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	<title>Brandon&#039;s movie memory &#187; lists</title>
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	<description>Deeper Into Movies</description>
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		<title>Favorite New Movies of 2011</title>
		<link>http://deeperintomovies.net/journal/archives/7123</link>
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		<pubDate>Sun, 01 Jan 2012 04:00:40 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
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		<description><![CDATA[1. The Tree of Life (Terrence Malick) Sorry so obvious. 2. Certified Copy (Abbas Kiarostami) The only one on the list that I watched twice. 3. Finisterrae (Sergio Caballero) 4. Essential Killing (Jerzy Skolimowski) 5. The Four Times (Michelangelo Frammartino) I was glad to see these last two on so many year-end lists, because at [...]]]></description>
			<content:encoded><![CDATA[<p><strong>1. <em><a href="/journal/archives/6335">The Tree of Life</a></em> (Terrence Malick)</strong><br />
Sorry so obvious.</p>
<p><strong>2. <em><a href="/journal/archives/6108">Certified Copy</a></em> (Abbas Kiarostami)</strong><br />
The only one on the list that I watched twice.</p>
<p><strong>3. <em><a href="/journal/archives/5875">Finisterrae</a></em> (Sergio Caballero)</strong><br />
<strong>4. <em><a href="/journal/archives/6378">Essential Killing</a></em> (Jerzy Skolimowski)</strong><br />
<strong>5. <em><a href="/journal/archives/6489">The Four Times</a></em> (Michelangelo Frammartino)</strong><br />
I was glad to see these last two on so many year-end lists, because at the time I watched them they felt like secrets &#8211; in Atlanta, at least.  <em>Finisterrae</em> is still a secret.</p>
<p><strong>6. <em><a href="/journal/archives/7168">The Turin Horse</a></em> (Bela Tarr)</strong><br />
<strong>7. <em><a href="/journal/archives/6943">Tabloid</a></em> (Errol Morris)</strong><br />
<strong>8. <em><a href="/journal/archives/6177">Mysteries of Lisbon</a></em> (Raoul Ruiz)</strong><br />
<strong>9. <em><a href="/journal/archives/5972">Henri-Georges Clouzot&#8217;s Inferno</a></em> (Bromberg, Medrea &#038; Clouzot)</strong><br />
<strong>10. <em><a href="/journal/archives/6375">And Everything Is Going Fine</a></em> (Steven Soderbergh)</strong><br />
<strong>11. <em><a href="/journal/archives/7073">Attack the Block</a></em> (Joe Cornish)</strong><br />
<strong>12. <em><a href="/journal/archives/7008">Melancholia</a></em> (Lars Von Trier)</strong></p>
<p><strong>Runners-up:</strong><br />
<em><a href="/journal/archives/7110">The Skin I Live In</a></em> (Pedro Almodovar)<br />
<em><a href="/journal/archives/7076">Hugo</a></em> (Martin Scorsese)<br />
<em><a href="/journal/archives/7071">The Muppets</a></em> (James Bobin)<br />
<em><a href="/journal/archives/5790">True Grit</a></em> (Coens)<br />
<em><a href="/journal/archives/6839">Drive</a></em> (Nicolas Winding Refn)</p>
<p><strong>Best Local Film</strong>: <em><a href="/journal/archives/6171">The Little Death</a></em> (Bret Wood)</p>
<p><strong>Best New Horror</strong>: <em><a href="/journal/archives/7004">Red State</a></em> (Kevin Smith)</p>
<p><strong>The Hobo With a Shotgun Award</strong><br />
for the most entertaining fake-grindhouse feature of the year goes to:<br />
<em><a href="/journal/archives/5856">Machete</a></em> by Robert Rodriguez<br />
Runner-up: <em><a href="/journal/archives/6650">Hobo With a Shotgun</a></em></p>
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		<title>Favorite Movies watched on video in 2011</title>
		<link>http://deeperintomovies.net/journal/archives/7122</link>
		<comments>http://deeperintomovies.net/journal/archives/7122#comments</comments>
		<pubDate>Sun, 01 Jan 2012 03:30:09 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
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		<description><![CDATA[1. Three by Raoul Ruiz: City of Pirates (1984), Manuel on the Island of Wonders (1985), and That Day (2003) City of Pirates has been the one to beat since I watched it this summer. I can&#8217;t say Manuel beats it exactly, but they are highly complimentary (both concern islands, pirates, children with identity issues, [...]]]></description>
			<content:encoded><![CDATA[<p><strong>1. Three by Raoul Ruiz: <em><a href="/journal/archives/6315">City of Pirates</a></em> (1984), <em><a href="/journal/archives/6530">Manuel on the Island of Wonders</a></em> (1985), and <em><a href="/journal/archives/6149">That Day</a></em> (2003)</strong><br />
<em>City of Pirates</em> has been the one to beat since I watched it this summer.  I can&#8217;t say <em>Manuel</em> beats it exactly, but they are highly complimentary (both concern islands, pirates, children with identity issues, etc).  The other (and of course <em>Mysteries of Lisbon</em>) is happy proof that Ruiz never stopped making brilliant work to the end of his life.  I look forward to catching up with all the rest.</p>
<p><strong>2. Three by Bergman: <em><a href="/journal/archives/6601">Smiles of a Summer Night</a></em> (1955), <em><a href="/journal/archives/6288">The Magician</a></em> (1958) and <em><a href="/journal/archives/6842">The Virgin Spring</a></em> (1960)</strong><br />
I didn&#8217;t even think I liked Bergman very much until I saw <em>Monika</em> at Emory early this year.  Then I watched each of these expecting to be let down, but I never was.  So I&#8217;m grudgingly redefining myself as a huge Bergman fan.</p>
<p><strong>3. Four by Josef von Sternberg: <em><a href="/journal/archives/6110">Underworld</a></em> (1927), <em><a href="/journal/archives/6198">The Last Command</a></em> (1928), <em><a href="/journal/archives/6202">Docks of New York</a></em> (1928) and <em><a href="/journal/archives/6937">Dishonored</a></em> (1931)</strong></p>
<p><strong>4. Russian Silents: <em><a href="/journal/archives/6200">Battleship Potemkin</a></em> (Eisenstein), <em><a href="/journal/archives/6284">By the Law</a></em> (Kuleshov), <em><a href="/journal/archives/6076">Mother</a></em> (Pudovkin) and <em><a href="/journal/archives/6529">Arsenal</a></em> (Dovzhenko)</strong></p>
<p><strong>5. <em><a href="/journal/archives/6134">A Tale of the Wind</a></em> (1988, Ivens &#038; Loridan)</strong><br />
<strong>6. <em><a href="/journal/archives/5914">The Best Years of Our Lives</a></em> (1946, William Wyler)</strong></p>
<p><strong>7. Victor Sjostrom: <em><a href="/journal/archives/6816">The Phantom Carriage</a></em> (1921) and <em><a href="/journal/archives/6760">He Who Gets Slapped</a></em> (1924)</strong></p>
<p><strong>8. <em><a href="/journal/archives/6310">The Wind Will Carry Us</a></em> (1999, Abbas Kiarostami)</strong></p>
<p><strong>9. Renoir in the 1930&#8242;s: <em><a href="/journal/archives/6279">La Chienne</a></em>, <em><a href="/journal/archives/6337">Night at the Crossroads</a></em>, <em><a href="/journal/archives/6464">Boudu Saved From Drowning</a></em> and <em><a href="/journal/archives/7072">Toni</a></em></strong><br />
I didn&#8217;t get to <em>Grand Illusion</em> in time.</p>
<p><strong>10. Kaneto Shindo horrors: <em><a href="/journal/archives/6866">Onibaba</a></em> (1964) and <em><a href="/journal/archives/6887">Kuroneko</a></em> (1968)</strong></p>
<p>I don&#8217;t care if it&#8217;s cheating to put 25 titles in my top-10.</p>
<p><strong>11. <em><a href="/journal/archives/5869">Finis Terrae</a></em> (1929, Jean Epstein)</strong><br />
<strong>12. <em><a href="/journal/archives/5757">Nostalghia</a></em> (1983, Andrei Tarkovsky)</strong><br />
<strong>13. <em><a href="/journal/archives/6761">I Was a Male War Bride</a></em> (1949, Howard Hawks)</strong></p>
