bird, and tracks down the story of a tormented youth, burned half to death by his father for being gay, come to the city as a scarred, homocidal adult.

Also featuring Nicolas Maury (You and the Night, Heartbeat Detector) as Anne’s blonde director, and Yann’s fellow-traveler gender-bending filmmaker Bertrand Mandico as the dramatic, floppy-haired cameraman.

With the giallo lighting, M83 music, movie theaters and rare birds, this was mostly up my alley.

Michael Sicinski on letterboxd:

If there’s one dominant hetero influence at work in Knife+Heart, it’s Brian De Palma. This is a sexualized murder mystery, based in part on who has the power of the gaze, who has been sidelined by desire, and how killing is a perverse sexual substitute. And even as the gravity of life and death are acknowledged, Gonzalez shares with De Palma a taste for the ridiculous, a recognition that movie violence can exorcise psychological demons precisely because it is not real, and the more outlandish the better.

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