Where did this movie come from, and what happened to it? How come this and Chacun du cinema, anthology films with tons of super-famous directors, aren’t well known and out on video? Paris, Je T’aime did pretty well, right? Whatever… we’ve got two 90-minute anthologies here, “The Trumpet” (the first seven listed below) and “The Cello”. Each has short films with the theme of ten minutes, or else something to do with time and the number ten. Each begins with some light jazz, abstract images of water, then the signature of the director on a black background and the title of the short.


The Trumpet

Aki Kaurismäki – Dogs Have No Hell
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More dry wit from Aki. Guy spends the night in jail, gets out and has ten minutes until the train leaves for Siberia (via Moscow). In that ten minutes, he finds a girl he knows, proposes to her, buys a wedding ring and gets them both train tickets. Not much in itself, but a good start to the anthology, setting up the whole ten minutes thing.

Víctor Erice – Lifeline
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A sleeping baby starts bleeding while its twenty-or-more family members are each doing their own thing. Time passes, tension mounts. Someone finally notices the baby and fixes him up, no problem. Great camerawork here! The kid above is listening to a watch he drew on his wrist.

Werner Herzog – Ten Thousand Years Older
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A sad ten-minute documentary. Twenty years ago in Brazil, contact was made with the last tribe of people anywhere in the world who didn’t have watches and t-shirts and chicken pox. We gave them all three of those things, the chicken pox killed most of them, and now there aren’t many left. Werner, along with a member from the original team, checks up on them. The younger generation is embarrassed by their parents, want to move to the city. The older ones, represented by the war chief (above right, with his brother on left) ponder their fates and the passage of time.

Jim Jarmusch – Int. Trailer Night
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Chloe Sevigny tries to unwind in her trailer on a film shoot for ten minutes. There are interruptions. It’s pretty, but what else is it?

Wim Wenders – Twelve Miles to Trona
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Wenders manages to make a ten-minute desert road movie. This is kinda hilarious actually… straight guy accidentally overdoses on unknown hallucinogenic drug, has to drive himself to the hospital in another town ten minutes away. He doesn’t make it, but a passerby gets him there and he’s okay. Looked a bit like one of those Masters of Horror episodes where they mess with the camera to make things look trippy, but it pulled me in pretty well. They played two loud Eels songs from the Souljacker album.

Spike Lee – We Wuz Robbed
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A compressed mini-doc about Bush II stealing the 2000 presidential election from Gore (with help from the mass media and supreme court), snappy and nicely done, using all interviews and TV news graphics.

Chen Kaige – 100 Flowers Hidden Deep
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Crazy guy brings a moving company to a dirt lot to move his furniture. Finally they pretend like they’re moving furniture to appease the guy, until one mover “drops” a “vase” and breaks it. Not great, but cute. Wish it didn’t end with an awful, sub-2046 wireframe 3D animation though.


The Cello

Three of the seven Trumpet shorts made me tear up with emotion (hint: Spike Lee yes, Wim Wenders no), but most of the Cello disc left me sad, tired or bored. Huge difference there, but I’d rather have it that way than have the crap diluting the good stuff over both discs. If only the Michael Radford short had been on the Trumpet disc, I could’ve just sold Cello.

Bernardo Bertolucci – Histoire d’eaux
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I kinda liked this, but it still gave me a sort of “uh oh” feeling about The Cello when it started. Foreigner (Indian?) is in Italy with a pile of other foreigners, confused thinks he’s in Germany. Old guy wanders away from the group asks our man for a drink of water. Our man finds a girl, fixes her motorcycle, marries her, has kids, gets a nice job, buys a car, crashes the car, wanders off from the car crash site and sees the old man still waiting for his water.

Claire Denis – Vers Nancy
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A dry, academic conversation on a train about outsiders & foreigners, with the writer and one of the actors of Denis’ 2004 feature The Intruder. I haven’t seen Intruder, but this is obviously a companion piece, prequel or commentary on it. It almost put me to sleep, and I wasn’t even tired.

Mike Figgis – About Time 2
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Figgis was the oscar-nom director of Leaving Las Vegas, but I don’t think the producers of Ten Minutes Older realized that in 2002 his career was on the verge of death after Timecode and the critically bashed Hotel (it would die for real the following year with Cold Creek Manor). This is a nonsense short, shot Timecode-style. So far, it is the least-bearable ten minutes I have watched this year… I was itching to fast-forward.