<p><strong>14. Two by Alain Resnais: <em><a href="/journal/archives/6074">Love Unto Death</a></em> (1984) and <em><a href="/journal/archives/6417">Melo</a></em> (1986)</strong><br />
Too bad about <em><a href="/journal/archives/6180">I Want To Go Home</a></em>.</p>
<p><strong>15. <em><a href="/journal/archives/6498">Century of the Self</a></em> (2002, Adam Curtis)</strong><br />
<strong>16. <em><a href="/journal/archives/6033">For All Mankind</a></em> (1989, Al Reinert)</strong><br />
Two extremely different documentaries.</p>
<p><strong>17. <em><a href="/journal/archives/5705">Bigger Than Life</a></em> (1956, Nicholas Ray)</strong><br />
<strong>18. <em><a href="/journal/archives/5902">The Apartment</a></em> (1960, Billy Wilder)</strong><br />
<strong>19. <em><a href="/journal/archives/6916">La Pointe-courte</a></em> (1956, Agnes Varda)</strong><br />
<strong>20. <em><a href="/journal/archives/6519">Withnail &#038; I</a></em> (1986, Bruce Robinson)</strong></p>
<p><strong>21. <em><a href="/journal/archives/5801">Make Way For Tomorrow</a></em> (1937, Leo McCarey)</strong><br />
<strong>22. <em><a href="/journal/archives/6032">Center Stage</a></em> (1991, Stanley Kwan)</strong><br />
<strong>23. Powell &#038; Pressburger: <em><a href="/journal/archives/5800">A Canterbury Tale</a></em> and <em><a href="/journal/archives/6759">Gone to Earth</a></em></strong><br />
<strong>24. <em><a href="/journal/archives/5784">Hail the Conquering Hero</a></em> (1944, Preston Sturges)</strong><br />
<strong>25. <em><a href="/journal/archives/6813">Gothic</a></em> (1986, Ken Russell)</strong><br />
<strong>26. <em><a href="/journal/archives/7001">The Crowd</a></em> (1928, King Vidor)</strong></p>
<p><strong>Runners-up:</strong><br />
<em><a href="/journal/archives/6467">My Life to Live</a></em> (1962, Jean-Luc Godard)<br />
<em><a href="/journal/archives/5723">The Last Bolshevik</a></em> (1992, Chris Marker)<br />
<em><a href="/journal/archives/7170">L&#8217;Assassinat du Père Noël</a></em> (1941, Christian-Jaque)<br />
<em><a href="/journal/archives/6203">The Marquise of O</a></em> (1976, Eric Rohmer)<br />
<em><a href="/journal/archives/7011">Even Dwarfs Started Small</a></em> (1970, Werner Herzog)<br />
<em><a href="/journal/archives/7006">The Last Mistress</a></em> (2007, Catherine Breillat)</p>
<p>Finally, because his films don&#8217;t like to mingle with the others,<br />
<strong>Jacques Rivette of the year:</strong> <em><a href="/journal/archives/6815">L&#8217;Amour Fou</a></em> (1969)</p>
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		<title>Favorite Classic Movies watched in theaters in 2011</title>
		<link>http://deeperintomovies.net/journal/archives/7121</link>
		<comments>http://deeperintomovies.net/journal/archives/7121#comments</comments>
		<pubDate>Sun, 01 Jan 2012 03:00:04 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
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		<description><![CDATA[1. Monika (1953, Ingmar Bergman) Didn&#8217;t used to think I was a Bergman fan. 2. Chinatown (1974, Roman Polanski) Didn&#8217;t used to think I was a big Polanski fan either, until watching this on the big screen at Emory. 3. Out of the Past (1947, Jacques Tourneur) Cheating: I had this same movie on the [...]]]></description>
			<content:encoded><![CDATA[<p><strong>1. <em><a href="/journal/archives/5954">Monika</a></em> (1953, Ingmar Bergman)</strong><br />
Didn&#8217;t used to think I was a Bergman fan.</p>
<p><strong>2. <em><a href="/journal/archives/6912">Chinatown</a></em> (1974, Roman Polanski)</strong><br />
Didn&#8217;t used to think I was a big Polanski fan either, until watching this on the big screen at Emory.</p>
<p><strong>3. <em><a href="/journal/archives/6569">Out of the Past</a></em> (1947, Jacques Tourneur)</strong><br />
Cheating: I had this same movie on the same list <a href="/journal/archives/2399">six years ago.</a></p>
<p><strong>4. <em><a href="/journal/archives/6023">The Dead</a></em> (1987, John Huston)</strong><br />
<strong>5. <em><a href="/journal/archives/6003">Knife in the Water</a></em> (1962, Roman Polanski)</strong><br />
<strong>6. <em><a href="/journal/archives/6938">Bound</a></em> (1996, Wachowskis)</strong><br />
<strong>7. <em><a href="/journal/archives/6652">The Lady from Shanghai</a></em> (1947, Orson Welles)</strong><br />
<strong>8. <em><a href="/journal/archives/6625">Double Indemnity</a></em> (1944, Billy Wilder)</strong><br />
The previous eight films were all shown at Emory on 35mm, for which I am grateful.</p>
<p><strong>9. <em><a href="/journal/archives/5910">The Gate</a></em> (1987, Tibor Takacs)</strong><br />
One of these things is not like the others&#8230; a low-profile 80&#8242;s horror flick at the Plaza, an old fave from childhood HBO screenings seen for the first time on the big screen.</p>
<p><strong>10. <em><a href="/journal/archives/6754">The Man Who Fell to Earth</a></em> (1976, Nicolas Roeg)</strong></p>
<p>Bonus mentions to <strong><em><a href="/journal/archives/6553">The Mark of Zorro</a></em> (1920, Fred Niblo)</strong> for the nice presentation (including a live organ score) at the Fox, and to <strong><em><a href="/journal/archives/6753">The Lion King</a></em> (1994)</strong> for looking pretty sweet in 3-D and making my wife so happy.</p>
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		<title>Favorite Shorts in 2011</title>
		<link>http://deeperintomovies.net/journal/archives/7120</link>
		<comments>http://deeperintomovies.net/journal/archives/7120#comments</comments>
		<pubDate>Sun, 01 Jan 2012 02:30:02 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
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		<description><![CDATA[I didn&#8217;t watch a ton of shorts, not like I did a couple years ago. But these were all excellent. 1. The Old Lady and the Pigeons (1998, Sylvain Chomet) This totally made up for The Illusionist. 2. The Chorus (1982, Abbas Kiarostami) 3. Toby Dammit (1968, Federico Fellini) 4. The House Is Black (1963, [...]]]></description>
			<content:encoded><![CDATA[<p>I didn&#8217;t watch a ton of shorts, not like I did a couple years ago.<br />
But these were all excellent.</p>
<p><strong>1. <em><a href="/journal/archives/6289">The Old Lady and the Pigeons</a></em> (1998, Sylvain Chomet)</strong><br />
This totally made up for <em><a href="/journal/archives/5879">The Illusionist</a></em>.</p>
<p><strong>2. <em><a href="/journal/archives/6286">The Chorus</a></em> (1982, Abbas Kiarostami)</strong><br />
<strong>3. <em><a href="/journal/archives/6841">Toby Dammit</a></em> (1968, Federico Fellini)</strong><br />
<strong>4. <em><a href="/journal/archives/6940">The House Is Black</a></em> (1963, Forugh Farrokhzad)</strong><br />
<strong>5. <em><a href="/journal/archives/6412">The Way to Shadow Garden</a></em> (1954, Stan Brakhage)</strong><br />
The only Brakhage I watched this year.  I rented the second Criterion set but wasn&#8217;t sure if I should watch it or hold out for the blu-ray.  Of course there&#8217;s no reason to delay &#8217;cause I can always watch the films a second time&#8230;</p>
<p><strong>6. <em><a href="/journal/archives/6289">Plastic Bag</a></em> (2009, Ramin Bahrani)</strong><br />
<strong>7. <em><a href="/journal/archives/6289">Land Without Bread</a></em> (1933, Luis Buñuel)</strong><br />
After reading about this for years, I felt like I&#8217;d seen it before I saw it.</p>
<p><strong>8. <em><a href="/journal/archives/5803">Monsieur Fantomas</a></em> (1937, Ernst Moerman)</strong><br />
