“Help me someone! There’s a crazy woman in here trying to castrate me!”
The Poe-injected story goes that rock star Roddy Usher killed his wife in a fit of madness so now he’s in hospital under the care of Dr. Calahari. But “story” is just an excuse for Ken. He got himself a DV camera (with built-in microphone), grabbed every silly prop and goofy actor he could find, and set to work making a camp comic “horror” flick. The credits say “Designed, Photographed, Edited, Produced & Directed by KEN RUSSELL (who also did the Cooking),” so this was a backyard hobby project. That page doesn’t even mention writing (he shares credit with Poe) or acting.
Starring: Ken Russell
And have I mentioned it’s a musical? Full of puns and hammy awfulness and prank props and silly-ass music. Sounds nightmarishly awful, and I’m not some super-freakish Ken Russell fan who would forgive him a terrible movie. But, surprise! Shock! It’s not a terrible movie! At least I didn’t think so, as I quickly went from groaning at the self-conscious awfulness to laughing along. Mad Ken must be on the same camp-wavelength as me, which I should have guessed after seeing his Trapped Ashes episode.
Of course it helps that I liked the music, composed by Usher himself James Johnston (who also played a rock star in Clean – Maggie Cheung’s dead husband). Upsettingly, Nurse ABC Schmidt (Marie Findley) hasn’t appeared in other films. Sweet Annabelle Lee (Emma Millions) played “Tart” in Ken’s short Lion’s Mouth – bad move not including that on the Usher DVD. Russell’s wife played Usher’s sister (also a mummy in the second half) and the guy who played Igor (he stayed behind a mask) has been in Russell movies as far back as the 60’s.
This guy, an experimental patient whose life Ken has been prolonging through chemicals or electricity or something, portrayed “Death” in a recent Woody Allen film.
I’d be afraid to watch this again. It doesn’t seem in retrospect like anything I would’ve enjoyed, so it might’ve just caught me in a perfectly receptive mood. As of this viewing, my only complaint is that there weren’t enough musical numbers in the second half.
Amazingly, this nearly decade-old movie is Ken’s most recent full-length, coming a few years after his string of not-at-all-acclaimed TV movies.
Ken looks dismayed at his lack of DVD sales: