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	<title>Brandon&#039;s movie memory &#187; lists</title>
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	<description>Deeper Into Movies</description>
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		<title>Decade List Redux</title>
		<link>http://deeperintomovies.net/journal/archives/4405</link>
		<comments>http://deeperintomovies.net/journal/archives/4405#comments</comments>
		<pubDate>Fri, 26 Mar 2010 00:00:08 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
				<category><![CDATA[Movie]]></category>
		<category><![CDATA[lists]]></category>

		<guid isPermaLink="false">http://deeperintomovies.net/journal/?p=4405</guid>
		<description><![CDATA[Months after the entire Internet had already posted its lists of best films of the decade, my favorite print magazines, Cinema Scope and Film Comment, added a hundred more lists to the mix.  Here are about seventy more titles that should probably be on my &#8220;movies to watch in 2010&#8221; page.  But they [...]]]></description>
			<content:encoded><![CDATA[<p>Months after the entire Internet had already posted its lists of best films of the decade, my favorite print magazines, Cinema Scope and Film Comment, added a hundred more lists to the mix.  Here are about seventy more titles that should probably be on my &#8220;<a href="/journal/archives/3911">movies to watch in 2010</a>&#8221; page.  But they missed their chance, so they&#8217;ll have to stand alone over here instead.</p>
<p><strong>13 Lakes</strong><br />
<strong>À Travers la forêt</strong><br />
<strong>Alumbramiento</strong><br />
<strong>Assassination of Jesse James</strong><br />
<strong>Batang West Side</strong><br />
<strong>Birdsong</strong><br />
<strong>La Blessure</strong><br />
<strong>Bluebeard</strong><br />
<strong>The Bridesmaid</strong><br />
<strong>Cafe Lumiere</strong><br />
<strong>La Captive</strong><br />
<strong>Chunhyang</strong><br />
<strong>Come and Go</strong> (monteiro)<br />
<strong>Cosmetic Emergency</strong><br />
<strong>Crank / Crank 2</strong><br />
<strong>Crying Fist</strong><br />
<strong>Demons</strong> (mario o&#8217;hara)<br />
<strong>Deux</strong> (werner schroeter)<br />
<strong>Dog Days</strong><br />
<strong>Dor</strong> (kukunoor)<br />
<strong>Dying at Grace</strong><br />
<strong>Election/Triad Election</strong><br />
<strong>Evolution of a Filipino Family</strong><br />
<strong>Faceless Things</strong><br />
<strong>Flame and Citron</strong><br />
<strong>Flying with One Wing</strong><br />
<strong>Footnotes to a House of Love</strong><br />
<strong>The Garden</strong> (wiseman)<br />
<strong>Greendale</strong><br />
<strong>Gulabi Talkies</strong><br />
<strong>Harmful Insect</strong><br />
<del>In Vanda&#8217;s Room</del><br />
<strong>An Injury to One</strong><br />
<strong>Jimmywork</strong><br />
<strong>Last Days in a Lonely Place</strong><br />
<strong>La Libertad</strong><br />
<strong>The Long Holiday</strong><br />
<strong>Lot 63, Grave C</strong><br />
<strong>Manderlay</strong><br />
<strong>Margot at the Wedding</strong><br />
<strong>Medicine for Melancholy</strong><br />
<strong>Memories of Murder</strong><br />
<strong>Mid-Afternoon Barks</strong><br />
<strong>Phantom Limb</strong><br />
<strong>Phoenix Tapes</strong><br />
<strong>Pine Flat</strong><br />
<strong>The Pool</strong> (chris smith)<br />
<strong>The Rebirth</strong> (masahiro)<br />
<strong>Secret Sunshine</strong><br />
<strong>Shara</strong><br />
<strong>A Short Film about the Indio Nacional</strong><br />
<strong>Sleep Dealer</strong><br />
<strong>The Sky Crawlers</strong><br />
<strong>Space Disco One</strong><br />
<strong>Sweetgrass</strong><br />
<strong>The Taste of Tea</strong><br />
<strong>Textism</strong><br />
<strong>To Die Like a Man</strong><br />
<strong>Todo Todo Teros</strong><br />
<strong>Triple Agent</strong><br />
<strong>Turning Gate</strong><br />
<strong>Twentynine Palms</strong><br />
<strong>We Want Roses Too</strong><br />
<strong>When It Was Blue</strong><br />
<strong>Who Is Bozo Texino?</strong><br />
<strong>Wild Blue, Notes for Several Voices</strong><br />
<strong>Workingman&#8217;s Death</strong></p>
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		<title>Cannes Memory</title>
		<link>http://deeperintomovies.net/journal/archives/4306</link>
		<comments>http://deeperintomovies.net/journal/archives/4306#comments</comments>
		<pubDate>Thu, 04 Mar 2010 23:52:03 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
				<category><![CDATA[Movie]]></category>
		<category><![CDATA[cannes golden palm]]></category>
		<category><![CDATA[lists]]></category>

		<guid isPermaLink="false">http://deeperintomovies.net/journal/?p=4306</guid>
		<description><![CDATA[Looking over the decade list and reading up on Va Savoir, I realized I&#8217;ve seen eight of the ten top prize winners at the Cannes Film Festival from the last decade, and all in theaters, no less.  I only missed The Class and The Son&#8217;s Room.
