A panel of feminists is convened to rebut a Harper’s article written by shitstarter Norman Mailer. We didn’t do our homework and read the Mailer article first, but followed the arguments just fine. Anyway, amazon says it’s available as a 240-page hardcover, which they categorize under “Spies & Political Thrillers,” so what is going on.

1. Jacqueline Caballos runs a women’s advancement organization, gives a nice political speech.
2. Writer Germaine Greer is smart, funny and quick. She has a completely different approach to Caballos, who never speaks again.
3. Jill Johnston’s speech is like an SNL sketch full of jokes and references. She gets in an argument over exceeding her time, and after some makeout anarchy, leaves the movie forever.
4. Lit critic Diana Trilling knows Norman well, and seems to be the most balanced person onstage, not that that’s a high bar.

Norman’s an egoist who says he’ll fade into the background and let the women speak during the Q&A, but doesn’t – it doesn’t help that most questions and comments (including Susan Sontag’s) are addressed directly to him. Nice to spend some time checking in with the pop intellectualism of the 1970’s, unable to imagine this event taking place today.

The Staggering Girl (2019, Luca Guadagnino)

Luca’s follow-up to Suspiria Remake is… a fashion ad, and from the writer of The Current War, weirdly. I’ve watched other attempts at taking the fashion money and making a short film. This one lacks the nudity of the Carax and the creepy coolness of the Martel, and is overall not very interesting – but at least in this one I really noticed the clothes, so it arguably does its job better than the others. The Tsangari museum ad still beats ’em all.

Anyway, I barely remember this, but took some notes at least:

Julianne comes home with flowers to an empty apt, talks with Kyle on phone

The woman in yellow disappears

Nice whispery horror soundtrack

I think Kyle is Julianne’s painter mom’s assistant.

Now the woman who disappears is in pink.

Mia Goth with whoever plays Young Julianne:

Proper Julianne:


Original Cast Album: Company (1970, DA Pennebaker)

We watched this doc on Criterion because it’s newly available after being hard to see for years, and it’s talked-about online… but mostly because I wanted to do my homework for the next season of Documentary Now! Stephen Sondheim wrote some overcomplicated songs, he and the recording engineers fret over the performances, especially Elaine Stritch, who is saved till late night, then convinced to come back the next day and re-record.

We also watched a couple of shorts on Criterion… I think Michigan Avenue, and a jazz short, possibly A Rhapsody in Black and Blue, but I’d better not count those, since I can’t even recall for sure which ones they were.


Hamilton (2020)

It would’ve been cool to see this live, but our $480 tickets to see the touring company from the Fox balcony were refunded, and instead we watched the original cast up close in HD for free, and I’m not complaining. After all the Clipping I’ve been listening to, I’d hoped Daveed Diggs would be cooler as Lafayette… but then in the second half he’s super cool as Jefferson.


Cowboy Bebop (1998)

Firefly ripped this off quite a bit, eh? When it originally aired I thought this show wasn’t for me… in my defense, that might’ve been a knee-jerk stance from being surrounded by anime kids in college. Pretty excellent, our two main dudes accumulating shipmates, each with their own skills, competing for bounties, then finally the gang breaks up.

I’ve gotta see Cowboy Bebop: The Movie, which I’m just now learning about. The same team worked on Macross Plus, Samurai Champloo, Wolf’s Rain, and Space Dandy.


Fleabag season 1 (2016)

Really good, short series, based on a stand-up show that I tried to watch afterwards but it’s the same stories told in the same way, so I bailed after a half hour. Phoebe Waller-Bridge runs the guinea pig-themed cafe she co-owned with her late friend Boo, steals from her stepmother Olivia Colman, and torments her dad (Bill Paterson, who I just saw in Colin Burstead) and sister (Sian Clifford).


Superjail! season 3 (2012)

Opens in Ultrajail with the Warden as inmate, so I thought this season might end up having some kind of stakes, but nope, that was a one-off, then we’re back to the usual ultraviolence. This show is a LOT – I can’t even look directly at the screen the whole time or else my brain and eyes get overloaded, but it’s a good thing to half-watch while reading the news.


Rick & Morty season 4 (2020)

401: Akira, fascism, holograms, crystals that show you how you’ll die
402: Rick defends his private toilet from intruders, Jerry develops matchmaking app with an alien
403: R&M visit a heist convention, put a crew together, and pit Heistotron vs. Randotron
404: R gets M a dragon, Jerry has a talking cat
405: Morty interrupts a society of racist snakes causing time-travel chaos, Jerry floats
406: Narrative train!
407: Alien facehugger mind control
408: Vat of acid, Morty gets ability to save his place, vat of acid
409: “I fucked a planet”
410: star wars episode with an unexpected Don’t Look Now reference

Bonus: Samurai & Shogun anime short mashing up R&M with Lone Wolf & Cub.


A Touch of Cloth (2012)

Looking for something lightweight to watch, I found this TV movie cowritten by Charlie Brooker, and it was just the trick. All visual puns and word games delivered straight-faced, a la Police Squad or Airplane. It’s a cop mystery, and I think their boss (guy from The Hour) ends up being the culprit. Director Jim O’Hanlon did the Romola Garai/Jonny Lee Miller Emma. A few weeks later I made it a half hour into the second of three Cloth movies, but pulled the plug, only writing “oh noooo it’s all the same jokes.”


