This was better than it looked from posters/trailers/hype. I am gonna need to watch again ASAP. The Back to the Future disappearing-hand trick is employed, I guessed early on that lead kid Miguel’s real great-grandpa is the desperate loser and not the famous crooner, and the big dramatic goal is to right a historical wrong and unite loved ones in the afterlife before one of them is forgotten by the living. Some beautiful stuff, giving me nice flashbacks to Kubo.
“Is it future or is it past?”
This was pure pleasure. If the show’s original run taught us anything, it was to enjoy the mystery, because if you’re just enduring a show for eighteen hours waiting for clever answers at the end, you’ll be deservedly disappointed. The blu-ray has already been announced, so I’m saving the thinkpieces and episode recaps and conspiracy theories for after a second viewing.
“It is in our house now.” The Tall Man appears in the first scene, and almost everyone from seasons one and two and Fire Walk, whether characters or actors are alive or dead or refused to appear in the show, will be present in some way or another. And I really need screen shots with updates for each character and situation. Lynch merges the casts of Twin Peaks and Fire Walk With Me with Mulholland Drive and Inland Empire, brings in new mood music and his own paintings as visual design, forming an Expanded Lynchian Universe. Each episode is dedicated to a different departed actor (or character) which combines with the resurrections (Don Davis, David Bowie) and final testaments (Catherine Coulson, Miguel Ferrer) of its cast, and the limbo/afterlife storylines of the Black Lodge and Laura Palmer, the aged actors and out-of-time (“what year is this?”) feel of this belated sequel give the whole thing a sense of death and mystery beyond the storyline alone.
Some people not in the original show lineup:
Dougie “Mr. Jackpots” Jones (Kyle MacLachlan) works in insurance, lives in the Las Vegas suburbs, married to Janey-E (Naomi Watts of Mulholland Drive), with son Sonny Jim (Pierce Gagnon, dangerous telekinetic kid of Looper).
The Mitchum Brothers (Jim Belushi, and Robert Knepper of Carnivale) run a casino insured by Dougie’s firm, assisted by comic-relief Candie (Amy Shiels, Luna in the Final Fantasy games). Dougie’s boss is the very patient Bushnell Mullins (Don Murray, Marilyn Monroe’s costar in Bus Stop), and his coworker/rival is sweaty Tom Sizemore, who is working as a spy for Mulholland Drive‘s Dinerbrows (Patrick Fischler) trying to frame Dougie.
New FBI agent Chrysta Bell works with Gordon Cole and Albert, along with the previously unseen Diane (Laura Dern in a wig), on the case of Bill (Matthew Lillard) who appears to have killed a woman he was having an affair with, or possibly her body was replaced with that of the late Major Briggs by interdimensional gas-station-dwelling black-faced woodsmen.
Young, serious Sam (Ben Rosenfield of Person to Person) and his girl Tracey (Madeline Zima of Californication) are paid to watch and videotape an interdimensional box, but instead they have sex, and in classic horror movie tradition, get brutally murdered for it.
Evil Cooper/Bob (Kyle MacLachlan) drives around with minions Jennifer Jason Leigh and Tim Roth and Ray (George Griffith), beginning in South Dakota.
Londoner Freddie (Jake Wardle) got turned into One Punch Man by The Giant (aka The Fireman), now works as a security guard with James Hurley, who still sings his hit song “Just You & I” at the Bang Bang Bar some nights. Fate brings Freddie to Twin Peaks to destroy Bob, which emerges from Evil Coop as an orb.
Some series regulars:
Andy and Lucy (now with son Wally Brando: Michael Cera) still work at the Twin Peaks sheriff’s office with Hawk, and now with Truman’s brother Robert Forster (with naggy wife Candy Clark of American Graffiti), Deputy Bobby Briggs, and traitor Deputy Chad (John Pirruccello of an upcoming hit-man comedy)
Log Lady Margaret speaks with Hawk on the phone from her death bed, feeding him cryptic clues. One-armed Mike appears to Coop-as-Dougie, feeding him pretty straightforward clues.
