The Signalman (1976 Lawrence Gordon Clark)
A fellow with too much time on his hands stops to visit a train signalman (Denholm Elliott of Brimstone & Treacle), whose apparent job is to live in a little house next to a train tunnel signaling whether another train is approaching or not, never leaving his post. The signalman tells of a ghostly visitor, who appears next to the tunnel apparently warning him of something, always shortly before a train accident. The final time he sees the spectre, he runs out to confront it and is killed by a train. Based on a Charles Dickens story, a good little movie.
Anger Sees Red (2004 Kenneth Anger)
Guy in red hat visits Rudolph Valentino’s grave, lays down, walks about.
Looks like this was shot by just anyone with a camera, not by a sixty-year filmmaking veteran.
Edgar Allen Poe (1909 DW Griffith)
Woman (played by Linda Arvidson, Griffith’s wife) awakens and stumbles around a room before collapsing into bed. Poe (Barry O’Moore, who’d later find fame as Octavius, the Amateur Detective), dressed like Jeffrey Combs in The Black Cat, gesticulates wildly towards a Melies-trick raven, dashes off a quick poem and runs to the newspaper, where he’s roundly dismissed, gesticulating wildly. But he argues his way into the editor’s office, sells the poem, runs home with blankets and food, but his wife has just died. He responds by gesticulating wildly.
Jabberwocky (1971 Jan Svankmajer)
A stop-mo masterpiece from the ass-slapping percussive opening credits on. A girl reads the poem on the soundtrack for the first couple minutes, then Jan runs out of poem and just riffs for the next ten. Love how objects appear and grow using replacements of progressively larger objects. As usual, he obsesses over dolls and food. Funny that two very different stop-motion animators would make Jabberwocky movies in the 1970’s.
Herzog and the Monsters (2007 Lesley Barnes)
Motion graphics, 3D camera moves, typography and a groovy song tell the story of Herzog, living in his grandmother’s house full of books but not allowed to touch them.
Johnny Express (2014 Kyungmin Woo)
Overrated delivery man has a scale problem when attempting to deliver a microscopic package to a tiny planet, wrecks planet, kills everyone. But it’s very funny.
The Dover Boys at Pimento University (1942 Chuck Jones)
Gag-filled parody of stories where square college boys save damsels from drunkard villains.
Sculpting Sound: The Art of Vinyl Mastering (2014 The Vinyl Factory)
Only six minutes – I wouldn’t have started watching it if it’d been three times longer, but now that I’ve watched, and half its runtime was stock footage of archaic gear and focus-pulls on the modern engineers’ dials and knobs, I want to know more specifics, for instance to follow a song through the recording, engineering, mastering and pressing process, hear exactly how the nature of the sound changes at each step. Can somebody do this please? Music in the doc by James “UNKLE” Lavelle
Also: saw more making-of footage of The Day The Clown Cried online, now with an on-set Pierre Etaix interview (in french).