<strong>9. Three by Agnes Varda: <em><a href="/journal/archives/6916">7p., cuis., s. de b.</a></em> (1984), <em><a href="/journal/archives/6916">Ydessa, The Bears and etc.</a></em> (2004) and <em><a href="/journal/archives/5758">Le Lion volatil</a></em> (2003)</strong><br />
<strong>10. <em><a href="/journal/archives/6289">Music for One Apartment and Six Drummers</a></em> (2001, Simonsson &#038; Nilsson)</strong><br />
The short &#8211; not the <a href="/journal/archives/6172">feature</a>, which was overbaked.</p>
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		<title>Some 2011 Movies To Watch</title>
		<link>http://deeperintomovies.net/journal/archives/7118</link>
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		<pubDate>Sun, 01 Jan 2012 02:00:47 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
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		<description><![CDATA[2011 Movies I Obviously Need To See: All Watched Over by Machines of Loving Grace The Artist The Black Power Mixtape 1967-1975 Carnage Contagion and Haywire Crazy Horse A Dangerous Method Girl With The Dragon Tattoo Remake Harakiri Into the Abyss Insidious Keyhole Pina The Rum Diary Super 8 Take Shelter This is Not a [...]]]></description>
			<content:encoded><![CDATA[<p><strong>2011 Movies I Obviously Need To See:</strong></p>
<p><em>All Watched Over by Machines of Loving Grace</em><br />
<em>The Artist</em><br />
<em>The Black Power Mixtape 1967-1975</em><br />
<em>Carnage</em><br />
<em>Contagion</em> and <em>Haywire</em><br />
<em>Crazy Horse</em><br />
<del>A Dangerous Method</del><br />
<em>Girl With The Dragon Tattoo Remake</em><br />
<em>Harakiri</em><br />
<em>Into the Abyss</em><br />
<em>Insidious</em><br />
<em>Keyhole</em><br />
<em>Pina</em><br />
<em>The Rum Diary</em><br />
<em>Super 8</em><br />
<em>Take Shelter</em><br />
<em>This is Not a Film</em></p>
<p><strong>2011 Movies I Need To See, according to many critics:</strong></p>
<p><em>The Arbor</em><br />
<em>The Deep Blue Sea</em><br />
<em>Elena</em><br />
<em>Faust</em><br />
<em>The Guard</em><br />
<em>Le Havre</em><br />
<em>Kid with a Bike</em><br />
<em>Kill List</em><br />
<em>Margaret</em><br />
<em>Martha Marcy May Marlene</em><br />
<em>Nostalgia for the Light</em><br />
<em>Once Upon a Time in Anatolia</em><br />
<em>Poetry</em><br />
<em>The Portuguese Nun</em><br />
<em>A Separation</em><br />
<del>Tinker, Tailor, Soldier, Spy</del><br />
<em>To Die Like a Man</em><br />
<em>Two Years at Sea</em> and <em>Slow Action</em><br />
<em>Tyrannosaur</em><br />
<em>We Can&#8217;t Go Home Again</em><br />
<em>We Have a Pope</em><br />
<em>We Need to Talk About Kevin</em><br />
<em>Weekend</em></p>
<p><strong>2011 Movies I Need To See, according to a single, highly convincing critic:</strong></p>
<p><em>Attenberg</em> (Cinema Scope)<br />
<em>The Catechism Cataclysm</em> (Grady Hendrix)<br />
<em>Confessions</em> (Pamela Jahn)<br />
<em>Coriolanus</em> (Demetrios Matheou)<br />
<em>Disorder</em> (Jonathan Rosenbaum)<br />
<em>Dreams of a Life</em> (Peter Bradshaw)<br />
<em>The Forgotten Space</em> (Sukhdev Sandhu)<br />
<em>The Future</em> (AV Club)<br />
<em>Impardonnables</em> (Jonathan Rosenbaum)<br />
<em>The Interrupters</em> (A.A. Dowd &#038; Ben Kenigsberg)<br />
<em>Kaboom</em> (John Waters)<br />
<em>Kinyarwanda</em> (Roger Ebert)<br />
<em>Margin Call</em> (JR Jones)<br />
<em>My Joy</em> (Nick Roddick)<br />
<em>Photographic Memory</em> (David Jenkins)<br />
<em>Post Mortem</em> (Frances Morgan)<br />
<em>Red White and Blue</em> (Virginie Selavy)<br />
<em>El Sicario, Room 164</em> (Chuck Bowen)<br />
<em>Super</em> (Grady Hendrix)<br />
<em>The Yellow Sea</em> (Wendy Ide)</p>
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		<title>Five Year Anniversary</title>
		<link>http://deeperintomovies.net/journal/archives/6098</link>
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		<pubDate>Wed, 20 Apr 2011 04:12:56 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
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		<description><![CDATA[It&#8217;s the five-year anniversary of the movie journal! Since that first short post on a Seijun Suzuki movie which Katy so hated, I&#8217;ve chalked up over 1100 features and over 800 shorts, many of which Katy has hated. She married me anyway. In celebration of five years of movies, I&#8217;ve rescued a pile of must-see [...]]]></description>
			<content:encoded><![CDATA[<p>It&#8217;s the five-year anniversary of the movie journal!  Since that first short post on a <a href="/journal/archives/4">Seijun Suzuki movie</a> which Katy so hated, I&#8217;ve chalked up over 1100 features and over 800 shorts, <em>many</em> of which Katy has hated.  She married me anyway.</p>
<p>In celebration of five years of movies, I&#8217;ve rescued a pile of must-see lists from my email archive.  After all, the blog was started partly because of my obsession with movie lists, and it has happily coincided with them ever since (via the <a href="/lists/journal.php?s=&#038;sortby1=blog DESC">sortable list of entries</a> and various other must-see lists posted every few months, <a href="/journal/about">all collected here</a>).  So these are project or theme-month lists left uncompleted, with titles I actually watched removed, and overlaps kept to a minimum.</p>
<p>-<br />
<strong>Musicals Month</strong></p>
<p>In October (and November) 2007, Katy and I watched a bunch of musicals.  I even made a musicals-month soundtrack CD.  There were some rocky selections &#8211; Katy walked out on <em><a href="/journal/archives/417">Pennies From Heaven</a></em> and declared that <em><a href="/journal/archives/428">Red Garters</a></em> was not a proper musical, but she got to pick <em><a href="/journal/archives/426">Grease</a></em> and <em><a href="/journal/archives/422">Fiddler on the Roof</a></em>.  This looks like a list of my own leftover picks, with a few Katy-concession titles and a couple recommended by Joanna.</p>
<p><strong>New York, New York</strong><br />
<strong>Hairspray</strong><br />
<del><a href="/journal/archives/7014">Tommy</a></del><br />
<strong>Quadrophenia</strong><br />
<strong>Hallelujah</strong><br />
<strong>Performance</strong><br />
<strong>A Star Is Born</strong><br />
<strong>Topsy Turvy</strong><br />
<strong>On the Town</strong><br />
<strong>Funny Face</strong><br />
<strong>42nd Street</strong><br />
<strong>Top Hat</strong><br />
<strong>A Night at the Opera</strong><br />
<strong>I Love Melvin</strong><br />
<strong>Dangerous When Wet</strong><br />
<strong>Annie Get Your Gun</strong><br />
<strong>Bells Are Ringing</strong><br />
<strong>High Society</strong><br />
<strong>The Muppet Movie</strong><br />
<strong>Hello Dolly</strong><br />
<strong>Les Girls</strong><br />
<strong>Blackfly</strong> / <strong>The Cat Came Back</strong><br />
<strong>Rhapsody Rabbit</strong><br />
<strong>Dixieland Droopy</strong></p>
<p>-<br />
<strong>Documentary Month</strong></p>
<p>From June 2008.  One of the more successful theme months &#8211; we watched nine.</p>
<p><strong>anything by Ross McElwee</strong><br />
<strong>The War Room</strong><br />
<strong>Lessons of Darkness</strong> (Herzog)<br />
<strong>White Diamond</strong> (Herzog)<br />
<strong>The Big One</strong><br />
<strong><a href="/journal/archives/6940">The House Is Black</a></strong><br />
<strong>Forgotten Silver</strong><br />
<strong>The Power of Nightmares</strong><br />
<strong>Salesman</strong> (Maysles)<br />
<strong>Sorrow and the Pity</strong><br />
<strong>Darwin&#8217;s Nightmare</strong><br />
<strong>The Devil and Daniel Johnston</strong><br />
<strong>My Kid Could Paint That</strong><br />
<strong>Taxi to the Dark Side</strong><br />