Other Cannes winners I should check out sometime:
Eternity and [...]]]></description>
			<content:encoded><![CDATA[<p>Looking over the decade list and reading up on <em>Va Savoir</em>, I realized I&#8217;ve seen eight of the ten top prize winners at the Cannes Film Festival from the last decade, and all in theaters, no less.  I only missed <strong>The Class</strong> and <strong>The Son&#8217;s Room</strong>.</p>
<p>Other Cannes winners I should check out sometime:</p>
<p><strong>Eternity and a Day</strong> (Theo Angelopoulos)<br />
<strong>Rosetta</strong> (even though I didn&#8217;t love <em>L&#8217;Enfant</em>)<br />
<strong>Secrets &#038; Lies</strong> (Mike Leigh)<br />
<strong>The Best Intentions</strong> (3-hour film written by Ingmar Bergman)<br />
<strong>Pelle the Conqueror</strong> (same director as <em>The Best Intentions</em>)<br />
<strong>Under the Sun of Satan</strong> (Maurice Pialat)<br />
<strong>The Mission</strong> (follow-up to <em>The Killing Fields</em>)<br />
<strong>When Father was Away on Business</strong> (Kusturica)<br />
<strong>The Ballad of Narayama</strong> (Imamura)<br />
<strong>Missing</strong><br />
<strong>Yol</strong> (from Turkey)<br />
<strong>All That Jazz</strong><br />
<strong>Kagemusha</strong><br />
<strong>The Tree of Wooden Clogs</strong> (Ermanno Olmi)<br />
<strong>Padre Padrone</strong><br />
<strong>Chronicle of the Years of Fire</strong> (Algerian)<br />
<strong>Scarecrow</strong> (Hackman/Pacino)<br />
<strong>The Hireling</strong><br />
<strong>The Mattei Affair</strong><br />
<strong>The Working Class Goes to Heaven</strong><br />
<strong>The Go-Between</strong> (Losey)<br />
<strong>Signore &#038; Signori</strong><br />
<strong>A Man and a Woman</strong> (Lelouch)<br />
<strong>The Knack&#8230; and How to Get it</strong><br />
<strong>Payer of Promises</strong><br />
<strong>The Long Absence</strong> (written by Marguerite Duras)<br />
<strong>Friendly Persuasion</strong><br />
<strong>The Silent World</strong><br />
<strong>Marty</strong><br />
<strong>Gate of Hell</strong><br />
<strong>Two Cents Worth of Hope</strong><br />
<strong>Miss Julie</strong><br />
<strong>Miracle in Milan</strong></p>
<p>Why have I only even <em>heard</em> of fewer than half of these?</p>
]]></content:encoded>
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		</item>
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		<title>Movies to Watch in 2010</title>
		<link>http://deeperintomovies.net/journal/archives/3911</link>
		<comments>http://deeperintomovies.net/journal/archives/3911#comments</comments>
		<pubDate>Fri, 01 Jan 2010 04:59:47 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
				<category><![CDATA[Movie]]></category>
		<category><![CDATA[lists]]></category>

		<guid isPermaLink="false">http://deeperintomovies.net/journal/?p=3911</guid>
		<description><![CDATA[At the turnover of every year I like to comb my must-see list (4000 titles and growing) and make a shorter goal list of movies to watch in the next year.  The list is no big deal &#8211; usually I&#8217;m over-ambitious and I don&#8217;t make it to a quarter of them, forget to even [...]]]></description>
			<content:encoded><![CDATA[<p>At the turnover of every year I like to comb my must-see list (4000 titles and growing) and make a shorter goal list of movies to watch in the next year.  The list is no big deal &#8211; usually I&#8217;m over-ambitious and I don&#8217;t make it to a quarter of them, forget to even check it after April.  This year, though, I&#8217;ve got a Project.  I&#8217;ve been reading lots of best-of-decade lists and culling titles I haven&#8217;t seen, planning to watch those in 2010.  After all, if a movie makes a respected critic&#8217;s yearly top-20 list it&#8217;s worth considering, but if it makes his DECADE top-20 list I&#8217;ve just gotta see that.  So here are the 155 movies I feel I&#8217;ve gotta watch in 2010 (that&#8217;s three a week, unrealistic as ever).  Maybe I&#8217;ll cross &#8216;em off this list as we go.</p>
<p>-<br />
Decade list:</p>
<p><del><a href="/journal/archives/4121">11&#8242;09&#8243;01</a></del><br />
<strong>Afterschool</strong><br />
<del><a href="/journal/archives/4260">All About Lily Chou Chou</a></del><br />
<strong>All The Real Girls</strong><br />
<del><a href="/journal/archives/4380">As I Was Moving Ahead I Saw Brief Glimpses of Beauty</a></del><br />
<del><a href="/journal/archives/4422">Battle In Heaven</a></del><br />
<strong>Beau travail</strong><br />
<strong>Best of Youth</strong><br />
<del><a href="/journal/archives/4647">Birth</a></del><br />
<strong>Blissfully Yours</strong><br />
<strong>Bourne trilogy</strong><br />
<strong>Bus 174</strong><br />
<strong>Chuck &#038; Buck</strong><br />
<strong>La Cienaga</strong><br />
<del>Colossal Youth</del><br />
<del>Corpus Callosum</del><br />
<strong>Darwin&#8217;s Nightmare</strong><br />
<del>Death of Mr. Lazarescu</del><br />
<strong>Divine Intervention</strong><br />
<strong>Domestic Violence</strong><br />
<strong>Esther Kahn</strong><br />
<del><a href="/journal/archives/4364">Eureka</a></del><br />
<strong>La face cachee de la lune</strong><br />
<strong>Failed States</strong> (henry hills)<br />
<del><a href="/journal/archives/4000">Fat Girl</a></del><br />
<strong>Fengming: A Chinese Memoir / West of the Tracks</strong><br />
<strong>Five Dedicated to Ozu</strong><br />
<del><a href="/journal/archives/4646">Frontier of Dawn</a></del><br />
<strong>Gerry</strong><br />
<del><a href="/journal/archives/4594">The GoodTimes Kid</a></del><br />
<strong>Good Morning, Night</strong><br />
<strong>Half Moon</strong> (bahman ghobadi)<br />
<del><a href="/journal/archives/4440">Headless Woman</a></del><br />
<strong>Head-On</strong><br />
<strong>House of Mirth</strong><br />
<strong>I&#8217;m Going Home</strong><br />
<del>In Praise of Love</del><br />
<strong>In the City of Sylvia</strong><br />
<strong>Innocence</strong> (lucile hadzihalilovic)<br />
<del><a href="/journal/archives/4155">The Intruder</a></del><br />
<strong>Jonestown: Life and Death of People&#8217;s Temple</strong><br />
<strong>Kandahar</strong><br />
<del>Kings and Queen</del><br />
<del><a href="/journal/archives/4005">Lady and the Duke</a></del><br />
<strong>Late Marriage</strong><br />
<del><a href="/journal/archives/4069">Let Each One Go Where He May</a></del><br />
