I finally finished the 2018 Black Mirrors… but wikipedia says while I was postponing watching this season, they went and made another season, oh no. So, only three episodes to go, not counting Bandersnatch, then I guess Charlie Brooker is gone, and we’ll see if the show continues without him.
Opens in a space exploration simulation run by the very Kirk-like captain Daly. Jesse Plemons is kind of a Phil Seymour Hoffman type with a Matt Damon face (haha, he played Hoffman’s son in The Master). Outside the sim, he’s the genius programmer at a gaming company run by Jimmi Simpson (lately from Under the Silver Lake), but inside, Daly’s the omnipotent tyrant boss, Jimmi his lackey, and the new girl at work (Cristin Milioti from Fargo the series) is his latest sexy captive, via some DNA-scanning tech (saliva from a drinking glass also includes the person’s consciousness, hmmm). While he’s messing up his job focusing on the simulated game-world, sim-Cristin contacts her outside self to turn the tables. Mostly this episode is notable for its fun retro Star Trek vibe. Directed by a Dr. Who vet and cowritten by a Stranger Things producer.
“This is your parental hub – I’m just pairing it with Sarah’s implant.” When Sarah is 3, she goes missing for a short time at the park, so her panicked mom agrees to a free trial, “completely safe,” of a permanent tracking implant that includes a sensory v-chip, keeping Sarah from seeing or hearing anything “troubling” (like her grandpa having a heart attack) for years. Not the first Black Mirror where people can be blocked like twitter trolls. When her mom finally turns off the filter, a kid at school shows her all the worst things on the internet all at once, haha. Mom (Rosemarie DeWitt, the bride in Rachel Getting Married) intervenes again when Sarah is 15, watching her experiment with drugs and sex as if her daughter is a streaming series, until Sarah finds out and smashes the surveillance tablet against her mom’s face. Directed by Jodie Foster!
Rob and Mia are returning from a rave when he runs over a biker on a lonely snowy road, and they throw the guy off a cliff (there are always nearby cliffs in movies) and move on with their lives. Years later, Mia (Andrea Riseborough, Mandy in Mandy) is an architect mom going to a corporate thing in The Future, when she catches up with Rob (Outlander‘s Andrew Gower), who is having major guilty thoughts about the past. She cannot deal with the past coming back to haunt her at this point in her career, so she chokes him and throws him in a room service cart, getting pretty confident about disposing of bodies. Meanwhile, an insurance investigator (Kiran Sonia Sawar of the new Riz Ahmed movie) hooks people up to a memory reading machine to find out how an orchestra musician got hit by a driverless pizza truck. Mia was a witness, and certain unwanted memories come to light during the scan, so she kills Kiran and her husband and their baby. I mean it’s kinda dystopian, but usually we get innocent victims and this time it’s “in the future if you do a murder, you’ll get caught.” Director John Hillcoat – after The Road, he made two crime movies that didn’t sound essential, and is supposedly working on a Witchfinder General remake.
Schoolkids of the Future performing a play of Hillcoat’s bootlegger drama Lawless:
Hang the DJ
The Netflix mind-reading device hidden inside our Roku knows that the Black Mirror episodes I think about most often are Video Game Horror Tester and Two Girls in Retro Land, so it gave me this right after USS Callister. Georgina Campbell (from the Geraldine Chaplin episode of Electric Dreams) and Joe Cole (of Green Room and Woodshock) go through the latest dating app, which puts expiration dates of extremely different lengths (from hours to years) on each relationship. Near the beginning, the two joke about being stuck in a simulation, and that turns out to be the case. A program exposing people to a series of experiences of different lengths to determine their precise individual tastes feels like a swipe at new Black Mirror overlords Netflix. It does finally play the Smiths song at the end, yay. Directed by Timothy “Master Ninja” Van Patten.
3 Scots drive a filthy car through a postapocalyptic landscape. Two are taken out quickly by the robot dogs armed with guns and tracking-device frag grenades that have decimated humanity, but Bella (Maxine Peake of this year’s Peterloo) fights back. Terminator-eye view as it chases her, but she knocks it off a cliff to buy time – there are always nearby cliffs in movies – and sets her tracking bug adrift in a bottle. Not sure I buy the resourcefulness of the murderdog, which replaces its lost limb with a kitchen knife, but I definitely buy that the security systems of cars and houses in The Future are programmed to let the dogs – presumably state security devices or Amazon delivery agents – have full access. Bella doesn’t make it. Slade made Hard Candy, hey, I was just thinking about that movie.
Nish (Letitia Wright, the techno-sister of Black Panther, who was nominated for an Emmy for this) is driving alone through the usual wasteland, stops at a gas station/museum, and lets proprietor Douglas Hodge (Pennyworth in the new Joker, film debut was Salome’s Last Dance) lead her around and tell overlong stories about the horror artifacts within, Nish claiming ignorance even though she’s here for revenge. Three long sections follow… first, doctor Daniel Laplaine (who played Handsome Internet Expert in Double Jeopardy) gets a transmitter so he can feel the pain of his patients, but becomes addicted to feeling sensation without any bodily repercussions and goes on a torture/murder spree. Then, Alexandra Roach (young Meryl Streep in The Iron Lady) falls into a coma and her husband Aldis Hodge (who just made waves in Clemency) agrees to let her consciousness cohabitate in his brain – but she gets annoying and he has a pause button (shades of the White Christmas episode). Both of these stories implicate the museum owner, who came up with the dodgy technologies that made them possible, but fired from the hospital after the mad doctor incident, he opened this museum with its main attraction: the VR consciousness of a condemned killer (Babs Olusanmokun of Where Is Kyra?) whom visitors can pay to electrocute on an endless loop – until Nish turns the tables, ends her dad’s torment-loop and throws in Hodge instead. Colm McCarthy also made The Girl with All the Gifts – really an all-star director slate this season.
Dr. Driller Killer:
Bojack Horseman season 3 (2016)
The one where Bojack thinks he was oscar-nominated for Secretariat, but was not… Princess Carolyn is fired as his agent… and they kill Kristen Schaal, oh no. Loved the wordless underwater episode, dug the Jeffrey Lewis & The Junkyard reference.
The Good Place season 4 (2019)
They try the neighborhood thing one more time, Shawn and Michael square off, the Judge lets them redo the points system instead of rebooting Earth, and in exchange for their help, our heroes go to the actual Good Place… for a while.
In other TV news, I’m savoring my Cowboy Bebops and waiting for Rick & Morty season 4 to return from hiatus. Avenue 5 and Final Space didn’t seem like my thing, need to check out a few more new shows before Search Party s3 comes out and dominates my time.