<strong>Nanook of the North</strong><br />
<strong>One Day in September</strong><br />
<strong>In the Shadow of the Moon</strong><br />
<strong>The Decline of Western Civilization</strong> (1981 punk)<br />
<strong>The Filth and the Fury</strong><br />
<strong>No Direction Home</strong><br />
<strong>Thin Blue Line</strong> (Morris)<br />
<strong>God&#8217;s Country</strong> (Malle)<br />
<strong>Calcutta</strong> (Malle)</p>
<p>-<br />
<strong>Documentary Month 2</strong></p>
<p>This January Katy said she wanted to do another doc month, so I made this list of movies I&#8217;ve already got which we could watch, but then we ended up doing a political-films month instead, during which we only watched two movies (the three-part <em><a href="/journal/archives/483">The Trap</a></em>, and <em><a href="/journal/archives/5725">Standard Operating Procedure</a></em>).</p>
<p><strong>Bye Bye Africa</strong><br />
<strong>The Living Dead</strong> (Adam Curtis)<br />
<strong>The Way of All Flesh</strong> (Adam Curtis)<br />
<strong>Showman</strong> (Maysles)<br />
<strong>Disgraced Monuments</strong><br />
<strong>Listen To Britain</strong><br />
<strong>Qallunaat!</strong><br />
<strong>Monitor: Elgar</strong><br />
<strong>Canal Zone</strong> (Wiseman)<br />
<strong>High School</strong> (Wiseman)<br />
<strong>Nollywood</strong><br />
<strong>VHS Kahloucha</strong><br />
<strong>Sisters In Law</strong><br />
<strong>The End of Suburbia</strong><br />
<strong>Gershwin</strong><br />
<strong>Kestrel&#8217;s Eye</strong><br />
<strong>Winged Migration</strong><br />
<strong>Antonio Gaudi</strong><br />
<strong>Symbiopsychotaxiplasm</strong></p>
<p>-<br />
<strong>2007 Movies</strong></p>
<p>At the end of 2009 I thought I hadn&#8217;t seen enough 2009 movies to make any sort of best-of-year list, so I made a <a href="/journal/archives/3913">best-of-2006 list</a> instead.  At the end of 2010 I figured I&#8217;d do the same for 2007 movies and make it a tradition, but then decided that was boring and obsessive.  This was my must-see list of &#8217;07 movies to watch in &#8217;10.</p>
<p><strong>The Mourning Forest</strong><br />
<strong>Silent Light</strong><br />
<strong>Control</strong><br />
<strong>Aleksandra</strong><br />
<del><a href="/journal/archives/7006">The Last Mistress</a></del><br />
<strong>Breath</strong><br />
<strong>Beaufort</strong><br />
<strong>Secret of the Grain</strong><br />
<strong>L&#8217;Aimée</strong><br />
<strong>Christopher Columbus, The Enigma</strong><br />
<strong>Go Go Tales</strong><br />
<strong>You, The Living</strong><br />
<strong>Assassination of Jesse James by the Coward Robert Ford</strong><br />
<strong>Gone Baby Gone</strong><br />
<strong>Trapped in the Closet</strong><br />
<strong>Aqua Teen Hunger Force Movie</strong><br />
<strong>Dr. Plonk</strong><br />
<strong>Nightwatching</strong><br />
<strong>In the City of Sylvia</strong></p>
<p>-<br />
<strong>2005 Movies</strong></p>
<p>Apparently I&#8217;d had the same idea in 2008, to watch a bunch of movies I&#8217;d missed from three years before.  Looks like a list of stuff I thought I&#8217;d like, stuff I thought I&#8217;d hate, and critical favorites.</p>
<p><strong>Piano Tuner of Earthquakes</strong><br />
<strong>The Sun</strong><br />
<strong>The Wild Blue Yonder</strong><br />
<strong>Sileni</strong><br />
<strong>The Bow</strong><br />
<strong>The Constant Gardener</strong><br />
<strong>Brick</strong><br />
<strong>Alone in the Dark</strong> / <strong>Bloodrayne</strong><br />
<strong>Manderlay</strong><br />
<strong>Looking for Comedy in the Muslim World</strong><br />
<strong>La Moustache</strong><br />
<strong>Junebug</strong><br />
<strong>Me and You and Everyone We Know</strong><br />
<strong>Three Burials of Melquiades Estrada</strong><br />
<strong>Thank You For Smoking</strong><br />
<strong>The Baxter</strong><br />
<strong>Don&#8217;t Come Knocking</strong><br />
<strong>Fearless Freaks</strong></p>
<p>-<br />
<strong>1930&#8242;s Month</strong> (August 2008)</p>
<p>Between <em><a href="/journal/archives/600">Trouble In Paradise</a></em> and <em><a href="/journal/archives/617">Rules of the Game</a></em>, Katy and I watched seven 1930&#8242;s movies, and I watched <a href="/journal/archives/616">one more</a> when she wasn&#8217;t around.  These are the others I tried getting her to watch, along with my brief descriptions.  I hardly ever give descriptions&#8230; must have been trying especially hard that summer.</p>
<p><strong>Enthusiasm</strong> (groundbreaking russian experimental drama)<br />
<strong>Gabriel Over The White House</strong> (angel-as-president drama)<br />
<strong>Daybreak</strong> (french romantic tragedy, dir. of children of paradise)<br />
<del><a href="/journal/archives/6289">Land Without Bread</a></del> (bunuel&#8217;s mountain documentary)<br />
<strong>L&#8217;Idee</strong> (30-min pioneering animated film)<br />
<strong>À Nous la liberté</strong> (french left-wing satirical comedy)<br />
<strong>Movie Crazy</strong> (harold lloyd wants to be in the movies)<br />
<strong>Man&#8217;s Castle</strong> (pre-code spencer tracy romance)<br />
<strong>The Milky Way</strong> (harold lloyd talkie, milkman becomes a boxing star)<br />
<strong>Edge of the World</strong> (ahead-of-its-time british drama, scenic, tragic)<br />
<strong>Grand Illusion</strong> (french war drama often voted a top-ten-ever film)<br />
<del><a href="/journal/archives/6497">The Blue Angel</a></del> (the <del>musical</del> that made marlene dietrich a star)<br />
<del><a href="/journal/archives/6464">Boudu Saved From Drowning</a></del> (renoir comedy w one of my fave french actors)<br />
<del><a href="/journal/archives/6334">Sylvia Scarlett</a></del> (cukor/grant/hepburn romantic comedy!)<br />
<strong>Story of the Late Chrysanthemums</strong> (some kinda japanese masterpiece)<br />
<strong>Threepenny Opera</strong> (musical from director of pandora&#8217;s box)<br />
<strong>Scarface</strong> (howard hawks&#8217; original gangster drama)</p>
<p>-<br />
<strong>Christmas Movies</strong></p>
<p>Christmas Movie Week comes every December &#8211; this is the 2010 list, in descending order by how much I thought Katy would enjoy watching them.</p>
<p><strong>The Bells of St. Mary&#8217;s</strong><br />
<strong>Comfort and Joy</strong><br />
<strong>I&#8217;ll Be Seeing You</strong><br />
<strong>Nestor, The Long-Eared Christmas Donkey</strong><br />
<strong>A Midwinter&#8217;s Tale</strong><br />
<strong>Christmas Holiday</strong><br />
<strong>&#8216;Til We Meet Again</strong><br />
<strong>Bad Santa</strong><br />
<strong>Jesus of Montreal</strong><br />
<strong>In Search of a Midnight Kiss</strong><br />
<del>Blackadder&#8217;s Christmas Carol</del><br />
<strong>A Tale of Winter</strong><br />
<strong>The Ref</strong><br />
<strong>Frozen River</strong><br />
<strong>&#8216;R Xmas</strong><br />
<strong>A Midnight Clear</strong></p>
<p>-<br />
<strong>Westerns Month</strong> (Dec. 2010)</p>
<p>A very enjoyable six-movie theme month with Katy.  And eighteen left on the list I made, so we only got to a quarter of it, which still seems an unusually high ratio.  Other lists I make (things to fix around the house, albums to buy, restaurants to try) are just as unrealistic and unrealized as my way-too-long movie lists.  Westerns are tough because all their titles sound the same to me.</p>
<p><strong>Big Sky</strong><br />
<strong>Duel in the Sun</strong><br />
<strong>Annie Get Your Gun</strong><br />
<strong>The Gunfighter</strong><br />
<strong>Wagon Master</strong><br />
<strong>The Lusty Men</strong><br />