Jean-Luc Godard – Dans le noir du temps
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In collaboration with Anne-Marie Miéville, I think this was actually a trailer for Histoire(s) du Cinema. They’re definitely related. The most unfortunate similarity to Histoire(s) is that this was only partially translated – none of the onscreen French text has subtitles.

Jirí Menzel – One Moment
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A very nice tribute (using archive footage) to Czech actor Rudolf Hrusínský who acted in more than ten of Menzel’s movies and died in 1994.

Michael Radford – Addicted to the Stars
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Guy travels 80 light years in suspended animation in a space capsule, gets back to earth and doctors say he has only aged ten minutes. Goes to visit his son, who was a young boy when he went away, now a very old man. Movie has an awesome sci-fi look to it, and I liked the story and atmosphere – a very nice short, my favorite of the Cello bunch. Fresh off Lara Croft Tomb Raider, Daniel Craig starred as the astronaut.

Volker Schlöndorff – The Enlightenment
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Camera zooms around an outdoor party while unseen narrator ponders the nature of time. At end camera flies into a bug light and dies. It turns out we have been a mosquito. Har!

István Szabó – Ten Minutes After
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Szabó is the Hungarian director of Lovefilm and Sunshine – I haven’t seen anything else of his. A husband comes home extremely drunk and angry, starts storming around the house while his wife watches upset, “what’s wrong? you never drink!”, finally he tries to strangle her, she stabs him, emergency crew arrives in like fifteen seconds, cops question her, the end. Why? I thought it was gonna be all one long shot, but then I saw a cut towards the end, so there were probably a couple others.

When the ghost tells Hamlet to avenge his death, he calls Hamlet stupid and H replies “Get on with it, it’s cold and I don’t want to be late for dinner.” This ain’t your gramma’s Hamlet!! It’s a black-and-white Finnish satire of the business world. In corporate Finland, there are no good guys, no sympathetic souls, just murderous fiends who all want to get ahead. Thus, it turns out Hamlet poisoned his own father, and in the end he is dispatched by the family chauffeur, a spy for the workers’ union.

Movie does have its funny parts (which include Polonius’s mustache), but I regret I can’t say it was a total delight to watch. Not a chore, either, and not mediocre or a waste of time, just a mild success, a Jarmusch-reminiscent dark comedy. All that Shakespeare probably held it back (although he cut all soliloquies and cut the story to a sleek 85 minutes). I’m still optimistic, wanna check out more Kaurismäki soon.

Our… hero?
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Polonius and his mustache:
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I liked the music… this band got to play a whole song in the middle of the movie. Note found online: “the film features a live performance of the song Rich Little Bitch by Melrose, a Finnish rock trio very popular at the time when the film was made.”
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Choice Kaurismaki quote: “When I was young, I would sit in the bath and ideas would come to me. But I’m not young any more, so now I just sit in the bath.”

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A program of shorts that played at the 2007 Cannes Film Festival to mark its 60th anniversary. Pretty terrific bunch of 3-5 minute shorts by possibly the best group of directors ever assembled… worth watching more than once. Each is about the cinema in some way or another, with a few recurring themes (blind people and darkness, flashbacks and personal stories). Katy watched/liked it too!

First half of shorts (second half is here):

Open-Air Cinema by Raymond Depardon
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One Fine Day by Takeshi Kitano, continuing his self-referential streak.
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Three Minutes by Theo Angelopolous is a Marcello Mastroianni tribute starring the great Jeanne Moreau.
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In The Dark by Andrei Konchalovsky
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Diary of a Moviegoer by Nanni Moretti
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The Electric Princess Picture House by Hou Hsiao-hsien
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Darkness by the bros. Dardenne
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Anna by Alejandro González Iñárritu
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Movie Night, the first of two gorgeously-shot outdoor movie starring chinese children, by Zhang Yimou.
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Dibbouk de Haifa, annoying business by Amos Gitai.
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The Lady Bug by Jane Campion.
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Artaud Double Bill by Atom Egoyan.
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The Foundry, comic greatness by Aki Kaurismäki.
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Recrudescence, stolen cell-phone bit by Olivier Assayas.
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47 Years Later very self-indulgent by Youssef Chahine.
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