<strong>Lilya 4-Ever</strong><br />
<strong>M/Other</strong><br />
<del>Mad Songs of Fernanda Hussein</del><br />
<strong>Magic Mirror</strong><br />
<del>Michelangelo Eye to Eye</del><br />
<strong>Morvern Callar</strong><br />
<strong>Night and Day</strong><br />
<strong>Oasis</strong><br />
<strong>The Other Half</strong> (ying liang)<br />
<del><a href="/journal/archives/4597">Ou git votre sourire enfoui?</a> / <a href="/journal/archives/4595">Sicilia</a></del><br />
<del><a href="/journal/archives/4193">Platform</a></del><br />
<strong>The Queen</strong><br />
<strong>Raja</strong><br />
<strong>RR</strong><br />
<strong>Secret of the Grain</strong><br />
<strong>Silent Light</strong><br />
<strong>Sobibor, Oct. 14, 1943, 4pm</strong><br />
<strong>The Son</strong> (dardenne)<br />
<del><a href="/journal/archives/4355">Songs from the Second Floor</a></del><br />
<strong>Spring, Summer, Fall, Winter and Spring</strong><br />
<strong>St. Ignatius Church Exposure: Lenten Light Conversions / Golden Gate Bridge Exposure: Poised for Parabolas</strong> (lynn marie kirby)<br />
<strong>Star Spangled To Death</strong><br />
<del><a href="/journal/archives/4206">Syndromes and a Century</a></del><br />
<del><a href="/journal/archives/3980">Tarnation</a></del><br />
<strong>Tearoom</strong> (william e. jones)<br />
<del><a href="/journal/archives/4283">Ten</a></del><br />
<strong>This Is England</strong><br />
<strong>Three Burials of Melquiades Estrada</strong><br />
<del><a href="/journal/archives/4038">Three Times</a></del><br />
<del><a href="/journal/archives/4167">The Tracey Fragments</a></del><br />
<strong>El Valley Centro</strong><br />
<strong>Waltz With Bashir</strong><br />
<strong>What Time Is It There?</strong><br />
<strong>When the Levees Broke</strong><br />
<del><a href="/journal/archives/4243">The White Ribbon</a></del></p>
<p>-<br />
Unseen movies by favorite filmmakers:</p>
<p>Bunuel<br />
<strong>Illusions Travel By Streetcar</strong><br />
<del><a href="/journal/archives/4585">Susana</a></del><br />
<strong>El Bruto</strong><br />
<del><a href="/journal/archives/4585">Criminal Life of Archibaldo del Cruz</a></del></p>
<p>Gilliam<br />
<strong>Tideland</strong><br />
<del><a href="/journal/archives/4106">Imaginarium of Dr. Parnassus</a></del></p>
<p>Herzog<br />
<strong>Strozek</strong><br />
<strong>Enigma of Kaspar Hauser</strong></p>
<p>Kurosawa<br />
<strong>Guard from the Underground</strong><br />
<strong>Serpent&#8217;s Path</strong></p>
<p>Marker<br />
<strong>The Owl&#8217;s Legacy</strong><br />
<strong>The Last Bolshevik</strong></p>
<p>Resnais<br />
<del><a href="/journal/archives/3974">La Vie est un roman</a></del><br />
<strong>Love Unto Death</strong></p>
<p>Rivette<br />
<strong>Le Pont du Nord</strong><br />
<strong>Merry-Go-Round</strong><br />
<del><a href="/journal/archives/4205">Va Savior</a></del></p>
<p>Tashlin<br />
<strong>Rock-a-Bye Baby</strong><br />
<strong>It&#8217;$ Only Money</strong></p>
<p>Varda<br />
<strong>Jacquot de Nantes</strong><br />
<strong>La Pointe Courte</strong><br />
<del><a href="/journal/archives/4618">Lions Love</a></del></p>
<p>-<br />
Unseen DVDs:</p>
<p><strong>Adventure in Sahara</strong><br />
<del><a href="/journal/archives/4188">Scandal Sheet</a></del><br />
<del>Elena and Her Men</del><br />
<del><a href="/journal/archives/4326">The River</a></del><br />
<del><a href="/journal/archives/4326">Lucky Star</a></del><br />
<del><a href="/journal/archives/4326">They Had to See Paris</a></del><br />
<strong>Young America</strong><br />
<strong>Song o&#8217; My Heart</strong><br />
<strong>Liliom</strong><br />
<strong>Bad Girl</strong><br />
<strong>After Tomorrow</strong><br />
<strong>Four Devils</strong><br />
<del>City Girl</del><br />
<strong>Madame de&#8230;</strong><br />
<strong>Fanny &#038; Alexander</strong><br />
<strong>The Navigator</strong><br />
<strong>Battling Butler</strong><br />
<strong>A King in New York</strong><br />
<strong>Sin of Harold Diddlebock</strong></p>
<p>-<br />
Brand new hotness</p>
<p><del><a href="/journal/archives/4244">Mock Up on Mu</a></del><br />
<del><a href="/journal/archives/4421">Mother</a></del><br />
<del><a href="/journal/archives/3965">Nymph</a></del><br />
<strong>Mary and Max</strong><br />
<del><a href="/journal/archives/4048">It Felt Like a Kiss</a></del><br />
<del><a href="/journal/archives/4062">Film Ist: A Girl and a Gun</a></del><br />
<strong>Liverpool</strong><br />
<strong>Eccentricities of a Blonde Hair Girl</strong><br />
<del><a href="/journal/archives/tag/guy-maddin">Guy Maddin&#8217;s new shorts</a></del></p>
<p>-<br />
Old ones I&#8217;ve been excited to finally watch:</p>
<p><strong>Battleship Potemkin</strong><br />
<strong>Queen Kelly</strong><br />
<strong>Make Way for Tomorrow</strong><br />
<strong>The Best Years of Our Lives</strong><br />
<strong>Brief Encounter</strong><br />
<strong>Johnny Guitar</strong><br />
<strong>The Naked Spur</strong><br />
<strong>The Apartment</strong><br />
<strong>Deanimated</strong><br />
<strong>Daisies</strong><br />
<strong>McCabe and Mrs. Miller</strong><br />
<strong>The Wind Will Carry Us</strong><br />
<strong>Actress</strong></p>
<p>-<br />
&#8230;and to rewatch:</p>
<p><strong>The Nun</strong><br />
<strong>Fire Walk With Me</strong><br />
<strong>The Crimson Kimono</strong><br />
<del><a href="/journal/archives/4583">Underworld USA</a></del><br />
<strong>The Steel Helmet</strong><br />
<strong>Fixed Bayonets</strong><br />
<strong>Spider</strong><br />
<strong>Point Blank</strong><br />
<strong>Vagabond</strong><br />
<strong>Yi Yi</strong></p>
]]></content:encoded>
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		<title>Movie Lists 2006 Redux</title>
		<link>http://deeperintomovies.net/journal/archives/3913</link>
		<comments>http://deeperintomovies.net/journal/archives/3913#comments</comments>
		<pubDate>Fri, 01 Jan 2010 04:00:50 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
				<category><![CDATA[Movie]]></category>
		<category><![CDATA[lists]]></category>

		<guid isPermaLink="false">http://deeperintomovies.net/journal/?p=3913</guid>
		<description><![CDATA[The reason I make lists of the top movies I&#8217;ve seen in a particular year rather than the top movies released worldwide in that year should be obvious &#8211; I don&#8217;t have access to most movies until a year or two after their release.