<strong>Silver Lode</strong><br />
<strong>Wichita</strong><br />
<strong>Man of the West</strong><br />
<strong>Man Who Shot Liberty Valance</strong><br />
<strong>Fort Apache</strong><br />
<del><a href="/journal/archives/6415">Red River</a></del><br />
<strong>Bend of the River</strong><br />
<strong>The Far Country</strong><br />
<strong>The Misfits</strong><br />
<strong>Ride the High Country</strong></p>
<p>-<br />
<strong>Late Films</strong> (Dec. 2010)</p>
<p>For the Shadowplay <a href="http://dcairns.wordpress.com/2010/12/12/the-late-show-round-up/">Late Films Blogathon</a> I watched a week&#8217;s worth of final or near-final films by writers, directors and in one case, actors.  These are others that I considered:</p>
<p>Lang: <strong>The Thousand Eyes of Dr. Mabuse</strong><br />
Franju: <del><a href="/journal/archives/6845">Shadowman</a></del><br />
Chaplin: <strong>A King In New York</strong><br />
Nick Ray: <strong>Lightning Over Water</strong><br />
<del>Walerian Borowczyk</del><br />
Demy: <strong>Trois places pour le 26</strong> or Varda&#8217;s <strong>Demy double-feature</strong><br />
Corman: <strong>Frankenstein Unbound</strong><br />
Jarman: <strong>Blue</strong><br />
John Hubley: <strong>The Cosmic Eye</strong><br />
Lubitsch: <strong>Cluny Brown</strong>, <strong>That Lady In Ermine</strong><br />
Melville: <strong>Un Flic</strong><br />
Oshima: <strong>Taboo</strong><br />
Satyajit Ray: <strong>The Visitor</strong>, <strong>Branches of the Tree</strong><br />
Sturges: <del><a href="/journal/archives/6336">Beautiful Blonde From Bashful Bend</a></del>, <strong>The French are a Funny Race</strong><br />
Borzage: <strong>The Big Fisherman</strong><br />
Borzage/Ulmer: <strong>Journey Beneath the Desert/Siren of Atlantis</strong><br />
Jerry Lewis: <strong>Hardly Working</strong>, <strong>Cracking Up</strong></p>
<p>-<br />
<strong>Russian Movies</strong></p>
<p>Just last month I decided I need to see all the silent Russian masterpieces, and a bunch more Russian movies for that matter.  I only watched <a href="/journal/archives/6076">one feature and a short</a>.  Anyway, I&#8217;ll get to it later.</p>
<p>Starewicz 1912 <strong>Cameraman&#8217;s Revenge</strong> :13<br />
Bauer 1914 <strong>Child of the Big City</strong> :37<br />
Bauer 1915 <strong>After Death</strong> :46<br />
Protazanov 1924 <strong>Aelita</strong> 1:51<br />
Eisenstein 1925 <del><a href="/journal/archives/6200">Potemkin</a></del><br />
Vertov 1926 <strong>A Sixth Part of the World</strong> 1:14<br />
Vertov 1926 <strong>Man with the Movie Camera</strong> 1:07<br />
Kuleshov 1926 <del><a href="/journal/archives/6284">Dura Lex</a></del> 1:18<br />
Eisenstein 1927 <del><a href="/journal/archives/6465">October</a></del><br />
Dovzhenko 1929 <del><a href="/journal/archives/6529">Arsenal</a></del><br />
Dovzhenko 1930 <strong>Earth</strong><br />
Vertov 1931 <strong>Enthusiasm</strong> 1:05<br />
Dovzhenko 1932 <strong>Ivan</strong><br />
Kuleshov 1933 <strong>The Great Consoler</strong><br />
Pudovkin 1933 <strong>Deserter</strong> 1:45<br />
Medvedkin 1938 <strong>New Moscow</strong> 1:16<br />
Eisenstein 1945 <strong>Ivan the Terrible</strong><br />
Kalatozov 1959 <strong>Letter Never Sent</strong> 1:32<br />
1967 <strong>Viy, Spirit of Evil</strong> 1:12<br />
Protazanov 1969 <strong>The Queen of Spades</strong> 1:03<br />
Tarkovsky 1975 <strong>Mirror</strong> 1:48<br />
Sokurov 1979 <strong>Sonata For Hitler</strong> :43<br />
Parajanov 1984 <strong>Legend of Suram Fortress</strong> 1:28<br />
Klimov 1985 <strong>Come and See</strong> 1:13<br />
Sokurov 1988 <strong>Days of Eclipse</strong> 1:06<br />
Muratova 1990 <strong>Asthenic Syndrome</strong> 2:33<br />
Petrov 1992 <strong>The Cow</strong> :10<br />
Mikhalkov 1994 <strong>Burnt by the Sun</strong> 2:15<br />
Sokurov 1994 <strong>Whispering Pages</strong> 1:17<br />
Petrov 1999 <strong>Old Man and the Sea</strong> :20<br />
Iosseliani 1999 <strong>Adieu Plancher</strong> 1:52<br />
Fokin 2002 <strong>Metamorphosis</strong> 1:24<br />
Muratova 2004 <strong>The Tuner</strong> 2:35<br />
Sokurov 2007 <strong>Aleksandra</strong> 1:31<br />
Zvyagintsev 2007 <strong>The Banishment</strong> 2:30</p>
<p>-<br />
<strong>SHOCKtober 2010</strong></p>
<p>Going along with my plan to watch some of the &#8220;<a href="/journal/archives/3911">best films of the decade</a>&#8220;, I thought for SHOCKtober last year I&#8217;d confine myself to horror movies from 2000-2010.  But I didn&#8217;t end up doing that at all.  So here&#8217;s the list I&#8217;d planned to use:</p>
<p><strong>Taxidermia</strong><br />
<strong>Fear(s) of the Dark</strong><br />
<strong>In My Skin</strong><br />
<strong>The Orphanage</strong><br />
<strong>Inside</strong><br />
<strong>Wendigo</strong><br />
<strong>The Last Winter</strong><br />
<strong>Mother of Tears</strong><br />
<strong>Mysterious Skin</strong><br />
<strong>The End of Suburbia</strong> / <strong>Darwin&#8217;s Nightmare</strong><br />
<strong>Demons</strong> (Mario O&#8217;Hara)<br />
<del><a href="/journal/archives/6814">Memories of Murder</a></del> (bong)<br />
<strong>Anatomy of Hell</strong><br />
<strong>They Came Back</strong><br />
K Kurosawa: <strong>Seance</strong>, <strong>Bright Future</strong>, <strong>Doppelganger</strong><br />
<strong>The Devil&#8217;s Backbone</strong><br />
<strong>Irreversible</strong><br />
<strong>Twentynine Palms</strong><br />
<strong>13 Tzamedi</strong><br />
<strong>Deanimated</strong><br />
<strong>Demon Pond</strong><br />
<strong>Vital</strong></p>
<p>-<br />
<strong>SHOCKtober 2009</strong></p>
<p>Told myself I&#8217;d watch stuff that I&#8217;d bought and rented, but of course that never happens &#8211; I just rent new ones.  I think this is a mash of lists from 2007-2009.</p>
<p><strong>Dr. Caligari</strong>  80min<br />
<strong>Organ</strong>  104min<br />
<strong>Vampyres</strong>  88min<br />
<strong>The Baby&#8217;s Room</strong> (2006)  76min<br />
<strong>Crawlspace</strong>  80min<br />
<strong>To Sir With Love</strong> (2006)  93min<br />
<strong>The Old Dark House</strong>  72min<br />
<strong>Death Bed</strong> (1977)  78min<br />
<strong>2000 Maniacs</strong>  84min<br />
<strong>Mansion of Madness</strong>  84min<br />
<strong>Midori</strong>  49min anime<br />
<strong>Atrocity Exhibition</strong>  102min<br />
<strong>Haxan Witchcraft</strong>  76min<br />
<strong>Rubber&#8217;s Lover</strong>  91min<br />
<strong>Cthulhu</strong><br />
<strong>Fear Itself</strong> episodes<br />
<strong>Possession</strong> by zulawski<br />
<strong>Tideland</strong><br />
<strong>The Woods</strong> (2006)<br />
<strong>Wizard of Gore</strong><br />
<strong>Sheitan</strong><br />
<strong>The Hunger</strong><br />
<strong>Necronomicon</strong> (1993)<br />
<strong>Dr. Caligari</strong><br />
<strong>Curse of Frankenstein</strong> 1957<br />
<del><a href="/journal/archives/6868">The Mummy</a></del> 1959<br />
<strong>Strange Circus</strong><br />
<strong>Season of the Witch</strong></p>
<p>-<br />
<strong>Shorts Month</strong></p>
<p>November 2009 was <a href="/journal/archives/3707">Shorts Month</a>, when I watched so many shorts that I&#8217;m still kind of sick of them.  Here are some (not counting the ones that ended up on the <a href="/journal/archives/5510">auteur list</a>) I&#8217;d intended to watch that month before I took a less focused approach and just devoured all the ones on my laptop.</p>
<p><strong>Philips-Radio</strong> (Joris Ivens)<br />
<strong>Un Chant D&#8217;Amour</strong><br />
<strong>more Chaplin</strong><br />
Borzage: <strong>Nugget Jim</strong> / <strong>Pilgrim</strong><br />
