Zeros and Ones (2021, Abel Ferrara)

Why does this open with an Ethan Hawke personal intro, between the production logos and the title? The movie’s broad motivations are obscure, and I don’t buy many of its details. The music has Dead Man guitar improv vibes, and if it’d cut out those military marching band beats it might be truly great (the music, not the movie). Some kind of a cyber military thriller, mainly shot in ugly nighttime handheld digital. Pandemic-era: kissing through masks, smartphone in a freezer, disinfectant sprayed on $100 bills, a computer gets shot during a skype call. One Hawke zooms around Rome holding out his camera like it’s a gun (“shoot it so they believe it”), his revolutionary imprisoned Hawke Brother seems Nick Nolte-inspired.

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