Good movie, from the shockingly great opening synth theme song on.
Works fine as a hangout film of Johnnie regulars, and there are plenty of shots like this:

Assassination attempts go badly, double-crosses and twists, but it never feels plotty. The guys I didn’t recognize were Francis Ng (Exiled) and Jackie Lui Chung-Yin (horrors Snake Charmer and Wife From Hell).

I just sat back and took this one in. Took no notes, no screenshots.

Good movie, can’t remember much except that Sammo Hung plays one of the rival soldiers at the beginning, then reappears later as the powerful wizard LONG BROWS.

Rough going for the first half hour. Opens in a church, already a bad sign. White-haired Anke has just retired, calls her kids, a crappy phone call in a lovely town. Her pink-haired daughter spends time with her, going through photographs, reminiscing about when dad was alive, but her depressed son is stuck in Hong Kong because of the protests. The movie seems to be avoiding sync sound, feels remote. Just when I was ready to pull the plug, Anke flies to HK to visit him, and everything picks up – a German woman leaving her hostel and wandering into the umbrella protests is inherently more interesting than being sad at home.

So it’s one of those movies where a troubled person goes on a trip to someplace new, meets a bunch of friendly people who each reflect some part of the lead’s own life/journey. She never locates her son (her actual son is the director), but she does tai chi in the park with his doorman, the camera following their hands. Wow, a Brian Eno score, and last night’s movie was Jim O’Rourke, I’m hitting the modern composer/rocker jackpot. A couple nights later we watched Taming the Garden, which also could’ve been called Wood and Water.

My first-ever Sammo Hung movie. This did have skeletons, a ghost pulling somebody into a mirror, a hopping vampire, an Evil Dead hand rebelling against its body, and a battle between magicians, but it’s really not a horror movie. Rather a comedy action flick: a likeable loser called Big Guts is getting cucked by his wife and set up by his boss, but keeps managing to survive. I can see the Sammo influence on Jackie Chan, using all the props in the room and looking panicked while doing cool moves. Magician Lau (Tai Bo) disapproves of his master’s murderous work-for-hire, kwaidans and protects Sammo, then defeats evil magician Peter Chan Lung. Internet says both magicians were in Enter the Dragon, all my early kung fu movie interests starting to come together. I think one of the Jackie/Sammo collabs like Project A or Dragons Forever should be next. This movie has convinced me that Sammo is cool, but it loses points for bird killing.

I thought it was the Plazadrome screening of part 3 that got me on a Nightmare on Elm Street kick this month, but no, it was probably this:

I half-remembered this from watching Eros at the Landmark way back then, and the new remaster gives us a good excuse to revisit. Gong Li is a high-class call girl, whose life/career hits a rocky patch, then she has to move into a dank moldy place and gets the croup. Chen Chang is her devoted tailor in good times and bad. Besides all the perfect costuming and sumptuous dim-light photography, highlight is a scene of erotic dumpling stuffing.


There’s Only One Sun (2007)

Found this short, nonsensical spy drama on vimeo, with horrid video compression compared to The Hand blu-ray. It’s a commissioned television ad that culminates in Amélie Daure of Frontier(s) making out with her flatscreen. Before that, there’s some talk off finding an untraceable person(?) named The Light, a flashback structure, a couple murders – that’s a lot for Wong, who likes to let his camera linger, to pull off in eight minutes. Mostly it seems designed to show the brightest colors possible, bleeding into each other, to impress the rubes when the brightness is cranked up at the Best Buy video wall. No need for too many new ideas – songs are reused from the 2046 soundtrack.

Rewatched with Katy on Criterion Channel. I guess we’d last seen it before I started the blog, and there’s a particular reason we had to rewatch it now, but since I’m not going to elucidate, and since I didn’t get any screenshots from streaming, I’ll just link to Eric Hynes’s great writeup.

