So there’s been a disease apocalypse and the survivors go around doing the usual: hoarding food, killing passers-by for gasoline, and wearing silly germ masks.
Our heroes are brothers Chris Pine (Star Trek) and Lou Pucci (last seen holding a bazooka in Southland Tales) with girlfriends, respectively, Piper Perabo (The Prestige, The Cave) and Emily Van Camp (the sequel to the remake of Ring). All is going fine until they run into Chris Meloni (Wet Hot American Summer) and his sick daughter who will trade the gas in their busted car for a ride to the doctor with the disease cure. Piper gets breathed on by the girl, gets sick and abandoned soon after they ditch Meloni at the false-hope doctor’s place. The movie’s first mistake: when you run into a celebrity like Chris Meloni in a post-apocalyptic environment, your hero should recognize their pre-apocalyptic stardom, saying “You’re famous,” then the star should respond humbly to the hero, “Naw man, you’re famous.”
Not a lot of electricity, but somewhere there’s a radio station still running on a generator, until the DJ signs off with one final song – M. Ward’s “Rollercoaster”. Won’t M. be glad that his song was considered appropriate for this bleak-ass movie. And it is bleak – without his girlfriend around to hold him together, Chris Pine gets increasingly antisocial, and increasingly infected by the killer virus, until finally his loving brother has to kill him. Next scene as Lou and Emily roll into the two brothers’ mythical beach hideout (see: Y Tu Mama Tambien), Lou’s voiceover tells us that it’s a hollow victory because without his brother there is no point in living. It’s such a futile, bleak little picture, and without the fun of Mad Max or the art of The Road – so what’s the point? Why make this movie, or watch it for that matter? The Brothers Pastor (from Barcelona) say that A Simple Plan is their favorite Sam Raimi movie, which explains a lot.