For example, in 2006 I watched 32 feature-length movies which the IMDB [...]]]></description>
			<content:encoded><![CDATA[<p>The reason I make lists of the top movies I&#8217;ve seen in a particular year rather than the top movies released worldwide in that year should be obvious &#8211; I don&#8217;t have access to most movies until a year or two after their release.</p>
<p>For example, in 2006 I watched 32 feature-length movies which the IMDB would count as original 2006 releases, but since then I&#8217;ve seen 35 more theatrically &#8211; that&#8217;s more than twice the number before even considering stuff I caught on video, which adds another 80.</p>
<p>So three years late, it seems right to make a best of 2006 list.</p>
<p>Pruning the &#8216;05 titles from <a href="http://deeperintomovies.net/journal/archives/184">my original &#8216;06 list</a> and shuffling a couple others, this is how things would stand at the beginning of 2007:</p>
<p>1. <strong><a href="http://deeperintomovies.net/journal/archives/180">Children of Men</a></strong><br />
2. <strong><a href="http://deeperintomovies.net/journal/archives/69">A Scanner Darkly</a></strong><br />
3. <strong><a href="http://deeperintomovies.net/journal/archives/57">A Prairie Home Companion</a></strong><br />
4. <strong><a href="http://deeperintomovies.net/journal/archives/124">Slither</a></strong><br />
5. <strong><a href="http://deeperintomovies.net/journal/archives/139">Borat!</a></strong><br />
6. <strong><a href="http://deeperintomovies.net/journal/archives/153">The Fountain</a></strong><br />
7. <strong><a href="http://deeperintomovies.net/journal/archives/122">Shortbus</a></strong><br />
8. <strong><a href="http://deeperintomovies.net/journal/archives/9">Inside Man</a></strong><br />
9. <strong>The Hills Have Eyes</strong> remake<br />
10. <strong><a href="http://deeperintomovies.net/journal/archives/116">The Science of Sleep</a></strong></p>
<p>Adding stuff I&#8217;ve seen since, and reassessing, I get:</p>
<p>1. <strong><a href="http://deeperintomovies.net/journal/archives/180">Children of Men</a></strong><br />
2. <strong><a href="http://deeperintomovies.net/journal/archives/197">Black Book</a></strong><br />
3. <strong><a href="http://deeperintomovies.net/journal/archives/197">Bamako</a></strong><br />
4. <strong><a href="http://deeperintomovies.net/journal/archives/208">Inland Empire</a></strong><br />
5. <strong><a href="http://deeperintomovies.net/journal/archives/69">A Scanner Darkly</a></strong><br />
6. <strong><a href="http://deeperintomovies.net/journal/archives/748">Brand Upon The Brain</a></strong><br />
7. <strong><a href="http://deeperintomovies.net/journal/archives/236">The Host</a></strong><br />
8. <strong><a href="http://deeperintomovies.net/journal/archives/294">Offside</a></strong><br />
9. <strong><a href="http://deeperintomovies.net/journal/archives/406">The Screwfly Solution</a></strong><br />
10. <strong><a href="http://deeperintomovies.net/journal/archives/250">Miami Vice</a></strong><br />
11. <strong><a href="http://deeperintomovies.net/journal/archives/266">The War Tapes</a></strong></p>
<p>A much better list!  In the future I will be making best-of-year lists for <em>every</em> year at the end of <em>every</em> year!</p>
<p>I didn&#8217;t spend all of 2009 obsessively watching &#8216;06 releases (although I considered it) so there are still plenty of unwatched acclaimed movies (<em>Colossal Youth</em>, <em>Death of Mr. Lazarescu</em>, <em>Half Nelson</em>, <em>I Don&#8217;t Want to Sleep Alone</em>), award-winners (<em>Indigènes</em>, <em>Red Road</em>, <em>Flandres</em>, <em>The Queen</em>, <em>An Inconvenient Truth</em>) less-acclaimed movies that I expect to like anyway (<em>Tideland</em>, <em>Perfume</em>, <em>Nacho Libre</em>, <em>Rescue Dawn</em>, <em>The Last Winter</em>) and others (<em>The Decay of Fiction</em>, <em>Klimt</em>, <em>Three Times</em>, <em>Cafe Lumiere</em>, <em>The Boss of it All</em>).  But that&#8217;s more the subject of <a href="/journal/archives/3911">the next list&#8230;</a></p>
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		<title>Brandon&#8217;s Fave Movies of the Decade</title>
		<link>http://deeperintomovies.net/journal/archives/3910</link>
		<comments>http://deeperintomovies.net/journal/archives/3910#comments</comments>
		<pubDate>Fri, 01 Jan 2010 03:00:24 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
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		<description><![CDATA[I wasn’t going to do this because it seems all too obvious, both to myself and to anyone who’s talked to me about movies since these are the ones I mention way too often. But I do love lists, so in the spirit of the 2006 Redux list I’ll do it anyway so ten years [...]]]></description>
			<content:encoded><![CDATA[<p>I wasn’t going to do this because it seems all too obvious, both to myself and to anyone who’s talked to me about movies since these are the ones I mention way too often. But I do love lists, so in the spirit of the 2006 Redux list I’ll do it anyway so ten years from now I can look at this, cringe and say “I can’t believe I used to have such crappy taste.”</p>
<p><strong><a href="http://deeperintomovies.net/journal/archives/561">25th Hour</a></strong><br />
<strong><a href="http://deeperintomovies.net/journal/archives/585">2046</a></strong><br />
<strong><a href="http://deeperintomovies.net/journal/archives/197">Bamako</a></strong><br />
<strong><a href="http://deeperintomovies.net/journal/archives/197">Black Book</a></strong><br />
<strong><a href="http://deeperintomovies.net/journal/archives/180">Children of Men</a></strong><br />
<strong>Eternal Sunshine of the Spotless Mind</strong><br />
<strong>The Heart of the World</strong><br />
<strong>The Incredibles</strong><br />
<strong>Mulholland Dr.</strong><br />
