There is so much going on in this movie. In the beginning, a sink is dripping with stop-motion paper drops, which turn into fullscreen water collaged from paper, which zooms out to a flickering series of motivational posters on an office wall, then back into the flickering water upon which sails a poster-paper boat as the rhythm of the water drops begins to build into an autobiographical theme song – this is the first minute of a 40-minute movie.
Mack uses posters and packaging, markers and sales sheets, posters and shelves and office supplies, posters and boxes of posters, the parking lot and fluorescent lights, and just when it couldn’t get any more wonderful, her mom enters the movie, sped-up and stop-motioned, as Jodie sings about the family’s failed poster business as a homemade parody of Pink Floyd’s Money.
It ends in psychedelic mania, as it must, and meanwhile, it’s one of the most inventive, poignant and personal “experimental” films I’ve ever seen. Katy liked this more than The Grand Bizarre – probably same, but I’d like to see TGB again. Interesting that Cinema Scope had more to say about each of her 3 to 10-minute shorts than this longer piece, will have to watch a few of those and revisit the article.
Persian Pickles (2012, Jodie Mack)
We also watched this 3-minute short from her vimeo page, all rapid-fire textiles with curved patterns, like swimming swirling fishies. Surprised by the audio, a typical a/g noise track sounding like bassy factory robots conversing over staticky phone lines, considering the sound in her features is so fresh and upbeat.