Touki Bouki (1973, Djibril Diop Mambety)

IMDB says it’s “believed to be Africa’s first avant-garde film”. Think it’s the earliest African film I’ve seen period other than the not-so-avant-garde Black Girl & Borom Sarret.

It’s a semi-comic story of horned-motorcycle-drivin’ Mory and his college student girlfriend Anta riding around Dakar, Senegal looking to steal enough money to get them to the paradise that is Paris. After successfully robbing a gay rich dude and unsuccessfully robbing a wrestling match, she boards the boat but he is overcome by nationalistic cow-related panic and runs back into town. There’s a woman “Aunt Oumy”, local griot, yells at them, they imagine returning to town rich and famous, Oumy singing for them. I did kinda like it even though I don’t have much to say about it.

Rosenbaum says “one of the greatest of all African films and almost certainly the most experimental … The title translates as Hyena’s Voyage, and among the things that make this film so interesting stylistically are the fantasy sequences involving the couple’s projected images of themselves in Paris and elsewhere.”

From wikipedia, Mambety “sought to expose the diversity of real life”, and his “editing and narrative style are a confluence of the ancient griotic tradition of tribal storytelling and modern avant-garde techniques. Mambéty was interested in transforming conflicting, mixed elements into a usable African culture, and in his words, reinvent[ing] cinema.”

Shortly before he died, Mambety was asked what he would do next. “I will finish the third part of the trilogy about ordinary people. After that, I will make Malaika, the third part of the trilogy about the power of craziness. The first two were Touki Bouki and Hyènes. Then I will consult God about the state of the world.”

Sex on the beach:
image

Wild child in a tree:
image

Griot in a riot:
image

Fantasy riches:
image

Also watched Episodes from the Life of Jekyll and Hyde by Paul Bush, a few-minute piece using the soundtrack to one (or a few) Jekyll & Hyde movie and ultra-fast-cutting two actors together into some kind of stop-motion nightmare… where the Secret Adventures of Tom Thumb meets Alone, Life Wastes Andy Hardy. Cool.

image

image