<strong>Free Cinema</strong> DVDs<br />
<del><a href="/journal/archives/6940">Entr&#8217;acte</a></del> (René Clair)<br />
<strong>La Villa Santo-Sospir</strong> (by Cocteau)<br />
<strong>Paris du par</strong> (anthology)<br />
<strong>Godard/Mieville DVD</strong><br />
Greenaway: <strong>26 Bathrooms</strong>, <strong>Fear of Drowning</strong>, <strong>Writing on Water</strong><br />
Herzog: <strong>Great Ecstasy of Woodcarver Steiner</strong>, <strong>Unprecedented Defence of Deutschkreuz</strong>, <strong>Nobody Wants to Play with Me</strong>, <strong>Handicapped Future</strong><br />
Hubleys: <strong>The Hat</strong>, <strong>Moonbird</strong>, <strong>Whither Weather</strong><br />
Kiarostami: <del><a href="/journal/archives/6286">Breaktime</a></del>, <del><a href="/journal/archives/6286">The Chorus</a></del><br />
Rohmer: <strong>Changing Landscapes</strong><br />
Ken Russell: <del>From Spain to Streatham</del>, <em>London Moods</em>, <del>Shelagh Delaney&#8217;s Salford</del>, <em>Prokofiev</em>, <em>Variations on a Mechanical Theme</em>, <em>Antonio Gaudí</em><br />
<strong>various by Terayama Shuji</strong></p>
<p>-<br />
<strong>TCM Essentials Month</strong> (Feb. 2011)</p>
<p>This was short-lived because Katy didn&#8217;t have much time to waste on movies, but we&#8217;ll come back to it.  She missed having cable, so I looked up lists of Turner Classic&#8217;s &#8220;essentials&#8221;, then after each movie we&#8217;d read their online article explaining why it was so essential.</p>
<p><strong>A Face in the Crowd</strong><br />
<strong>A Place in the Sun</strong><br />
<strong>A Star is Born</strong> (&#8217;54)<br />
<strong>An Affair to Remember</strong><br />
<strong>An American in Paris</strong><br />
<strong>Ben-Hur</strong><br />
<strong>Black Orpheus</strong><br />
<strong>Bonnie and Clyde</strong> (&#8217;67)<br />
<strong>Brief Encounter</strong><br />
<strong>Doctor Zhivago</strong> (1965)<br />
<del><a href="/journal/archives/6494">Duck Soup</a></del><br />
<strong>Fort Apache</strong><br />
<strong>Gaslight</strong><br />
<strong>Gilda</strong><br />
<strong>Grand Illusion</strong><br />
<strong>Gunga Din</strong><br />
<strong>I Am a Fugitive from a Chain Gang</strong><br />
<strong>Imitation of Life</strong><br />
<strong>Invasion of the Body Snatchers</strong><br />
<strong>Jezebel</strong><br />
<strong>Kind Hearts and Coronets</strong><br />
<strong>Lawrence of Arabia</strong> (&#8217;67)<br />
<strong>Leave Her to Heaven</strong> (&#8217;46)<br />
<strong>Lolita</strong><br />
<strong>Mr. Smith Goes to Washington</strong><br />
<strong>Notorious</strong><br />
<strong>Now, Voyager</strong><br />
<del><a href="/journal/archives/6569">Out of the Past</a></del><br />
<strong>Paper Moon</strong><br />
<strong>Paths of Glory</strong><br />
<strong>Psycho</strong><br />
<strong>Rebecca</strong><br />
<strong>Ride the High Country</strong><br />
<strong>Saboteur</strong><br />
<strong>Seven Samurai</strong><br />
<strong>Some Came Running</strong><br />
<strong>Stalag 17</strong><br />
<strong>Strangers on a Train</strong> (&#8217;51)<br />
<strong>Sweet Smell of Success</strong><br />
<strong>The Bad and the Beautiful</strong><br />
<strong>The Big Sleep</strong><br />
<strong>The Four Feathers</strong><br />
<strong>The Grapes of Wrath</strong><br />
<strong>The Great Escape</strong><br />
<strong>The Hustler</strong><br />
<strong>The Letter</strong><br />
<strong>The Maltese Falcon</strong><br />
<strong>The Manchurian Candidate</strong><br />
<strong>The Merry Widow</strong><br />
<strong>The Misfits</strong><br />
<strong>The Mouse that Roared</strong><br />
<strong>The Quiet Man</strong><br />
<strong>The Sea Hawk</strong> (&#8217;40)<br />
<strong>The Snake Pit</strong> (&#8217;48)<br />
<strong>The Treasure of the Sierra Madre</strong><br />
<strong>They Were Expendable</strong><br />
<strong>To Kill A Mockingbird</strong> (1962)<br />
<strong>Tom Jones</strong><br />
<strong>Tootsie</strong> (1982)<br />
<strong>White Heat</strong><br />
<strong>Winchester &#8217;73</strong><br />
<strong>Witness for the Prosecution</strong><br />
<strong>Wuthering Heights </strong></p>
<p>-<br />
<strong>Bonus List: Criterion Laserdiscs</strong></p>
<p>I found a list of movies Criterion released before the DVD era, made note of the 80-ish I&#8217;ve never seen.  I have an ongoing urge to watch everything the company puts out (as do many cinephile/collectors, I&#8217;m sure), but between their main label and Eclipse, I&#8217;ll never actually catch up to the point that I need to worry myself over these.  It&#8217;s still an interesting group of films, though.</p>
<p><strong>High Noon</strong><br />
<strong>Invasion of the Body Snatchers</strong><br />
<strong>Sabotage</strong><br />
<strong>Secret Agent</strong><br />
<strong>Young and Innocent</strong><br />
<strong>The Asphalt Jungle</strong><br />
<strong>Scaramouche</strong> (george sidney)<br />
<strong>Show Boat</strong> (whale)<br />
<strong>Forbidden Planet</strong><br />
<strong>Zulu</strong><br />
<strong>Darling</strong> (john schlesinger)<br />
<strong>West Side Story</strong><br />
<strong>Shampoo</strong><br />
<strong>Miracle in Milan</strong> (de sica)<br />
<strong>La Cage aux Folles</strong><br />
<strong>Burn!</strong> (gillo pontecorvo)<br />
<strong>The Lacemaker</strong> (claude goretta)<br />
<strong>King of Hearts</strong> (philippe de broca)<br />
<strong>Silverado</strong><br />
<strong>Last Tango in Paris</strong><br />
<strong>The Big Chill</strong><br />
<strong>Dr. No</strong><br />
<strong>From Russia with Love</strong><br />
<strong>Goldfinger</strong><br />
<strong>Bad Day at Black Rock</strong><br />
<strong>Here Comes Mr. Jordan</strong> (alexander hall)<br />
<strong>Lady for a Day</strong> (capra)<br />
<strong>Carnal Knowledge</strong> (mike nichols)<br />
<strong>Tootsie</strong><br />
<strong>Sunday Bloody Sunday</strong> (john schlesinger)<br />
<strong>Blackmail</strong><br />
<strong>The Prince of Tides</strong><br />
<strong>Jason and the Argonauts</strong><br />
<strong>A River Runs Through It</strong><br />
<strong>Damage</strong> (malle)<br />
<strong>City of Hope</strong> (sayles)<br />
<strong>Confidentially Yours</strong><br />
<strong>Edward II</strong> (jarman)<br />
<strong>The Bridge on the River Kwai</strong><br />
<strong>Get Out Your Handkerchiefs</strong> (bertrand blier)<br />
<strong>Evergreen</strong> (victor saville)<br />
<strong>Macbeth</strong> (polanski)<br />
<strong>Polyester</strong><br />
<strong>Salt of the Earth</strong> (berbert biberman)<br />
<strong>Bodies, Rest &#038; Motion</strong> (michael steinberg)<br />
<strong>Menace II Society</strong><br />
<strong>Two English Girls</strong><br />
<strong>The Prince of Tides</strong><br />
<strong>Woman Next Door</strong><br />
<strong>Soft Skin</strong><br />
<strong>Dersu Uzala</strong><br />
<strong>Three Cases of Murder</strong> (david eady)<br />
<strong>In Which We Serve</strong> (noel coward)<br />
<strong>Odd Man Out</strong><br />
<strong>Once Were Warriors</strong> (lee tamahori)<br />
<strong>The Atomic Cafe</strong><br />
<strong>Why Has Bodhi-Dharma Left for the East?</strong><br />
<strong>Waltz of the Torreadors</strong> (john guillermin)<br />
<strong>El Cid</strong> (anthony mann)<br />
<strong>Diva</strong><br />
<strong>The Entertainer</strong> (tony richardson)<br />
<strong>Swept Away</strong> (lina wertmuller)<br />
<strong>The Return of Martin Guerre</strong> (daniel vigne)<br />
<strong>Sweet Sweetback&#8217;s Baadasssss Song</strong><br />
<strong>Montenegro</strong> (makavejev)<br />
<strong>Purple Noon</strong><br />
