Haiti, 1962: a guy dies after walking in shoes cursed with ashes of puffer-fish- innards, becomes part of an army of twilight zombies cutting cane, but awakens from his half-life and returns home.
Decades later, a rich white girl comes along with her petty problems and lack of belief or understanding, causing someone to ruin their life. The white girl is boarding-school Fanny, who befriends Haitian zombi child Melissa. Heartbroken after being dumped, Fanny visits Melissa’s mambo aunt Katy, paying an absurd amount for an improper ritual which accidentally summons the demon god Baron Samedi from that Goldeneye game.
Child (with killer phone case):
Violet Lucca in Reverse Shot:
The Baron taunts Katy for disrespecting her father, and, to use a Lynchian expression, something really bad happens to the girl and the woman. (What, exactly, we do not know, except that they are both being punished.) In the final shot, Mélissa emerges from an endless darkness wearing a white dress, the color of Dambala; for the rest of the West, it will likely read a symbol of purity. It’s perhaps the only image that could make sense at that point, unsatisfying as it may be. Receiving closure from relationships, stories, or life isn’t universally guaranteed.