Three Little Pigs (1933, Burt Gillett)
Musical short feat. “Who’s afraid of the big bad wolf” song. Great sound work by Carl Stalling. Uncle Walt did the voice of the brickhouse pig, one of only a couple credited non-Mickey voice roles. OMG, inside the brick house there’s a framed picture of sausage links on the wall with the caption “father”.
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Mirror of Holland (1951, Bert Haanstra)
Greeeeat movie. He shoots reflections of Holland on the river, then flips the camera so they’re rightside-up. Looks for cool subjects and cool effects off the water. All woodwind and harp music, no narration, gorgeous. Didn’t know there was a golden palm for shorts at Cannes, but this won it.
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Quiet As Kept (2007, Charles Burnett)
“That little-ass FEMA check sure don’t go very far”
Actors are real actorly, especially the kid (he’s in Ned’s Declassified). Video is real videoey. Script is real good, a sketch about a family of black New Orleans ex-residents post-Katrina, but the movie is ehhh. Oops, All Movie Guide calls it a documentary – bozos. Can’t find anyone talking about this online, probably because when Killer of Sheep came out on DVD, everyone got in line to praise it and didn’t want to look out-of-touch by talking about the not-great shorts it was packaged with.
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Mr. Frenhofer and the Minotaur (1949, Sidney Peterson)
Distorted film of actors, string music, and voiceover, none of which has anything to do with the other. “To pose, or not to? I love him, I love him not? Or rather, since I love him less already, why not? An old man mad about paint, Frenhofer…” Yep, definitely from the same source as La Belle Noiseuse. “Once upon a time there was an old man who had been painting one painting for ten years. His name was Frenho… for what? … He started looking for a model to compare. All he wanted was the most beautiful woman in the world to prove to himself that his painting was more beautiful than any possible woman.” It’s all in here: Marianne’s man (also a painter) offering up her modeling services, Porbus the art dealer.

The script/narration is pretty swell but I wouldn’t be following if not for having seen the Rivette, and the visual is just nothing to me… a clock, a fencing match, cats, blurry nonsense, movie would be just as good with a black screen. Sorry, Sidney Peterson. Hmmm, at the end a fencer stabs the painter.
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Eurydice – She, So Beloved (2007, Bros. Quay)
Very underlit ballet. Kinda dull. I preferred The Phantom Museum (and Dracula: Pages from a Virgin’s Diary).
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Victory Over The Sun (2007, Michael Robinson)
Weirdly shaped monuments and the whispering wind. Would probably help if I could understand what the chanting people are saying. There’s some abstract 3D Animation thrown in. Towards the end goes into sound from some cartoon… Transformers? Some very familiar symphonic music. Pretty nice… I didn’t love it by any means, but I like it better than the disappointing Light Is Waiting.

Waaait, I looked this up online and found all sorts of stuff about it, something about being shot on the former sites of Worlds Fairs, but now I can’t find where I wrote that down.
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The Wizard of Speed and Time (1979, Mike Jittlov)
Oh My God. This is three minutes of pure joy. Now that I have found this movie, I will watch it always. It’s my new The Heart of the World, using jaw-dropping stop-motion to express pure cinema love. The look is dated, but the music is swell, and Mike is a grinning god.
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Watched many times before, but never in dolby disney digital 3-D with cool polarized-lens non-headache-inducing glasses! The 3D effect was great, adding layers of depth (not pop-out-of-the-screen gimmicks) to an already gorgeous movie. Of course seeing the movie on a big screen again gives new appreciation to the intricate visual details, but why were some of the camera-panning motion scenes so blurry? Did the 3D effect do that, or have they always been that way?

fun fact: Chris Sarandon, lead actor in master-of-horror Tom Holland’s “Child’s Play” and “Fright Night”, voices the non-singing Jack Skellington.

Katy sorta likes it. Maria did not. Kids today… sigh.

FEB 2017: Watched at The Ross, followed by a Q&A with the great Danny Elfman.
I think Katy likes it more than she used to.

Lifted – came in late and missed it, but it’s supposed to screen in front of Ratatouille so I’ll get another chance.

The Danish Poet – saw the end, didn’t look impressive, but cute maybe.

Maestro – cool, the inner workings of a cuckoo clock (that being the twist ending) with the camera moving around the room in increments like a second hand. Landmark liked it so much they played it twice in a row (or that’s because their heads are up their asses as usual).

The Little Matchgirl – too smooth looking, too disney looking, and too many credited animators. Unfairly sad little thing.

No Time For Nuts – an Ice Age short, also unfair. More importantly, not especially good/funny, not half as good as the Madagascar penguin short. Prehistoric squirrel-thing finds a time machine and it teleports him and his sole acorn all over, ending in the future with a fake oak tree. Poor guy.

A Gentleman’s Duel – 3D short with people, never a good idea but this one looked quite good. Uptight brit and uptight frenchie duel in battletech suits over pretty girl who ends up getting nekked with her butler/servant/whatever. Has its moments.

Guide Dog – only crossover with The Animation Show and my favorite of this bunch. Too bad, the Oscars could learn a lot from Judge and Hertzfeldt.

One Rat Short – brown rat follows cheetos bag into rat lab run by red-eyed robot where he falls for white rat. Cheetos bag causes chaos and the gates are all opened, brown rat escapes but white rat is left behind. SAD MOVIE.

The Passenger – kid is scared of dog, sits on bus next to fish in plastic bag that turns into hideous huge creature when he turns on his walkman. Funny, cool little piece.

Wraith of Cobble Hill – ugh, brooklyn kid with drunk mom drinks cough syrup with his friends, gets key to shop while owner is “out of town”, finally “saves” owner’s dog from rat-infested store. Claymation whatever.

Fantasia is exactly how I remember it. A drowsy opening, some pretty business, The Sorcerer’s Apprentice, some more neat stuff, then the conductor announces the halfway point and I fall asleep, only waking up for the Night On Bald Mountain segment and the closing credits.

I guess the animation purists love it, but I just find it a pleasant excuse for a nap. Sorry!