Gymnopedies (1965, Larry Jordan)
An egg floats around on different backdrops interacting with various objects, all cut-out animation a la Gilliam or Borowczyk, set to calm piano music. Feels more like a proof of concept than anything else – if there was a narrative present, I didn’t catch it. Cute, though.
Lipstick (1999, Pascal Aubier)
Single 6-minute shot beginning under a bed, unsubtitled. Family is getting ready to leave for a trip, the mother is briefly visited by her lover who comes in through the window. Aubier was assistant director on some French New Wave classics in the 60’s, now an actor and a director of (mostly) comic shorts. Liked this a lot (and not only because of the naked dancing), will have to check out more of his stuff.
Ark (2007, Grzegorz Jonkajtys)
Iffy-looking 3D animation tells apocalyptic story with a twist ending. Our guy wasn’t really the lead scientist onboard an ark of the last surviving humans searching the oceans for new land, just a crazy old man in a convalescent home. Ha! Bah.
Happy-End (1996, Peter Tscherkassky)
Found footage of a couple sitting down for dinner, toasting the camera, drinking… and drinking and drinking! Dancing, drinking, sitting, more drinking. Different days, different clothes, edited together, eventually with scenes superimposed atop each other, a haunted distortion of a French pop song as the soundtrack.
Two Solutions To One Problem (1975, Abbas Kiarostami)
Very short with narrator, two kids get in a fight over a torn book. We tally the damages then rewind, and instead of starting a fight, they help repair the book and remain friends. Nice.
Blah Blah Blah (2006, Dietmar Brehm)
Liquor bottles. Close-ups of objects with strong textures, overexposed porno, an action film in extreme-fast-forward, long pause on an ashtray, back to the liquor bottles, etc. Audio is a quietly rainy/windy day with a metronome hit every three seconds. Looks like old 8mm or 16mm color with some monochrome sections. Pretty alright, probably better in a theater surrounded by like-minded shorts instead of following up a cute Kiarostami piece.
A Girl, She is 100% (1983, Naoto Yamakawa)
Wow, that wasn’t very good at all. They must’ve thought it’d be the simplest Haruki Murakami story to film. Straightforward, with some good still photography and some bad acting by our IMDB-unknown hero, closing with some rockin’ 80’s music.
Foutaisies (1989, Jean-Pierre Jeunet)
Young Dominique Pinon with 80’s hair tells us about the things he likes and does not like. Very Amelie-feeling, with Delicatessen opening titles (and Deli‘s lead actress).
The Hitman (2001, Ruben Fleischer)
Mary Lynn Rajskub decides to be a hitman, but her first mark (Paul F. Tompkins) decides not to go through with it and asks her out instead. Just your typical indie comedy short. From the director of Girls Guitar Club, whose film career didn’t take off, I guess.
What Is That (2001, Run Wrake)
Buncha funny animated business involving insects and meat and ringing sounds. Cute, but only three minutes long and pretty inconsequential… not up to Rabbit level. Guess it’s an early work.
Film Noir (2005, Osbert Parker)
Awesome, very short. Like Fast Film but slower. Some After-Effects-lookin’ animation combined with models and lots of cutouts – not trying to tell a story, just cool visuals/mood. Ahhh, the internet reveals that it was all created in-camera – impressive!
Banquize (2005, Claude Barras)
Boyer’s French Dictionary: “banquize – heap of floating ice frozen together in close masses.” Might be called Banquise, actually. Simple animation, fat kid wears his snow clothes in summer, dreams of living on banquize and playing with penguins. One day trying to hitchhike there he drops dead from heat/dehydration. Hmm.
Herakles (1962, Werner Herzog)
Herzog’s very first film, six years before his first feature. This was really good, and not like anything else I’ve seen by WH. Pretty simple structure so I’ll let wikipedia take it below.
The film relates to six of the twelve labours of Heracles. The film starts with shots of young male bodybuilders working out in a gym, posing on a stage and flexing their muscles. Each of the labours are then announced by on-screen text in the form of a question, followed by related scenes of modern challenges intercut with the bodybuilders. The audio track of the film is saxophone jazz and sounds from a gym.
The question “Will he clean the Augean stables?” is followed by scenes of a garbage dump, “Will he kill the Lernaean Hydra?” is followed by a huge line of stopped traffic on a motorway and people walking around outside their cars, “Will he tame the Mares of Diomedes?” is followed by scenes of car racing and several race crashes including a crash into the spectators and shots of the subsequent disaster and piles of bodies, “Will he defeat the Amazonians?” is followed by scores of young women marching in uniform, “Will he conquer the giants?” is followed by shots of rubble of a destroyed apartment building and men in uniform searching the wreckage, “Will he resist the Stymphalian birds?” is followed by jets flying in formation, shooting missiles and dropping bombs on training targets. The last shot of the film is of a bodybuilder’s buttocks as he goes off the stage through the stage curtains.
Matta (1985, Chris Marker)
“What I am showing here is no exhibition. It is an appeal: Come and play with me! It’s a very lively game, but nothing happens.” Simple interview with Chilean artist Matta (not surprisingly an Allende supporter), an original member of the surrealist group, talking coherently about his art and all art, human beings, dimension and meaning. Would be nice to get/make a transcript. Would be even nicer to have been able to see the Matta paintings that Marker frames him against, but my video was too low-quality to make out much visual detail.