<strong>A Personal Journey with Martin Scorsese Through American Movies</strong><br />
<strong>Supercop</strong><br />
<strong>Olympia I and II</strong><br />
<strong>Pink Flamingos</strong><br />
<strong>Five Corners</strong> (tony bill)<br />
<strong>Breaker Morant</strong><br />
<strong>Godzilla, King of the Monsters!</strong><br />
<strong>Godzilla vs. Mothra</strong><br />
<strong>Godzilla vs. Monster Zero</strong><br />
<strong>Godzilla&#8217;s Revenge</strong><br />
<strong>Terror of Mechagodzilla</strong><br />
<strong>Sonatine</strong><br />
<strong>Switchblade Sisters</strong></p>
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		<title>Brandon&#8217;s Favorite New Movies of 2010</title>
		<link>http://deeperintomovies.net/journal/archives/5665</link>
		<comments>http://deeperintomovies.net/journal/archives/5665#comments</comments>
		<pubDate>Sat, 01 Jan 2011 04:00:44 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
				<category><![CDATA[Movie]]></category>
		<category><![CDATA[2010s]]></category>
		<category><![CDATA[lists]]></category>

		<guid isPermaLink="false">http://deeperintomovies.net/journal/?p=5665</guid>
		<description><![CDATA[A &#8220;new movie&#8221; is defined herein as any of the following: - a movie released in 2010 (e.g. Black Swan) - a non-2010 movie I saw in theaters in 2010 (e.g. The White Ribbon) - a non-2010 movie I saw on video in 2010 which I couldn&#8217;t reasonably have seen sooner (e.g. The Headless Woman) [...]]]></description>
			<content:encoded><![CDATA[<p>A &#8220;new movie&#8221; is defined herein as any of the following:<br />
- a movie released in 2010 (e.g. <em>Black Swan</em>)<br />
- a non-2010 movie I saw in theaters in 2010 (e.g. <em>The White Ribbon</em>)<br />
- a non-2010 movie I saw on video in 2010 which I couldn&#8217;t reasonably have seen sooner (e.g. The <em>Headless Woman</em>)</p>
<p><strong>1. <em><a href="/journal/archives/4105">35 Shots of Rum</a></em> (Claire Denis)</strong><br />
The only movie I saw twice in theaters this year, so I am sure about this.</p>
<p><strong>2. <em><a href="/journal/archives/4895">Wild Grass</a></em> (Alain Resnais)</strong><br />
Perhaps if I understood it, I&#8217;d enjoy it less.  Finally Resnais&#8217;s wild sense of mystery has returned.</p>
<p><strong>3. <em><a href="/journal/archives/4243">The White Ribbon</a></em> (Michael Haneke)</strong><br />
One of everybody&#8217;s favorite movies of last year is now one of my favorite movies of this year.</p>
<p><strong>4. <em><a href="/journal/archives/5112">Uncle Boonmee Who Can Recall His Past Lives</a></em> (Apichatpong Weerasethakul)</strong><br />
Maybe only my second-favorite Weerasethakul movie I watched this year, but they&#8217;d sure be close.  It&#8217;s the one on this list which I still think about most often.</p>
<p><strong>5. <em><a href="/journal/archives/5543">The Social Network</a></em> (David Fincher)</strong><br />
Everyone else&#8217;s favorite movie of the year is at least my favorite one in the English language.</p>
<p><strong>6. <em><a href="/journal/archives/4072">Broken Embraces</a></em> (Pedro Almodovar)</strong><br />
<strong>7. <em><a href="/journal/archives/4897">Scott Pilgrim vs. The World</a></em> (Edgar Wright)</strong><br />
<strong>8. <em><a href="/journal/archives/4421">Mother</a></em> (Bong Joon-ho)</strong><br />
<strong>9. <em><a href="/journal/archives/4847">Toy Story 3</a></em> (Lee Unkrich)</strong><br />
<strong>10. <em><a href="/journal/archives/4960">A Single Man</a></em> (Tom Ford)</strong><br />
<strong>11. <em><a href="/journal/archives/4106">The Imaginarium of Doctor Parnassus</a></em> (Terry Gilliam)</strong><br />
<strong>12. <em><a href="/journal/archives/5542">Black Swan</a></em> (Darren Aronofsky)</strong></p>
<p><strong>Honorable mentions:</strong> <em><a href="/journal/archives/4575">Revanche</a></em>, <em><a href="/journal/archives/4440">The Headless Woman</a></em>, the weirdly awesome <em><a href="/journal/archives/4048">It Felt Like a Kiss</a></em>, music doc <em><a href="/journal/archives/5347">It Might Get Loud</a></em>, Miike&#8217;s <em><a href="/journal/archives/4508">Yatterman</a></em>, and <em><a href="/journal/archives/4775">Shutter Island</a></em>.</p>
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		<title>Brandon&#8217;s Favorite Older Movies of 2010</title>
		<link>http://deeperintomovies.net/journal/archives/5664</link>
		<comments>http://deeperintomovies.net/journal/archives/5664#comments</comments>
		<pubDate>Sat, 01 Jan 2011 03:30:14 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
				<category><![CDATA[Movie]]></category>
		<category><![CDATA[lists]]></category>

		<guid isPermaLink="false">http://deeperintomovies.net/journal/?p=5664</guid>
		<description><![CDATA[Best pre-2000 movies I watched on video (and at Emory) this year. As usual, there are lots. 1. City Girl (1930, FW Murnau) 2. Robin and Marian (1976, Richard Lester) 3. The Cranes are Flying (1957, Mikheil Kalatozishvili) 4. Lucky Star (1929, Frank Borzage) 5. The Band Wagon (1953, Vincente Minnelli) Two silents in the [...]]]></description>
			<content:encoded><![CDATA[<p>Best pre-2000 movies I watched on video (and <abbr title="Thank you, Emory">at Emory</abbr>) this year.  As usual, there are lots.</p>
<p><strong>1. <em><a href="/journal/archives/4578">City Girl</a></em> (1930, FW Murnau)</strong><br />
<strong>2. <em><a href="/journal/archives/4089">Robin and Marian</a></em> (1976, Richard Lester)</strong><br />
<strong>3. <em><a href="/journal/archives/4303">The Cranes are Flying</a></em> (1957, Mikheil Kalatozishvili)</strong><br />
<strong>4. <em><a href="/journal/archives/4326">Lucky Star</a></em> (1929, Frank Borzage)</strong><br />
<strong>5. <em><a href="/journal/archives/4342">The Band Wagon</a></em> (1953, Vincente Minnelli)</strong></p>
<p>Two silents in the top five &#8211; a first.</p>
<p><strong>6. <em><a href="/journal/archives/3974">La Vie est un roman</a></em> (1983, Alain Resnais)</strong><br />
<strong>7. <em><a href="/journal/archives/4485">The Blood</a></em> (1989, Pedro Costa)</strong><br />
<strong>8. <em><a href="/journal/archives/4499">I Walked With a Zombie</a></em> (1943, Jacques Tourneur)</strong><br />
<strong>9. <em><a href="/journal/archives/5509">Stagecoach</a></em> (1939, John Ford)</strong><br />
<strong>10. <em><a href="/journal/archives/4707">The Last Movie</a></em> (1971, Dennis Hopper)</strong></p>
<p>Only two of the top ten were watched with Katy.  She liked them both, though, and I imagine she&#8217;d love the silents and <em>Robin and Marian</em>.</p>
<p><strong>11. <em><a href="/journal/archives/4266">Small Change</a></em> (1976, Francois Truffaut)</strong><br />
<strong>12. <em><a href="/journal/archives/4944">The Ceremony</a></em> (1995, Claude Chabrol)</strong><br />
<strong>13. <em><a href="/journal/archives/4583">Underworld U.S.A.</a></em> (1961, Samuel Fuller)</strong><br />
<strong>14. <em><a href="/journal/archives/4861">Branded to Kill</a></em> (1967, Seijun Suzuki)</strong><br />
<strong>15. <em><a href="/journal/archives/5487">Force of Evil</a></em> (1948, Abraham Polonsky)</strong></p>
<p>I&#8217;d seen two of these before, but no matter.</p>
<p><strong>16. <em><a href="/journal/archives/5532">Johnny Guitar</a></em> (1954, Nicholas Ray)</strong><br />
<strong>17. Jean Renoir&#8217;s <em><a href="/journal/archives/4874">Elena And Her Men</a></em> (1956) and <em><a href="/journal/archives/5494">Petit Theatre</a></em> (1970)</strong><br />
<strong>18. <em><a href="/journal/archives/4585">The Criminal Life of Archibaldo de la Cruz</a></em> (1955, Luis Bunuel)</strong><br />
