I took no notes on this one, and am starting to forget it, but I take exception to the stills and description playing up the connection to recycled Bollywood film reels, incorporated into the toys produced by the village where this film is set, and into the film itself in quick colorful segments, since this accounts for about a minute of the runtime. Besides producing toys, they prepare for an eclipse, and make a sort of viewing tower. Lovely to sit in Big Ragtag again, beer in hand, happy flashbacks to The Grand Bizarre and Distant Constellation. James Tillman opened, on keyboard, guitar, and dying laptop.
Denoise (2017, Giorgio Ferrero & Federico Biasin)
After the feature, we finally visited the VR-cade, dodged the Kevin Lee thing about terrorist propaganda, and slipped into the dark room where I got randomly assigned this experience, a 360+ degree but position-locked, fixed-duration selection of scenes about industrial work. My first-ever VR experience – I was impressed by the overall feel, but not by the resolution of the goggles, which felt not at all like real life, but like a video, sitting too close to the screen. Impressive sensations: after a scene cut, a man on a catwalk talking to me, and I wondered “if he’s on the catwalk where am I,” so I look straight down and I’m hovering in space. Our physical selves are standing in the dark room at retro arcade consoles – I’ve got a steering wheel to orient myself in the real world, and at one point I look down at my hands, expecting to see them grasping a steering wheel, but visually, my hands don’t exist.