Nadine runs a silent drape shop, religiously watches the pirate TV broadcasts of Dr. Jacoby, who sells gold spray-painted shovels. Norma is franchising the diner with help of her guy Walter (Grant Goodeve of Eight is Enough, Northern Exposure), while Big Ed still pines for her.
Amanda Seyfried (daughter of Shelly) is dating psycho cokehead Caleb Landry Jones (son of Audrey Horne), who runs over a kid then tries to murder a witness living in Harry Dean Stanton’s trailer park.
Walter Olkewicz, who played the late Jacques Renault, runs the Bang Bang Bar as an identical Renault relative.
Jerry Horne is looking more like Jerry Garcia, gets lost in the woods, fights with his own foot, is finally discovered naked in Wyoming.
Bobby Briggs is a level-headed, good-hearted policeman, and the best surprise of the new series.
Laura Palmer’s mom doesn’t do well in social situations, freaks out at the convenience store, watches TV on a time-loop, her house a screaming dim red hell.
I never figured out who Judy is, where Audrey Horne was or where she ends up, who Balthazar Getty played, or various other threads which a second viewing will probably not enlighten.
Plus cameos by Ray Wise, David Duchovny, Jack Nance, and almost everyone else, living or dead (except Harry Truman and Donna) and some fifteen music acts, Ethan Suplee, John Ennis, Ernie Hudson, etc.
an eyeless woman with a connection to Diane… Diane is Naomi Watts’s half-sister… the picture glitching back and forth like a Martin Arnold film… an obsession with numbers… digital spaces like Chris Marker videos, and effects completely unconcerned with looking realistic… the green ring from Fire Walk With Me… Lucy doesn’t understand cellphones… the best closing songs at the Bang Bang Bar… “hellllOOOooooOOOooo”… a short stabby hit man with his own theme music… a kung-fu drug dealer who does intense magic tricks… inside a 1945 atomic bomb… alien vomit… flickering lights and a giant tesla diving bell… a galaxy of firefly ghosts… beetle-moth-frog crawls out of a desert egg… “this is the water and this is the well”… references to “The Zone”… teens at the Bang Bang Bar with random teen problems and other scraps of side-character drama… Ashley Judd searches for a the source of a droning sound in Ben Horne’s lodge… a history of the FBI’s involvement with UFOs… Dougie electrocutes himself… Evil Coop gets taken out in the best possible way… the final Lynch/Frost logo noise scares the hell out of my birds… “We are like the dreamer who dreams and then lives inside the dream.”
Shot in the Jauja ratio (square with rounded corners). Strange movie – I didn’t know where it was going, thought the much-discussed pie scene was fine, followed along through some wtf moments, and finally felt deeply moved at the end. The second great ghost film of 2017. Theme of writing down secrets and slipping them into rocks and walls, similar to the Wong Kar-Wai whispers. Writer/director Lowery has a bad mustache, makes lyrical indie dramas in between Disney live-action cartoons.
Rooney and Casey are married, argue sometimes, make love sometimes, then he dies in a car accident just outside the house and appears as a classic ghost (white sheet with eyeholes). Time moves fast – months pass while he makes a single round of the house. He terrorizes some new residents, observes a house party with a nihilist Will Oldham, and witnesses the demolition of the house and construction of a massive office building. Suddenly time resets and we’re in American settler times, then back to the house, where the strange new-house noises heard by Rooney and Casey appear to be the Casey ghost, making one wonder whether the ghost is even Casey after all. No need to write down what happens in the final minute, because I’ll never forget it.
Second movie I watched this week where the lead girl is told at the end to not look back. Some obvious parallels with other Ghibli movies – the romantic lead boy who transforms into a flying creature to work for/against wickedness (Howl’s Moving Castle), living dust sprites (My Neighbor Totoro), the lead girl nervous because she’s moving to a new house in the country, kooky/friendly old folks, villains who are maybe not so evil really, and fantastical beasts galore – like a Ghibli’s Greatest Hits thrown into a giant bathhouse. The greatest.
