Black Swan (2010, Darren Aronofsky)

Watched this the same night as The Social Network. They both currently rank in the top 150 movies of all time according to IMDB voters, who have no sense of history. I cringed when I saw Aronofsky’s handheld follow-cam from The Wrestler, but he didn’t overdo that stuff this time. He’s always had a knack for filming deteriorating human bodies and creating sustained intensity through editing and music – plenty of opportunity for both in a story about a ballet dancer going mad. Mila “Extract” Kunis was just as good as Natalie Portman. Barbara Hershey (as Portman’s mom) and Winona Ryder (as the washed-up dancer Portman replaces) round out the cast – apparently a very female picture, though it didn’t feel like one. Will Darren ever make a movie in which nobody dies (or suffers massive trauma, whatever) at the end?

Do I detect an Inland Empire influence?

Too bad the song “Black Swan” wasn’t in the movie, but it couldn’t have made a bigger impact than it did over the ending of A Scanner Darkly.

Related posts