<strong><a href="http://deeperintomovies.net/journal/archives/1725">The New World</a></strong><br />
<strong>Pulse</strong><br />
<strong>The Royal Tenenbaums</strong><br />
<strong><a href="http://deeperintomovies.net/journal/archives/98">Shaun of the Dead</a> / <a href="http://deeperintomovies.net/journal/archives/248">Hot Fuzz</a></strong></p>
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		<title>Brandon&#8217;s Top Ten Retrospective Screenings of 2009</title>
		<link>http://deeperintomovies.net/journal/archives/3908</link>
		<comments>http://deeperintomovies.net/journal/archives/3908#comments</comments>
		<pubDate>Fri, 01 Jan 2010 02:00:32 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
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		<guid isPermaLink="false">http://deeperintomovies.net/journal/?p=3908</guid>
		<description><![CDATA[This might be the final year for the retrospective-theatrical category.  I hardly see anything at the High anymore and Emory has slashed their free film programs.  I hope Film Love and the Plaza can take me through one more year&#8230; will suck if the only movies in theaters in 2010 are movies from [...]]]></description>
			<content:encoded><![CDATA[<p>This might be the final year for the retrospective-theatrical category.  I hardly see anything at the High anymore and Emory has slashed their free film programs.  I hope Film Love and the Plaza can take me through one more year&#8230; will suck if the only movies in theaters in 2010 are movies from 2010.</p>
<p>1. <strong><em><a href="http://deeperintomovies.net/journal/archives/2800">Do The Right Thing</a></em> (1989, Spike Lee)</strong><br />
This is fast becoming one of my favorite movies.  I was hanging out with good Emory folks, the projection was great (and loud as hell), the Fox was sold-out and reacting loudly to certain scenes (oh the laughter when Martin Lawrence was onscreen).  This would&#8217;ve been number one even if Spike and cast members hadn&#8217;t also shown up for a Q&#038;A.</p>
<p>2. <strong><em><a href="http://deeperintomovies.net/journal/archives/2331">Amarcord</a></em> (1973, Federico Fellini)</strong><br />
The touring restoration print (I wonder how long those will keep coming) at Landmark.  Most beautiful movie ever.</p>
<p>3. <strong><em><a href="http://deeperintomovies.net/journal/archives/1888">The Age of Innocence</a></em> (1993, Martin Scorsese)</strong><br />
A &#8220;great adaptation&#8221; chosen by Salman Rushdie.  I never would&#8217;ve watched this near-perfect film, and in such clarity, if Emory hadn&#8217;t played it.</p>
<p>4. <strong><a href="http://deeperintomovies.net/journal/archives/3496">Bizarro Sat. Morn: Halloween Edition</a></strong><br />
This was good fun and good company at the Plaza.  The Ultraman episode really brought it over the top.</p>
<p>5. <strong><a href="http://deeperintomovies.net/journal/archives/3109">Roger Beebe program</a></strong><br />
Film Love presents an independent (avant-garde? why not.) filmmaker with a good sense of humor who runs up to eight projectors at once.  The kind of thing that can&#8217;t be replicated on video.  I bought the DVD anyway, just in case.</p>
<p>6. <strong><em><a href="http://deeperintomovies.net/journal/archives/2147">Ceddo</a></em> (1977, Ousmane Sembene)</strong><br />
Watched at Emory, preceded by an announcement that the film&#8217;s distributor just went out of business, making movies like this harder to watch on film in the future, and that Emory is cutting back on film screenings.  A double-whammy.  If you gotta go out, though, this was an eye-grabbing way to go.</p>
<p>7. <strong><em><a href="http://deeperintomovies.net/journal/archives/3466">Toy Story</a></em> 3-D double-feature</strong><br />
A low-key empty late-night screening with Katy at Phipps</p>
<p>8. <strong><em><a href="http://deeperintomovies.net/journal/archives/2004">Wise Blood</a></em> (1979, John Huston)</strong><br />
Weird-as-fuck Southern pro/anti-religion drama introduced by Salman Rushdie at Emory, a few months before the DVD release when nobody was talking about this movie.  Rushdie picked it as an excellent film adaptation of a novel, so I read the book and appreciated it that much more.  Rushdie himself, it turns out, had misremembered the movie.  He hates it.</p>
<p>9. <strong><em><a href="http://deeperintomovies.net/journal/archives/1895">The Round-Up</a></em> (1965, Miklos Jancso)</strong><br />
Chilly Hungarian paranoia film screened at Emory</p>
<p>10. <strong><em><a href="http://deeperintomovies.net/journal/archives/1800">Godzilla, Mothra, King Ghidorah: Giant Monsters All-Out Attack!</a></em> (2001, Susuke Kaneko)</strong><br />
The Plaza gave us a rare opportunity to see a giant monster movie on 35mm with a cheering crowd.</p>
<p>Runners-up were <em><a href="http://deeperintomovies.net/journal/archives/3509">Jeanne Dielman</a></em> and <em><a href="http://deeperintomovies.net/journal/archives/3377">Dracula</a></em>, both at Emory.  I&#8217;m sorry, but a 3-hour Belgian art film and a slow old-timey horror flick are no match for the computer-generated wrath of giant monsters.</p>
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		<title>Brandon&#8217;s Fifteen Favorite Shorts of 2009</title>
		<link>http://deeperintomovies.net/journal/archives/3909</link>
		<comments>http://deeperintomovies.net/journal/archives/3909#comments</comments>
		<pubDate>Fri, 01 Jan 2010 01:00:20 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
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		<description><![CDATA[I watched an awful lot of shorts this year, culminating in Shorts Month, during which I watched way too many.  Loved the hell out of all these.
1. Agnès Varda: Du côté de la côte, L&#8217; Opéra mouffe and Ulysse
Between her features, her shorts and her Beaches, Agnès basically won my whole year.