Dora (Virginie Legeay of Brisseau’s Exterminating Angels, also his assistant director) appears beaten and bloodied at the front door of Michel (played by the late-Depardieu-looking director himself), he invites her to move in, then strange things start to happen: objects moving on their own, glimpses of robed figures in the hall, and sounds from the closet like a wolf moving a bureau.
I liked the movie’s style, especially once the spirits appeared with charmingly simple ghost-costumes. The whole thing appears to have been shot on the cheap, with medium-res video and occasional mic problems – unless the DVD was just poorly produced. Set mostly in Michel’s apartment (the director’s own, per Cinema Scope), which is wall-to-wall media – books and albums and every classic-cinema DVD boxed set.
Dora tests Michel, suspicious of his intentions. For his part, he seems honestly enthused to have somebody to pay attention to, after living alone for three decades, acting like she’s a long-lost daughter home for a visit. She moves in and helps with his book “about the importance of delusion in our lives”. Then he proposes they marry, so she can inherit his apartment tax-free (there’s a Freud paperback in the movie’s second shot). In the end, the book is finished and he’s killed by a thief – I think with the inheritance issue unresolved.
Boris Nelepo, in an essential article:
So what can a filmmaker achieve with the absolute minimum at his disposal: a small camera (La fille is Brisseau’s first digitally shot film), a minimal space, and an amateur actress in the title role? As with the even more restricted Jafar Panahi, a filmmaker can proudly make a real movie, as if there were no production limitations at all. In La fille du nulle part, Brisseau has created a film of heavenly beauty, warmth, and tenderness, revealing and revelling in the Mélièsian essence of cinema. As with Philippe Garrel in La frontière de l’aube and Manoel de Oliveira in The Strange Case of Angelica, Brisseau understands … that it is the most seemingly naïve, handcrafted effects that best reflect the innate illusionism of film. Indeed, for Brisseau film is itself a magical medium, a portal into a different world … Frequently drawing his protagonists from the world of science … Brisseau continually posits the existence of an intangible world, one invisible to their rationalist eyes until a sudden inspiration, granted by art, mystical epiphany, or physical ecstasy, reveals to them the essential incomprehensibility of the outside world and the limitations of man’s understanding thereof.
Watched this twice… it doesn’t quite make sense, and a half hour of screen time is spent watching Kristen Stewart texting, but it’s just about the most electrifying thing I’ve seen in theaters lately.
Kristen spends the night in her late brother’s old house, and sees a ghost, but it’s not him. Dropping off clothes for her employer Kyra (Austrian Nora von Waldstätten of Carlos) she runs into Lars Eidinger (Clouds of Sils Maria), tells him she’s not sure she believes in an afterlife (though we just saw her see a ghost). Soon after this, an unknown number starts texting Kristen asking personal questions, and she is intrigued enough to keep responding as she travels from Paris to London and back.
Things get crazy… we see Kristen drop some bags with super-expensive, high-fashion jewelry in Kyra’s apartment just before discovering Kyra dead and seeing shadows move in back of the apartment with rhythmic sounds, then leave without the bags. She returns to call the cops, which we mostly don’t see – then later, the jewelry bags are at her own place. Unknown Caller (everyone has guessed that it’s Lars at this point) drops off a hotel room key, and she goes to the room in Kyra’s dress with the bags… then he arrives… then the camera tracks an unknown presence leaving… then he leaves and has a shootout with waiting police.
Anyway, Kristen meets Erwin (Anders Danielsen Lie, star of a couple Joachim Trier films), the new boyfriend of the late brother’s ex Lara (Sigrid Bouaziz, a small role in Eden), and we get a glimpse of the brother’s ghost. Then Kristen, who has been avoiding her boyfriend Gary, decides to join him in Oman, where she encounters… something… herself. “I don’t know you.”
