We held a miniature Jane Austen film festival at home the week all the movie theaters closed and first-release films started coming out to (expensively) stream… tried one of those, plus three standard-def classics.
Persuasion (1995, Roger Michell)
Better of the two Persuasions. Anne is an old maid (by classic brit-lit standards) who rarely smiles. When her dad and snob-ass sisters retreat to Bath, Anne encounters old flame Captain Wentworth, whom she turned down before he became rich and acclaimed. She follows like a mouse while he’s aggressively courted by a neighboring family with ridiculous daughters, then when a “rich” (not at all rich) cousin shows interest in Anne, Wentworth reveals that he still likes her, and all is settled nicely.
Amanda Root followed up with a Jane Eyre, Ciaran Hinds with Cold Lazarus. The fluffy-haired, not-rich-after-all cousin is Samuel West (Dr. Frankenstein in that jacked-up Van Helsing). Complainy sister Mary is Sophie Thompson of the Gwyneth Paltrow Emma. Susan Fleetwood, Anne’s substitute mom who wears great hats, died of cancer the year this came out.
Emma (2020, Autumn de Wilde)
Radiant looking movie, with high color and production design, and I do love Anya Taylor-Joy and Bill Nighy. Unfortunately the editing was all over the place. It turns out we watched the two Emmas in the wrong order – you’re supposed to watch the one that makes dramatic sense first, then the one that’s super stylized. Persuasion followed Anne, who was persuaded to reject her love, and now we follow Emma, who persuades her friend Mia Goth (of Suspiria Remake) to reject her farmer suitor. Both girls end up with their rightful guys in the end.
Persuasion (2007, Adrian Shergold)
Oh wow, somebody got a digital HD camera and is very excited about it. Sally Hawkins is a more naturally emotive Anne, at least, and we enjoyed that Giles plays her dad. Shergold had previously filmed Dennis Potter’s Christabel and a Timothy Spall hangman movie.
Emma (1996, Douglas McGrath)
A proper version of the story, and highly enjoyable, with the title character as played by Gwyneth Paltrow seeming more foolish and less cruel. Toni Collette played the Mia Goth role, Alan Cumming as the minister who Emma tries to hook up with Toni, and Jeremy Northam as the man both Harriet and Emma fall for, before Harriet goes back to her farmer. Ewan McGregor is briefly a love interest before it’s revealed that he’s secretly marrying Emma’s rival. The music beat Randy Newman and Hans Zimmer at the oscars, and The English Patient beat this for costumes. Confusingly, between the two versions of Persuasion, Paltrow and Northam and Jennifer Ehle starred in a non-Austen movie called Possession.