2. Dave Fleischer: [...]]]></description>
			<content:encoded><![CDATA[<p>I watched an awful lot of shorts this year, culminating in Shorts Month, during which I watched way too many.  Loved the hell out of all these.</p>
<p>1. <strong>Agnès Varda: <em><a href="http://deeperintomovies.net/journal/archives/3121">Du côté de la côte</a></em>, <em><a href="http://deeperintomovies.net/journal/archives/3726">L&#8217; Opéra mouffe</a></em> and <em><a href="http://deeperintomovies.net/journal/archives/3121">Ulysse</a></em></strong><br />
Between her features, her shorts and her <em>Beaches</em>, Agnès basically won my whole year.</p>
<p>2. <strong>Dave Fleischer: <em><a href="http://deeperintomovies.net/journal/archives/2829">Koko&#8217;s Earth Control</a></em>, <em><a href="http://deeperintomovies.net/journal/archives/2452">Snow White</a></em> and <em><a href="http://deeperintomovies.net/journal/archives/3496">Betty Boop&#8217;s Halloween Party</a></em></strong><br />
Much as I love the Looney Tunes, there must&#8217;ve been audience members in the 30&#8217;s sighing, thinking of these Fleischer cartoons and saying &#8220;they don&#8217;t make &#8216;em like that anymore.&#8221;</p>
<p>3. <strong>Buster Keaton: <em><a href="http://deeperintomovies.net/journal/archives/2103">The Playhouse</a></em>, <em><a href="http://deeperintomovies.net/journal/archives/3704">One Week</a></em>, <em><a href="http://deeperintomovies.net/journal/archives/3704">The High Sign</a></em></strong></p>
<p>4. <strong><em>The Telltale Heart</em> (<a href="http://deeperintomovies.net/journal/archives/3699">1928 Charles Klein</a> and <a href="http://deeperintomovies.net/journal/archives/3496">1953 Ted Parmelee</a>)</strong><br />
It&#8217;s always fun to see different adaptations of the same work, but super-rare for them both to be this brilliant.</p>
<p>5. <strong>Osamu Tezuka: <em><a href="http://deeperintomovies.net/journal/archives/2681">Broken Down Film</a></em> and <em><a href="http://deeperintomovies.net/journal/archives/2022">Jumping</a></em></strong><br />
6. <strong><em><a href="http://deeperintomovies.net/journal/archives/3727">L&#8217;Apparition</a></em> (1986, Pascal Aubier)</strong><br />
7. <strong><em><a href="http://deeperintomovies.net/journal/archives/3002">Instructions for a Light and Sound Machine</a></em> (2005, Peter Tscherkassky)</strong><br />
8. <strong><em><a href="http://deeperintomovies.net/journal/archives/3714">Nostalgia</a></em> (1971, Hollis Frampton)</strong><br />
9. <strong><em><a href="http://deeperintomovies.net/journal/archives/3731">The Man Who Planted Trees</a></em> (1987, Frederic Back)</strong><br />
10. <strong><em><a href="http://deeperintomovies.net/journal/archives/1601">A Matter of Loaf and Death</a></em> (2008, Nick Park)</strong><br />
11. <strong><em><a href="http://deeperintomovies.net/journal/archives/3109">The Strip Mall Trilogy</a></em> (2001, Roger Beebe)</strong><br />
12. <strong><em><a href="http://deeperintomovies.net/journal/archives/3704">Chess Fever</a></em> (1925, Vsevolod &#038; Shpikovsky)</strong><br />
13. <strong><em><a href="http://deeperintomovies.net/journal/archives/3707">Motion Painting No. 1</a></em> (1947, Oskar Fischinger)</strong><br />
14. <strong><em><a href="http://deeperintomovies.net/journal/archives/3215">The Great Piggy Bank Robbery</a></em> (1946, Robert Clampett)</strong><br />
15. <strong>PES: <em><a href="http://deeperintomovies.net/journal/archives/1728">Western Spaghetti</a></em> and <em><a href="http://deeperintomovies.net/journal/archives/3707">Roof Sex</a></em></strong></p>
<p>Runners-up: <em><a href="http://deeperintomovies.net/journal/archives/2244">Vivian</a></em>, <em><a href="http://deeperintomovies.net/journal/archives/3726">The Perfect Human</a></em>, <em><a href="http://deeperintomovies.net/journal/archives/1976">Passionless Moments</a></em>, <em><a href="http://deeperintomovies.net/journal/archives/3726">Organism</a></em> and <em><a href="http://deeperintomovies.net/journal/archives/2103">The Mystery of the Leaping Fish</a></em></p>
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		<title>Brandon&#8217;s Favorite Movies on Video, 2009</title>
		<link>http://deeperintomovies.net/journal/archives/3907</link>
		<comments>http://deeperintomovies.net/journal/archives/3907#comments</comments>
		<pubDate>Fri, 01 Jan 2010 00:00:34 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
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		<description><![CDATA[What a great movie year here at Casa Brandon.  Generally good hit-to-miss ratio, skipping most of the crap (except of course during SHOCKtober).  I wouldn&#8217;t hesitate to recommend any of the 42 titles on this here top-30 list.
1. Sunset Blvd. (1950, Billy Wilder)
2. Powell/Pressburger: I Know Where I&#8217;m Going! / A Matter of [...]]]></description>
			<content:encoded><![CDATA[<p>What a great movie year here at Casa Brandon.  Generally good hit-to-miss ratio, skipping most of the crap (except of course during SHOCKtober).  I wouldn&#8217;t hesitate to recommend any of the 42 titles on this here top-30 list.</p>
<p>1. <strong><em><a href="http://deeperintomovies.net/journal/archives/2869">Sunset Blvd.</a></em> (1950, Billy Wilder)</strong><br />
2. <strong>Powell/Pressburger: <em><a href="http://deeperintomovies.net/journal/archives/1702">I Know Where I&#8217;m Going!</a></em> / <em><a href="http://deeperintomovies.net/journal/archives/1871">A Matter of Life and Death</a></em></strong><br />
3. <strong><em><a href="http://deeperintomovies.net/journal/archives/1599">My Winnipeg</a></em> (2007, Guy Maddin)</strong><br />
4. <strong>Agnès Varda: <em><a href="http://deeperintomovies.net/journal/archives/3065">Le Bonheur</a></em> / <em><a href="http://deeperintomovies.net/journal/archives/3119">101 Nights of Simon Cinema</a></em></strong><br />
5. <strong><em><a href="http://deeperintomovies.net/journal/archives/1629">Orlando</a></em> (1992, Sally Potter)</strong><br />
6. <strong><em><a href="http://deeperintomovies.net/journal/archives/3556">Pontypool</a></em> (2008, Bruce McDonald)</strong><br />