If she was killed in the hotel room (as the departing spirit would suggest), what’s she doing meeting new people (Erwin) and having normal conversations and going on trips? But if she didn’t, then what happened in the room, and why does she never mention it? I suppose we know that ghosts can become visible and pick up glasses, so maybe they can masquerade as their sisters and carry bags of jewelry across the city… but no, that doesn’t make sense either. Anyway, this unknowability of the story, the lapses in logic and storytelling, only add to the movie’s great mixture of the mundane and the mysterious which has kept me thinking about it all month.
Tied with Mungiu’s Graduation for best director at Cannes last year. DP Yorick Le Saux is on a roll, with this film following A Bigger Splash, Clouds of Sils Maria and Only Lovers Left Alive. I read a bunch of articles which I won’t quote from… David Ehrlich’s family grief essay/interview was a favorite personal take, and V. Rizov’s “Anxiety of Economic Influence” article approaches the movie from a fascinating angle.
Wedding day for Zaneta and Piotr gets weird quickly. While everyone is getting very drunk, the groom becomes obsessed with the ground outside, later dances with and becomes possessed by a ghost named Hana, speaking Yiddish. In the morning, Zaneta’s father tells the weary guests they had a collective hallucination, “in fact there never was a wedding,” and all evidence of the groom is destroyed.
It’s like the wedding half of Melancholia, but much better. The movie suggests that older Polish people feel somewhat guilty for the disappearance of their former Jewish neighbors, though their angry, repressive reactions to the subject recalls Ida. Wrona’s third feature, and his last, since he died just as this was coming out.
Hana as Piotr:
Haifa Film Fest jury statement: “The film succeeds in conveying the absence of the Jewish community from Polish society and culture. The use of the Jewish legend of the Dybbuk in a Polish Catholic wedding is original and thought-provoking. The Jury and the Festival mourn the loss of filmmaker Marcin Wrona and offer their condolences to the family.”
Rewatching this series for obvious reasons, after recently reviewing the prequel film. I remember season two becoming tedious, so I’m only watching the late episodes directed by Lynch and/or written by Frost, which will leave some major plot holes I can cover with synopses from wikipedia or wherever. So many characters to keep track of, and so many actors I haven’t seen since the show ended in 1991, and some I have.
Agent Dale Cooper – loves Tibet, doughnuts, clean air and good coffee. I’ve seen Kyle MacLachlan in Northfork, Portlandia, and that version of Kafka’s The Trial which I don’t remember at all but IMDB says I gave it a 7/10.
Lucy is the police receptionist who has feelings for Andy. Kimmy Robertson did voices in some Disney movies and The Tick.
Deputy Andy is dumb as hell. Harry Goaz worked with director David Lowery before his Ain’t Them Bodies Saints breakout.
Sheriff Harry Truman is a good lawman, secretly (everything in the show is “secretly”) dating Josie Packard. Michael Ontkean costarred in a Disney movie with four monkeys and Wilford Brimley, and was apparently in The Descendants.
Deputy Hawk is a good, quiet cop. Michael Horse was in Passenger 57 and a movie directed by John Travolta’s older brother.
Agent Albert Rosenfield works with Cooper, expresses contempt for the locals. Miguel Ferrer died the week I started season two, also starred in On The Air.
James Hurley is sweet but so dumb, per an audiotape of Laura’s. He runs around with Donna playing detective. James Marshall was one of the murderous privates on trial in A Few Good Men.
Maddy is Laura’s identical twin cousin, who appears in the show immediately after the show-within-the-show (soap opera Invitation to Love) introduces its own identical-twin plot. Sheryl Lee played twins again in the great Mother Night, also costarred in the unfortunate John Carpenter’s Vampires.
Donna Hayward is Laura’s innocent friend who ends up with James after Laura’s death. Lara Flynn Boyle was Ally Sheedy’s predecessor in Happiness, also starred in Threesome and the show The Practice.
Leland Palmer, Laura’s dad and killer and the town lawyer… is complicated. Ray Wise is incredible and prolific but I’ve seen him in too few things (Good Night and Good Luck, Bob Roberts).
