I’ve always wondered about this one. In my mind it represented all the non-musical Potter plays, the other half of his career, and so I had to coax myself into finally watching it for fear it’d damage my image of the great man. Liked it for sure, but don’t think I would’ve been hooked if this was the first one of his plays/adaptations I’d seen. Well-written, subversive, but dark as all hell… I am surprised this guy was allowed to work in television.
Over two decades before The Blair Witch Project:
Michael Kitchen (Out of Africa, recurring role in recent James Bond flicks) is Martin, an evil young man who bumps into strangers on the street and tries to convince them that they know each other. Denholm Elliott (A Room with a View, Bad Timing, best known as a good guy in the Indiana Jones movies) almost falls for it then ditches him, but Martin stole Elliott’s wallet, takes it home and easily talks his way into the house with the wife Patricia Lawrence (in Potter’s Son of Man a few years earlier). Martin sees that their daughter Pattie is lying brain-damaged at home and fakes that he was an ex of hers who was turned down for marriage, offers to help care for her, acts ever so polite. Elliott is suspicious but doesn’t move fast enough, and Martin integrates himself. The wife might be gullible, but she’s also so weary from taking care of Pattie constantly and jumps at the chance to leave her in compassionate hands for a few hours each day. One night when Martin is about to rape Pattie for at least the second time, she wakes up screaming, aware of herself at last, and Martin flees, immediately starts looking for a new family.
Barry Davis (who also directed Potter’s Schmoedipus the same year) keeps things lively on a miniscule budget. The not-at-all-naturalistic lighting effects (see first screenshot) are especially nice. From the initial street scene on, it stays remarkably intense, bizarre and horrifying. Martin has supernatural powers and hairy demon feet. He talks politics with the family, encourages their own worst impulses. Potter writes: “Deport them, that’s what I say. England for the English” into the mouth of the devil. Then of course there’s the home invasion aspect, the rape of a mentally damaged girl and the miracle ending. This was banned for eleven years (“brilliantly written and made, but nauseating”) – that’s why IMDB lists it as a 1987 release. The theatrical remake starring Sting was actually the first version released in the UK.
My favorite line… having some brandy – “There’s fluoride in the water, so are you able to drink it neat, dear?”