<strong>19. <em><a href="/journal/archives/5574">My Darling Clementine</a></em> (1946, John Ford)</strong><br />
<strong>20. <em><a href="/journal/archives/4104">Aparajito</a></em> (1957, Satyajit Ray)</strong></p>
<p><strong>Runners-up:</strong> <em><a href="/journal/archives/5386">The Saragossa Manuscript</a></em> (I can&#8217;t tell if I would&#8217;ve liked this more or less had I not just read the novel), the <a href="/journal/archives/4242">first</a> <a href="/journal/archives/4383">three</a> <em><a href="/journal/archives/4111">Thin Man</a></em> movies, <em><a href="/journal/archives/5104">Royal Wedding</a></em> (advantage: Fred Astaire&#8217;s dancing, disadvantage: Jane Powell&#8217;s singing) and <em><a href="/journal/archives/4379">The White Sheik</a></em>.</p>
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		<title>Brandon&#8217;s Favorite Shorts in 2010</title>
		<link>http://deeperintomovies.net/journal/archives/5663</link>
		<comments>http://deeperintomovies.net/journal/archives/5663#comments</comments>
		<pubDate>Sat, 01 Jan 2011 03:00:26 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
				<category><![CDATA[Movie]]></category>
		<category><![CDATA[lists]]></category>
		<category><![CDATA[shorts]]></category>

		<guid isPermaLink="false">http://deeperintomovies.net/journal/?p=5663</guid>
		<description><![CDATA[Last November I held the &#8220;month of 121 shorts&#8221; and burned myself out, so I didn&#8217;t feel like watching many in 2010. Thirty made the list last year including runners-up, but I barely watched that many in total this year. Anyway, here are twelve that I loved. 1. 11&#8217;09&#8243;01 (2002) Specifically, the two entries with [...]]]></description>
			<content:encoded><![CDATA[<p>Last November I held the &#8220;month of 121 shorts&#8221; and burned myself out, so I didn&#8217;t feel like watching many in 2010.  Thirty made the list last year including runners-up, but I barely watched that many in total this year. Anyway, here are twelve that I loved.</p>
<p>1. <strong><em><a href="/journal/archives/4121">11&#8217;09&#8243;01</a></em> (2002)</strong><br />
Specifically, the two entries with children in them, by Samira Makhmalbaf and Idrissa Ouedraogo.  They&#8217;re the only two that dared to treat the subject with lightness or humor, and their bravery paid off.</p>
<p>2. <strong><em><a href="/journal/archives/4847">Day &#038; Night</a></em> (2010, Teddy Newton)</strong><br />
Remember that thing before <em>Toy Story 3</em> with the visual concept that I loved but have trouble explaining?  That one.</p>
<p>3. <strong><em><a href="/journal/archives/4534">Cry For Bobo</a></em> (2001, David Cairns)</strong><br />
Best clown movie ever.</p>
<p>4. <strong>Guy Maddin&#8217;s <em><a href="/journal/archives/4534">Night Mayor</a></em> and <em><a href="/journal/archives/4065">Send Me To The &#8216;Lectric Chair</em> and <em>The Little White Cloud That Cried</a></em></strong></p>
<p>5. <strong><em><a href="/journal/archives/5387">Narcissus</a></em> (1983, Norman McLaren)</strong></p>
<p>6. <strong><em><a href="/journal/archives/4471">Gauguin</em> and <em>Van Gogh</a></em> (Alain Resnais)</strong></p>
<p>7. <strong><em><a href="/journal/archives/4065">Letter to Uncle Boonmee</a></em> (2009, Apichatpong Weerasethakul)</strong></p>
<p>8. <strong><em><a href="/journal/archives/4534">Talking Heads</a></em> (1980, Krzysztof Kieslowski)</strong></p>
<p><strong>Runners-up:</strong> Spike Jonze&#8217;s robot thing <em><a href="/journal/archives/4617">I&#8217;m Here</a></em>, Lindsay Anderson&#8217;s diary <em><a href="/journal/archives/5387">Is That All There Is</a></em> (if that counts as a short &#8211; I&#8217;m starting to reconsider) and, though I&#8217;d seen it before, Bert Haanstra&#8217;s awesome <em><a href="/journal/archives/4065">Zoo</a></em>.</p>
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		<title>Brandon&#8217;s Favorite Horror Movies in 2010</title>
		<link>http://deeperintomovies.net/journal/archives/5662</link>
		<comments>http://deeperintomovies.net/journal/archives/5662#comments</comments>
		<pubDate>Sat, 01 Jan 2011 02:30:36 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
				<category><![CDATA[Movie]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[lists]]></category>

		<guid isPermaLink="false">http://deeperintomovies.net/journal/?p=5662</guid>
		<description><![CDATA[Every year SHOCKtober comes around, and many horror movies are viewed, but they never get to participate in the year-end lists because most are so very bad. This year I thought I&#8217;d give the genre its own little party with a ten-best list. They can&#8217;t hold their own against Stagecoach or The Social Network, but [...]]]></description>
			<content:encoded><![CDATA[<p>Every year SHOCKtober comes around, and many horror movies are viewed, but they never get to participate in the year-end lists because most are so very bad.  This year I thought I&#8217;d give the genre its own little party with a ten-best list.  They can&#8217;t hold their own against <em><a href="/journal/archives/5509">Stagecoach</a></em> or <em><a href="/journal/archives/5543">The Social Network</a></em>, but each was very satisfying in its own way.</p>
<p><strong>1. <em><a href="/journal/archives/3835">Collapse</a></em> (2009, Chris Smith)</strong><br />
The single movie I thought about the most this year.  Unfortunately, the vegetable garden I started in preparation for the Global Economic Collapse is not going very well.  I can&#8217;t find the parsley anymore, the tomatillos died, and I&#8217;m not sure how long I could live off parley and tomatillos anyhow.</p>
<p><strong>2. <em><a href="/journal/archives/5041">City of the Living Dead</a></em> (1980, Lucio Fulci)</strong><br />
<strong>3. <em><a href="/journal/archives/5246">Kwaidan</a></em> (1965, Masaki Kobayashi)</strong></p>
<p><strong>4. <em><a href="/journal/archives/5139">Trick &#8216;r Treat</a></em> (2007, Michael Dougherty)</strong><br />
<strong>5. <em><a href="/journal/archives/5101">Hatchet</a></em> (2006, Adam Green)</strong><br />
Horror movies can get such positive reviews among horror-movie fanatics then turn out to be utter crap to non-fanatics.  I&#8217;m somewhat of a fanatic myself, but I found the much-loved <em><a href="/journal/archives/3372">Midnight Meat Train</a></em> so disappointing that I&#8217;ve tried to avoid recent horror altogether ever since.  Luckily I changed my mind long enough to watch these two gems.</p>
<p><strong>6. <em><a href="/journal/archives/4733">Splice</a></em> (2009, Vincenzo Natali)</strong><br />
<strong>7. <em><a href="/journal/archives/5117">Bucket of Blood</a></em> (1959, Roger Corman)</strong></p>
<p><strong>8. <em><a href="/journal/archives/5138">The Haunted World of El Superbeasto</a></em> (2009, Rob Zombie)</strong><br />
One of the few movies that makes me hope for sequels.</p>
<p><strong>9. <em><a href="/journal/archives/5095">[Rec]</a></em> (2007, Jaume Balagueró &#038; Paco Plaza)</strong><br />
Despite my affinity for horror, sometimes I&#8217;m the last person to see the popular ones.</p>
<p><strong>10. <em><a href="/journal/archives/5121">Body Snatchers</a></em> (1993, Abel Ferrara)</strong><br />
Yes, the 90&#8242;s remake with the people who scream funny.</p>
<p><strong>Runners-up:</strong> <em><a href="/journal/archives/4045">The Box</a></em> (it was horror, right?), <em><a href="/journal/archives/5012">A Tale of Two Sisters</a></em> (not the remake) and Larry Cohen&#8217;s <em><a href="/journal/archives/5259">Q: The Winged Serpent</a></em>.</p>
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