Will Hayward is the town doctor who ends up discussing dead and comatose bodies with Agent Cooper. He’s Donna’s dad of course, with a wife in a wheelchair and at least one other daughter. Warren Frost, Mark’s dad, did some Matlock, died just last week.
Ben Horne runs the town’s hotel, department store, and a brothel called One Eyed Jack’s over the Canadian border, is always trying to do business deals with rowdy groups of foreigners who get frightened off by murderous town rumors. Richard Beymer was in Angelina Jolie movie Foxfire, earlier Bachelor Flat and West Side Story.
Jerry Horne is Ben’s excitable little brother who loves exotic food, business deals and the local brothel. David Patrick Kelly was the military guy who Lysistrata ties up in Chi-Raq, also in the John Wick movies and played the president in Flags of Our Fathers.
Dr. Jacoby was Laura’s wacky psychiatrist and had an unhealthy romantic interest in her. I don’t think we see any other locals going to his office except Bobby one time, so he’s got enough free time to chase ghosts. Russ Tamblyn, Ben Horne’s best friend in West Side Story, had roles in Drive, Django Unchained and Cabin Boy, and played a “Dr. Jacoby” on General Hospital.
Audrey Horne is Ben’s daughter who has to avoid a horrifying meeting with him at One Eyed Jack’s while she’s retracing Laura’s steps. Sherilyn Fenn starred in Boxing Helena, which I have yet to find a decent copy of.
Major Briggs doesn’t know how to deal with his wayward son Bobby, leaks mysterious military intel to Cooper. “The owls are not what they seem.” Don Davis was a regular on the Stargate TV series, which ran for more seasons that I realized.
Bobby Briggs is excitable boyfriend of Laura Palmer and Shelly, sullen son of Major Briggs, rival of James Hurley, drug dealer friend of Mike (“Mike and Bobby” mirroring the evil Black Lodge “Mike and Bob”) and associate of Leo and Jacques. Dana Ashbrook was in the L.A. Crash TV series and the latest Bill Plympton feature.
Leo Johnson is a drug dealer, spouse abuser and murderer, is in a coma at the start of s2. Eric DaRe appeared with good company (Brad Dourif, Angela Bassett) in Critters 4.
Big Ed Hurley, James’s dad, married to Nadine but thinking about leaving her for Norma. Runs a gas station. Everett McGill was the villain(?) in The People Under The Stairs and appeared in The Straight Story.
Nadine Hurley, James’s mom though we never see them interact, wears an eyepatch and is obsessed with creating silent drape runners. Later she gets amnesia and super strength and falls for Bobby’s friend Mike. Wendy Robie was in Corbin Bernsen horror The Dentist 2.
Shelly Johnson is Leo’s abused wife, working at the diner, dating Bobby and conspiring to frame her husband for Laura Palmer’s death. Lynch’s character, Cooper’s boss, is sweet on her in season two. Mädchen Amick has been on every TV show at least once, plus the terrible Stephen King movie Sleepwalkers.
Josie Packard runs the sawmill, has a suspicious past, and I think was supposed to be a bigger deal but got left behind by the writers. Joan Chen was a movie star from The Last Emperor but wouldn’t fare as well in Hollywood, appearing in garbage action flicks Wedlock, On Deadly Ground and Judge Dredd.
Peter Martell helps Josie run the mill, isn’t as dumb as he looks. Jack Nance’s final film was Lost Highway.
Catherine Martell is married to Pete, resents Josie for owning the mill, which used to belong to Catherine’s brother/Josie’s late husband Andrew, who of course turns out not to be dead. Piper Laurie played Carrie‘s crazy mom, later in The Crossing Guard and The Dead Girl.
Norma Jennings is dating Big Ed, runs the diner, unhappily married to Hank. Peggy Lipton is Rashida Jones’s mom, appeared in modern classic The Postman.
Hank Jennings is a criminal in cahoots with Leo and Jacques. He thinks he killed Josie’s husband, gets out of prison halfway through s1. Chris Mulkey acts in a ton of movies, recently Whiplash and Cloverfield.
