Thelma (2017, Joachim Trier)

X-Men Origins: It’s a Good Life. Some Stephen King in here, psychic powers developing with sexual awakening. And Trier, like his distant relative Lars Von, isn’t above killing a baby to give his lead characters a tragic backstory. Homeschooled Thelma doesn’t adjust well in college, having seizures and disappearing her crush into the cornfield, but finally learns to take out her rage on her repressive father and let the hot college girls live… though there’s an unsettling suggestion that the hot girl only likes Thelma because her mind is being controlled. From the poster I’d expected more birds, but it’s mostly the live bird that Thelma barfs up towards the end. Trier is a festival fave whose new film plays Cannes next month, Thelma was in Norwegian disaster flick The Wave, and her dad costars in Blind.