A twisty triple-cross murder thriller, sleek and sexy and fun while it’s playing, with very good performances, but pretty instantly forgettable. Too bad, I was hoping for another Femme Fatale. American remake of Alain Corneau’s final film Crime d’amour which starred Ludivine Sagnier and Kristin Scott Thomas.
Rachel McAdams (To The Wonder) steals credit for her employee Noomi Rapace’s successful advertising idea, is in line for a big promotion, and is dating hottie Paul Anderson who is stealing from the company on the side. Noomi (also great in Prometheus) does all the work while Rachel enjoys being rich and powerful, repeatedly humiliating Noomi until she murders Rachel in the midst of a downward spiral of pill addiction with blue-toned noir lighting.
But wait! After being arrested Noomi manages to prove her innocence with some belated evidence and pin it on the boyfriend instead. And she’s secretly dating her hot red-haired secretary Dani (Karoline Herfurth of We Are The Night, not We Own The Night). The ending gets confusing, since Rachel is apparently alive again (Wikipedia says it’s her twin sister but whatever) and poor Dani gets murdered by either Noomi, Rachel, Rachel’s sister or maybe a ghost or it didn’t happen at all, I dunno. I figured it as a twist on the twist ending, not actually revealing how the final murder happened.
De Palma’s still got the smoothest moving camera in the business (shot by veteran DP José Luis Alcaine, who did at least six Almodovar movies), an excellent looking and sounding movie. I feel like I should’ve liked it more – not that anyone else did (A. Tracy’s takedown in Cinema Scope is the most amusing of the bunch).