Katy hated this, and sure it’s not one of the better or even more memorable movies we’ve watched this summer, but when I heard that Johnnie To made a movie starring Andy Lau as a monk/stripper/strongman in a rubber muscle suit, I knew I had to watch it right away, and I regret nothing. Guess I’m on my own for Johnnie To’s comedy Love on a Diet starring Andy Lau in a fat suit…

This movie starts out crazy enough, with bodybuilder Lau making a nude getaway while a more serious crime is being committed, running into a cop and seeing a vision of her future. They team up and fight crime… but then Andy retreats to a mountain for years, battles his past self, and captures a reclusive killer… and we sense that they either filmed a three-hour epic then cut it to ninety minutes, or everyone was making it up as they went along. The staging of even simple scenes is better than it needs to be, the movie’s never boring, it features some villains straight out of the comics, and it follows through on its promise to kill Andy’s romantic interest (the cop, Cecilia Cheung of The Promise and Zu Warriors), so I admire it despite the parts that never really work (the editing, the muscle suit).

“I’ve never seen a truly impressive man.”

Minjung (You-young Lee of a movie called Late Spring which is somehow not an Ozu remake) is breaking up with her deep-voiced boyfriend Youngsoo (Ju-hyuk Kim, who died last year). She’s spotted by some other dudes, chats with them in bars, dates at least one, but each time she’s someone else – or claiming to be. She’ll claim to be a twin sister, or just deny having ever been where they say they’ve seen her. I suppose her multiple identities are open to interpretation, but I assumed it’s just one woman who claims to be someone else when she’s bored with a guy.

We’ve also got an older (?) guy with cool hair and a folding bike (Hae-hyo Kwon of On the Beach at Night Alone), Youngsoo’s buddy (Eui-sung Kim, who hung around the main guy’s guesthouse in Hill of Freedom), and of course a film director (Joon-Sang Yoo, lead of The Day He Arrives, lifeguard of In Another Country). She ends up back with Youngsoo, which is slightly unsatisfying since he was such a dick in the opening scene, but I dunno, she’s also wearing the same t-shirt in the bookend scenes so maybe the parts in between never happened. This was supposed to be Katy’s first Hong movie but she fled after ten minutes, saying the style was weird and felt like the PBS show Degrassi.

I should’ve watched an actual Johnnie To movie, but instead I watched this generic cops & robbers flick from his production company. A super-hot getaway driver breaks a jewel thief out of prison in time for their big heist… meanwhile, fiery young cop learns a special automotive technique from his about-to-retire partner, who is killed by the baddies post-heist, provoking a cathartic faceoff finale. It couldn’t sound more generic, but fortunately the movie is full of delicate character details which really… haha no I’m kidding, it is totally generic. I bought Heat last week on blu-ray, and should’ve rewatched that instead.

I guess I’m not enough of a gearhead to be excited about the film’s magic getaway technique (which I’m calling the Hong Kong Drift), in which the driver makes the wheels spin awfully fast, squealing without the car driving forward, then turns the wheel in order to rotate in place. So, in a week when I’m watching trailers for this summer’s fast-driving heist movies, Baby Driver and Logan Lucky, this movie’s showcase is… making the cars barely move.

Noble Cops:

Cheang went on to make The Monkey King and Kill Zone 2. Our hotheaded hero is Shawn Yue (Young Tony Leung in Infernal Affairs and its prequel), his mentor is Anthony Wong (also Infernal Affairs, and star of Exiled), and enemy driver is Xiaodong Guo (Tsui Hark’s Missing). In true Johnnie To fashion, there is a minor character named Fatso, but distressingly he is not played by Suet Lam. Oh and hey, there’s even a lady in the film: a doctor whose name I didn’t catch, but was probably Barbie Hsu of Future X-Cops and Croczilla.

They record their chases on in-car VCRs. I’m watching a bunch of 2012 movies this week – this one has VHS tapes, and both Ape and Jack & Diane have audio cassettes – what’s the deal?

Bad Dude in Killer Car:

“Cheang’s background as an horror director serves him very well as every chase becomes a slasher film cat and mouse game full of menace and the white Nissan that serves as the film real villain and one true memorable character gains an almost serial killer status.” Of course Furtado loved it – he likes Alien vs. Predator.