7. <strong>John Ford: <em><a href="http://deeperintomovies.net/journal/archives/2017">Judge Priest</a></em> / <em><a href="http://deeperintomovies.net/journal/archives/2017">The Sun Shines Bright</a></em></strong><br />
8. <strong><em><a href="http://deeperintomovies.net/journal/archives/2262">Tribulation 99: Alien Anomalies Under America</a></em> (1992, Craig Baldwin)</strong><br />
9. <strong><em><a href="http://deeperintomovies.net/journal/archives/3633">Black Cat, White Cat</a></em> (1998, Emir Kusturica)</strong><br />
10. <strong><em><a href="http://deeperintomovies.net/journal/archives/1677">Rio Bravo</a></em> (1959, Howard Hawks)</strong><br />
11. <strong><em><a href="http://deeperintomovies.net/journal/archives/3046">The Young One</a></em> (1960, Luis Bunuel)</strong><br />
12. <strong><em><a href="http://deeperintomovies.net/journal/archives/2397">The Power of Nightmares</a></em> (2004, Adam Curtis)</strong><br />
13. <strong>Frank Borzage: <em><a href="http://deeperintomovies.net/journal/archives/2991">Seventh Heaven</a></em> / <em><a href="http://deeperintomovies.net/journal/archives/2242">Lazybones</a></em></strong><br />
14. <strong><em><a href="http://deeperintomovies.net/journal/archives/3776">The Naked City</a></em> (1948, Jules Dassin)</strong><br />
15. <strong><em><a href="http://deeperintomovies.net/journal/archives/3621">The Color of Pomegranates</a></em> (1970, Sergei Parajanov)</strong><br />
16. <strong>Werner Herzog: <em><a href="http://deeperintomovies.net/journal/archives/1917">Fitzcarraldo</a></em> / <em><a href="http://deeperintomovies.net/journal/archives/1917">Burden of Dreams</a></em></strong><br />
17. <strong>Johnny To: <em><a href="http://deeperintomovies.net/journal/archives/2288">Mad Detective</a></em> / <em><a href="http://deeperintomovies.net/journal/archives/2740">Exiled</a></em></strong><br />
18. <strong><em><a href="http://deeperintomovies.net/journal/archives/2974">Looney Tunes: Back in Action</a></em> (2003, Joe Dante)</strong><br />
19. <strong>Jacques Demy: <em><a href="http://deeperintomovies.net/journal/archives/3137">Donkey Skin</a></em> / <em><a href="http://deeperintomovies.net/journal/archives/3282">Lola</a></em></strong><br />
20. <strong><em><a href="http://deeperintomovies.net/journal/archives/3777">Black Dynamite</a></em> (2009, Scott Sanders)</strong><br />
21. <strong><em><a href="http://deeperintomovies.net/journal/archives/2659">Time</a></em> (2006, Kim Ki-duk)</strong><br />
22. <strong>Frank Tashlin: <em><a href="http://deeperintomovies.net/journal/archives/1915">Hollywood or Bust</a></em> / <em><a href="http://">Susan Slept Here</a></em> / <em><a href="http://deeperintomovies.net/journal/archives/3590">Son of Paleface</a></em></strong><br />
23. <strong><em><a href="http://deeperintomovies.net/journal/archives/3004">Mon Oncle d&#8217;Amerique</a></em> (1980, Alain Resnais)</strong><br />
24. <strong><em><a href="http://deeperintomovies.net/journal/archives/2304">Woman in the Dunes</a></em> (1964, Hiroshi Teshigahara)</strong><br />
25. <strong>Raoul Ruiz: <em><a href="http://deeperintomovies.net/journal/archives/2705">Comedy of Innocence</a></em> / <em><a href="http://deeperintomovies.net/journal/archives/3727">Zig-Zag</a></em></strong><br />
26. <strong><em><a href="http://deeperintomovies.net/journal/archives/3055">Joan the Maid</a></em> (1994, Jacques Rivette)</strong><br />
27. <strong>Takashi Miike: <em><a href="http://deeperintomovies.net/journal/archives/2533">Big Bang Love</a></em> / <em><a href="http://deeperintomovies.net/journal/archives/2755">Bird People in China</a></em></strong><br />
28. <strong><em><a href="http://deeperintomovies.net/journal/archives/1645">Nashville</a></em> (1975, Robert Altman)</strong><br />
29. <strong>Claire Denis: <em><a href="http://deeperintomovies.net/journal/archives/3493">Trouble Every Day</a></em> / <em><a href="http://deeperintomovies.net/journal/archives/2854">Friday Night</a></em></strong><br />
30. <strong><em><a href="http://deeperintomovies.net/journal/archives/2300">The Good, the Bad and the Weird</a></em> (2008, Ji-woon Kim)</strong></p>
<p>Some good runners-up: <em><a href="http://deeperintomovies.net/journal/archives/1798">Magnificent Obsession</a></em>, <em><a href="http://deeperintomovies.net/journal/archives/3690">Dance of the Seven Veils</a></em>, <em><a href="http://deeperintomovies.net/journal/archives/3331">Suspiria</a></em> and <a href="http://deeperintomovies.net/journal/archives/2395">three</a> <a href="http://deeperintomovies.net/journal/archives/2325">by</a> <a href="http://deeperintomovies.net/journal/archives/2278">Oshima</a>.</p>
<p>This year&#8217;s <strong>Edward Burns Memorial Award</strong>, given to the movie I saw this year which I have already mostly forgotten, goes to <strong><em><a href="http://deeperintomovies.net/journal/archives/1844">Finye (The Wind)</a></em></strong>, which Katy says she remembers just fine.</p>
<p>The <strong>Alien Resurrection Award</strong>, given to a movie I liked which nobody else did, is proudly presented to Takeshi Kitano for <strong><em><a href="http://deeperintomovies.net/journal/archives/2346">Achilles and the Tortoise</a></em></strong>, indeed for his entire career-self-destruction trilogy.  Back when I saw Kitano&#8217;s Fireworks in the late 90&#8217;s I&#8217;d been hearing about what a great artist he was and I started to agree, but then acclaim mysteriously intensified after his mediocre Zatoichi remake, then it died off completely when he made this daring, exciting trilogy.</p>
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		<title>Brandon&#8217;s Favorite New Movies in Theaters, 2009</title>
		<link>http://deeperintomovies.net/journal/archives/3906</link>
		<comments>http://deeperintomovies.net/journal/archives/3906#comments</comments>
		<pubDate>Thu, 31 Dec 2009 23:00:15 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
				<category><![CDATA[Movie]]></category>
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		<guid isPermaLink="false">http://deeperintomovies.net/journal/?p=3906</guid>
		<description><![CDATA[1. The Beaches of Agnès (Agnès Varda)
