Military training, solitary hunters, traumatized family members. A long procession of prisoners to match a long procession of soldiers (with alarming sound editing). A historical play enacted by psychiatric patients. Browsing ransom demands in voicemail. Loosely interwoven doc episodes filmed in four countries in the Middle East.
Mark Peranson in the great Cinema Scope cover story:
Notturno looks and sounds like what we would associate with a bigger-budget feature film, not something shot and recorded by one man over a three-year period. Often bereft of dialogue, the images are carefully framed.
Always there was this idea, even when I was filming Fire at Sea, “Where are these people coming from? What’s happening there?” … The challenge was to find these stories, because I went there not knowing anything, and I came back knowing less. I was able to grab and embrace stories and moments that left a very strong impact.