Under The Skin (2013, Jonathan Glazer)

Whoa.

V. Rizov:

Shots begin as seemingly uninflected observation, then the music creeps in and a whole new emotional tone is set without a single cut or camera movement… I don’t really care what this is About (I suspect it’s stupid), but it really is dazzlingly unexpected throughout. Also, there are jokes! Who said maybe-cosmic statements had to be ponderous?

B. Williams in an excellent article for Cinema Scope:

Glazer has radically deconstructed his infilmable source material and reassembled the few fragments he has retained into a sociologically ambiguous mood piece. What was originally a bonkers and sententious parable about class, labour, and the horrors of the meat industry – run by a race of talking antelope-like beings from another planet – is now essentially an abstract coming-of-age picture.

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