2. Fantastic Mr. Fox (Wes Anderson)
3. A Serious Man (Coen bros.)
4. Up (Pete Docter)
5. Summer Hours (Olivier Assayas)
6. In the Loop (Armando Iannucci)
7. The Limits of Control (Jim Jarmusch)
8. Che (Steven Soderbergh)
9. Tokyo Sonata (Kiyoshi Kurosawa)
10. Coraline (Henry Selick)
Each of the runners-up was great at something, but maybe not [...]]]></description>
			<content:encoded><![CDATA[<p>1. <strong><em><a href="http://deeperintomovies.net/journal/archives/3468">The Beaches of Agnès</a></em> (Agnès Varda)</strong><br />
2. <strong><em><a href="http://deeperintomovies.net/journal/archives/3769">Fantastic Mr. Fox</a></em> (Wes Anderson)</strong><br />
3. <strong><em><a href="http://deeperintomovies.net/journal/archives/3766">A Serious Man</a></em> (Coen bros.)</strong><br />
4. <strong><em><a href="http://deeperintomovies.net/journal/archives/2560">Up</a></em> (Pete Docter)</strong><br />
5. <strong><em><a href="http://deeperintomovies.net/journal/archives/2646">Summer Hours</a></em> (Olivier Assayas)</strong><br />
6. <strong><em><a href="http://deeperintomovies.net/journal/archives/3017">In the Loop</a></em> (Armando Iannucci)</strong><br />
7. <strong><em><a href="http://deeperintomovies.net/journal/archives/2519">The Limits of Control</a></em> (Jim Jarmusch)</strong><br />
8. <strong><em><a href="http://deeperintomovies.net/journal/archives/1841">Che</a></em> (Steven Soderbergh)</strong><br />
9. <strong><em><a href="http://deeperintomovies.net/journal/archives/2796">Tokyo Sonata</a></em> (Kiyoshi Kurosawa)</strong><br />
10. <strong><em><a href="http://deeperintomovies.net/journal/archives/1839">Coraline</a></em> (Henry Selick)</strong></p>
<p>Each of the <strong>runners-up</strong> was great at something, but maybe not at everything:<br />
<em><a href="http://deeperintomovies.net/journal/archives/2028">Africa Paradise</a></em>, <em><a href="http://deeperintomovies.net/journal/archives/2751">Moon</a></em>, <em><a href="http://deeperintomovies.net/journal/archives/3019">District 9</a></em>, <em><a href="http://deeperintomovies.net/journal/archives/3021">Inglorious Basterds</a></em>, <em><a href="http://deeperintomovies.net/journal/archives/2239">Goodbye Solo</a></em> and <em><a href="http://deeperintomovies.net/journal/archives/3630">Antichrist</a></em></p>
<p><strong>The Dark Knight Award</strong>, given to a movie which everyone else must have been tripping while they watched and raved because I can’t see what’s so great about it, is hereby presented to the <strong><em><a href="http://deeperintomovies.net/journal/archives/2376">Star Trek</a></em></strong> remake.</p>
<p>And the annual <strong>WTF Awards</strong>, given to movies I&#8217;d heard I was supposed like but I can&#8217;t see why, is presented to <strong>Jia Zhang-Ke</strong> for the double-whammy of <em><a href="http://deeperintomovies.net/journal/archives/2540">Dong</a></em> and <em><a href="http://deeperintomovies.net/journal/archives/1804">Still Life</a></em>.</p>
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		<title>Movie Lists 2009-10</title>
		<link>http://deeperintomovies.net/journal/archives/3867</link>
		<comments>http://deeperintomovies.net/journal/archives/3867#comments</comments>
		<pubDate>Thu, 31 Dec 2009 22:00:26 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
				<category><![CDATA[Movie]]></category>
		<category><![CDATA[lists]]></category>

		<guid isPermaLink="false">http://deeperintomovies.net/journal/?p=3867</guid>
		<description><![CDATA[Umberto Eco: &#8220;Why am I so interested in the subject? I can&#8217;t really say. I like lists for the same reason other people like football or pedophilia. People have their preferences.&#8221;
SPIEGEL: &#8220;Why do we waste so much time trying to complete things that can&#8217;t be realistically completed?&#8221;
Eco: &#8220;We have a limit, a very discouraging, humiliating [...]]]></description>
			<content:encoded><![CDATA[<p>Umberto Eco: &#8220;Why am I so interested in the subject? I can&#8217;t really say. I like lists for the same reason other people like football or pedophilia. People have their preferences.&#8221;</p>
<p>SPIEGEL: &#8220;Why do we waste so much time trying to complete things that can&#8217;t be realistically completed?&#8221;</p>
<p>Eco: &#8220;We have a limit, a very discouraging, humiliating limit: death. That&#8217;s why we like all the things that we assume have no limits and, therefore, no end. It&#8217;s a way of escaping thoughts about death. We like lists because we don&#8217;t want to die.&#8221;<br />
-</p>
<p>This site/domain predates the movie blog.  It was originally set up to hold my movie lists.  Lists of movies I&#8217;ve seen and have yet to see.  Movies I liked and need to see again.  Saw in theaters or on video?  Have on DVD?  Available on DVD.  Watched on Turner Classic.  Read about in a magazine.  How many movies seen, by year?  By director?  How many directors?  How many movies?  How many lists?</p>
<p>I do love the movies more than the lists, but it wasn&#8217;t seeming that way.  I&#8217;d watch <em>House of Mirth</em> very late one night, not remember it the next day but check it off the list.  Watch <em>In a Lonely Place</em> whilst looking for music on the internet, only glancing at the TV when it sounds like the scene has changed.  With the movie blog around, I have to think about everything I&#8217;ve seen after watching it.  Encourages thought and analysis.  Exceptions <a href="http://deeperintomovies.net/journal/archives/3793">still occur</a>, as does <a href="http://deeperintomovies.net/journal/archives/3776">terrible writing</a> and <a href="http://deeperintomovies.net/journal/archives/3769">half-assed entries</a>, but overall it is working.</p>
<p>Lately the unfortunate combination of <em><a href="http://deeperintomovies.net/journal/archives/3761">The Road</a></em> (post-apocalyptic survival story) and <em><a href="http://deeperintomovies.net/journal/archives/3835">Collapse</a></em> (paranoid doc about how the world&#8217;s headed down The Road sooner than later) along with Vic Chesnutt&#8217;s death on Christmas, all got me thinking about death, that discouraging, humiliating limit.  Like Umberto Eco, I like lists because I don&#8217;t want to die.  So as The Year We Make Contact approaches and I ponder how many George Clooney movies, Hellraiser sequels, classics, romantic comedies, awful remakes and foreign dramas I have left to watch, I have kicked out more lists than ever:</p>
<p><a href="/journal/archives/3906">Favorite New Movies in Theaters, 2009</a><br />
<a href="/journal/archives/3907">Favorite Movies on Video, 2009</a><br />
<a href="/journal/archives/3909">Fifteen Favorite Shorts of 2009</a><br />
<a href="/journal/archives/3908">Top Ten Retrospective Screenings of 2009</a><br />
<a href="/journal/archives/3910">Fave Movies of the Decade</a><br />
<a href="/journal/archives/3913">Movie Lists 2006 Redux</a><br />
<a href="/journal/archives/3911">Movies to Watch in 2010</a></p>
<p>I was gonna jazz these up with some fresh screenshots but all this writing is cutting into valuable moviewatching time&#8230;</p>
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