Lodge 49 season 1 (2018)

Ex-pool-guy Dud (Wyatt Russell from the fear-VR Black Mirror) and restaurant worker Liz (Sonya Cassidy of a bunch of UK miniseries) are in the dumps after their deeply-in-debt father apparently killed himself, until Dud finds a new sense of purpose at the local (also doomed by debt) Lynx lodge. I picked up this show after reading Vikram in Vulture, and loved about every minute of it. Dud sees signs everywhere, thinks everything is fate, and it’s never clear whether he’s delusional or on to something big – shades of Inherent Vice and Under the Silver Lake.

Lynxes:
Sovereign Protector Larry: Kenneth Welsh, a boss in Survival of the Dead, Windom Earle in Twin Peaks
Future S.P. and Dud’s reluctant mentor Ernie: Brent Jennings (Moneyball, The Serpent and the Rainbow)
Ernie’s secret squeeze Connie: professional mom Linda Emond (Ryan Gosling’s mom in Song to Song, Evan Rachel Wood’s mom in Across the Universe, Logan Lerman’s mom in Indignation)
Connie’s husband Scott: Eric Kramer, Little John in the Mel Brooks Robin Hood
New Age Blaise: David Pasquesi, Veep’s ex-husband

Notable non-Lynxes: Pawnbroker Burt… Brian Doyle-Murray as Ernie’s Boss… Bruce Campbell as Captain… Ernie’s coworker Beautiful Jeff… Dud’s depressed temp boss Gloria… Hot Librarian Emily… Liz’s fling “Corporate”… Surfer Alice… Fake Lodge agent Avery (lead singer of All-American Rejects)… and Real Lodge agent Jocelyn.


Tim & Eric’s Bedtime Stories season 2 (2017)

Piano salesman Eric’s boss Tim is obsessed with baklava.

Scratchoff gambler/mesmer Ray Wise steals Jorge Garcia’s wife Rhea Pearlman

The return of angelboy Scotty, featuring Bubbles

Very bad air traffic controller Will Forte takes a break, feat. Veep’s daughter and aww, Fred Willard

Gross dude gets a free trial workout at an auto-gym.

And T&E play lesbians Belle & Bonnie, whose adopted son is sold to a rich guy.


Alan Partridge’s Scissored Isle (2016)

Alan goes to different parts of Britain to try to bring harmony to the people… something like that, anyway. I forget how he gets locked into a warehouse over a weekend, but I recall that the whole adventure was started after someone filmed him attempting an insult joke. “The footage went viral,” he tells us, while the screen says 150 views. This was after the great Partridge movie, between Mid Morning Matters and This Time.


Also watched an episode each of Sherman’s Showcase, Final Space,
Avenue 5, and The Last O.G., none of which seems essential.

We enjoyed the quarantine reunion special of Parks & Rec.

Katy and I checked out each other’s shows in which characters burst into song, but I didn’t love Zoey’s Extraordinary Playlist and she couldn’t stand Lipstick On Your Collar. We settled on Crazy Ex-Girlfriend, but now it’s been three months since episode one…

After reading reviews I decided to watch half of The Twilight Zone 2019 season 1. Nightmare at 30,000 Feet confirmed my worst fears: instead of a goblin on the flight, it’s a podcast. Fun to watch Adam Scott anyway, so I made it through, but then the next two episodes I tried opened with cops, and that’s not the kind of story I was looking for that particular week.

Katy suggested watching some Criterion Channel, and had never seen True Stories, one of my all-time favorite celebrations of special-ness. She liked it! Hard to believe that things like this could get released theatrically by Warner Bros. Looks like it was released around the same time as Under the Cherry Moon, Howard the Duck, The Mission, Deadly Friend and Little Shop of Horrors – an overall weird year for a major studio. Despite its studio backing it was nominated for two Independent Spirit Awards, but beaten for cinematography by that $138 million-grossing indie film Platoon, and for best first feature by Spike Lee (fair enough).

IMDB reports that two of the “Hey Now” kids went on to be voice actors, one in Disney movies and video games, the other on tons of dubbed anime including Fullmetal Alchemist: Brotherhood and Summer Wars.

and in memory of D.A. Pennebaker…

Baby (1954)

One of those 1950’s shorts where people were just discovering that you can take the camera outdoors and make short docs with jazzy editing. Brakhage’s Desistfilm and The Way To Shadow Garden (admittedly both shot indoors) came out the same year. This one stars D.A.’s young daughter wandering through a zoo.

Shake! Otis at Monterey (1967/87)

A Monterey Pop bonus performance film – D.A. and Maysles and Leacock and others filming the hell out of a short, fiery performance by Otis Redding. This was Redding’s big break in June 1967, and he was dead in December. Superb concert footage of a tight 20-minute set, each song with its own visual look/flow, so an appropriate closer to a night begun with a David Byrne movie.