Margaret has a log that sometimes sees things. Catherine Coulson starred in early Lynch short The Amputee, died before the reboot filmed but not before appearing as “Wood Woman” in a Psych episode.
Julee Cruise, house musician at the Roadhouse. I have her album The Voice of Love, produced by Lynch and Badalamenti.
The Giant appears to Cooper in dreams and visions, dropping cryptic clues. Carel Struycken played Lurch in the Addams Family movies and appeared in Men In Black.
The Waiter might be an alternate form of The Giant. Only Cooper can see the two of them. Hank Worden did nothing after Twin Peaks but plenty beforehand as a Westerns regular (marshall in Forty Guns, drunk in The Big Sky).
The Man From Another Place is maybe Bob’s boss or partner, speaks in reverse, is somehow connected to One-Armed Mike. Michael J. Anderson played a similarly mysterious fellow in a curtained room in Mulholland Dr., was a regular on Carvivàle.
Season two, Cooper recovers from a gunshot wound. I think Josie ended up being the shooter, but skipped enough episodes that I’m not sure why.
“You’d better bring Agent Cooper up to date.”
“Leo Johnson was shot. Jacques Renault was strangled. The mill burned. Shelley and Pete got smoke inhalation. Catherine and Josie are missing. Nadine is in a coma from taking sleeping pills.”
A bunch of new characters show up… I missed most of their intros, but got to see a few of them die. Sadly I missed cross-dressing David Duchovny completely, and I saw Billy Zane but don’t remember what his deal is.
Annie is Norma’s younger sister, starts dating Cooper then gets kidnapped by Earle. Coop’s searching for Annie when he ends up in the Black Lodge. I haven’t seen Heather Graham lately but it seems she was everywhere in the late 1990’s: Swingers, Austin Powers, Scream, etc., and most notably Boogie Nights.
Dick Tremayne was Lucy’s classy lover while on break from Andy. When she gets pregnant and isn’t sure which is the father, Dick and Andy get competitive. Ian Buchanan starred in On The Air and did a million soap opera episodes.
Windom Earle is Agent Cooper’s rival, who gets tangled up in the crimes and horrors before having his soul sucked out by Bob in the final episode. Kenneth Welsh, seen here about to murder Ted Raimi, seems to be tenth-billed in bunches of horror/action movies.
Andrew Packard returns from the “dead” in season two only to be blown up in the finale, along with poor Pete and probably Audrey who was chained to the vault door at the time. Dan O’Herlihy, Bunuel’s Robinson Crusoe, was also in The Dead, Fail-Safe, Imitation of Life and Odd Man Out.
I was surprised that nothing supernatural happens until the end of episode 3, four hours into the series. Really a top-notch melodrama with excellent casting, at least for a while. Here’s hoping the reboot is great.
My second ghost story this month after Journey to the Shore, which also featured corporeal-looking ghosts with appearances signaled by lighting changes. Widowed Mrs. Muir (Gene Tierney at her cutest, also of ghost film Heaven Can Wait) gets a good deal on a haunted house. She soon runs into financial trouble, but rather than get rid of the housekeeper (Edna Best, the Doris Day of the original Man Who Knew Too Much), she teams up with house-ghost Captain Gregg (Rex Harrison, the My Fair Lady/Unfaithfully Yours lead shouter at his shoutiest) to ghostwrite his uncensored memoirs.
The living Mrs. Muir and dead Mr. Gregg learn to tolerate each other and gradually develop deeper feelings, but Gregg disappears after she starts dating a children’s author she meets at her publisher’s, creepy George Sanders (Ingrid’s husband in Voyage to Italy). When that doesn’t work out because he turns out to be married, she stays home staring at the sea for decades until death, when she’s reunited with her beloved captain (he could’ve come back sooner and kept her company, but it’s still a nice ending).
One of Joe Mank’s earliest movies, two years before A Letter to Three Wives. The story was expanded into a late-1960’s TV series with Laura Dern’s mom from Blue Velvet as the lead, and an Irishman from Caprice as the ghost.