Pan’s Labyrinth (2006, Guillermo del Toro)

Starts with the end. All movies start with the end now.

Kind of a disappointment. Not just that expectations were high, just that they were so high for so long and movie kept playing and finally I saw it in closing week and by then I knew it’d be a depressing fascist struggle film with metaphorical special effects and had already seen the monster with eyes in its hands a million times in promo photos. Had few delightful surprises to offer, just a good movie.

Let’s see… fascist Spain 1944, little Ofelia’s dad is dead and mom is marrying a psycho captain who moves them into the country to fight rebel forces who camp in the woods. Housekeeper Mercedes is in love with lead rebel and smuggles out food, supplies and information. A showdown ensues, rebels win the battle but not the war.

Oh also Ofelia finds an underground fantasyland where she tries to escape the pain of reality and eventually succeeds by getting shot to death by the captain and reuniting with her dead parents, now king and queen of Pan’s realm. A happy ending, not really.

Katy liked it I think.

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The Great Yokai War (2005, Takashi Miike)

Would Katy have liked it? One day I hope to find out.

Kid has divorced parents, is picked Kirin Rider at an annual festival. Meets a red-faced guy, a cute gerbil muppet, and a hot naked girl:

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Kid must wield the legendary goblin sword and defeat the big evil guy (actor from Loft) and his hot girl assistant:

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Once we have our two opposing hot girls in place, the movie just cuts loose with nutty imagery:

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Awesomely disturbing children’s movie on the level of Neverending Story. Want to some day show this movie to actual children to warp them forever. Will have to narrate the japanese subtitles live, I guess, but it will be worth it. Me, I enjoyed every minute of this cruelly twisted flick.

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Lady in the Water (2006, M. Night Shyamalan)

The “worst movie of 2006″ label affixed to this is one of the most kneejerk backlashes I’ve seen. And people are attacking M. Night for his acting, but I think they meant to say his casting, putting himself in the martyred messiah role. Whatever.

Paul Giamatti is a superintendent with a tragic past who thinks he has no purpose in life. Bryce Dallas Howard (Ivy in The Village) is a fairy come to earth to do… something. Paul has to send her back to her homeland by keeping the evil grass wolf away long enough that the giant eagle can pick her up. To do this, he has to find some key people who live in the building. He gathers them all together, finds out he’s done it wrong, and gathers a different group instead. Meanwhile they throw a building party and a pessimistic film critic gets taken out by the wolf. Jeffrey Wright from Broken Flowers is in there as a crossword puzzler, and the kid from Heroes is his son. And Bryce tells M Night that he’ll write a book that will inspire a great leader to change the world.

Moving story about finding your purpose, about helping others find theirs, about hope for the future. A fairy tale. I loved it, especially towards the end. The eagle pickup shot from inside the pool is terrific. Amazing looking movie, bizarre/cool compositions confused me at first but turns out it was shot by Christopher Doyle so that explains everything. Katy thought it was okay, but lacked in execution in a few places, “some of the dialogue was terrible” and she “totally disagrees” with me for thinking it was awesome.

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Beauty and the Beast (1946, Jean Cocteau)

Katy thought Belle was dumb and the final scene looked crappy/fake and bits were stolen from Cinderella, but even she was impressed by the handheld candelabras.

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One of the most beautiful movies ever, of course. Lighting, set design and costumes are completely perfect, acting and story and effects are all great. Probably not much needed to say since I’ve seen this a bunch of times now.

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Learned from commentary: actor Jean Marais (Avenant, The Beast, The Prince) was Cocteau’s lover and suggested he make this film. René Clément (Forbidden Games, Purple Noon) co-directed. Beauty Josette Day starred in Cocteau’s Les Parents Terribles, which I barely remember. Given the post-WWII shortages, Cocteau’s illnesses and all the other problems involved in making this, it must be one of the biggest film triumphs in history.

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