El Bruto (1952, Luis Buñuel)

The couple years between Buñuel’s two Mexican bus films were productive, and this is a good one – better than Illusions Travel by Streetcar, anyway.

El Bruto is an exploited slaughterhouse worker, mocked by coworkers despite his strength, hired by a local landlord to terrorize the organizing tenants into leaving an apartment complex so it can be redeveloped. I wasn’t intending to watch two collectivist worker films in a row, just a happy accident.

While fleeing from the law after terrorizing the locals, a tragic chicken murder occurs. Then Bruto busts in on Meche, the woman whose chicken (and father) he killed, falls for her and attempts to manufacture a happy ending, but his wife Maria interferes.

Bruto had major roles in a couple John Ford movies and a James Bond. The landlord’s girl Maria Juado had a good Hollywood run in at least three major westerns and Under The Volcano. Wife Maria was better known as a ballet dancer, and Meche was in The Robot vs. The Aztec Mummy.

Bruto getting his orders from the landlord:

Bruto’s excuse for everything:

Bruto’s ex is enraged that he’s got a new girl:

Things end as they must, in a hail of gunfire:

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