Johannes breaks up with mythological creature / freelance historian Undine (Paula Beer of Transit), and a few minutes later professional diver Franz Rogowski introduces himself, and they have a romantic moment that gets them banned for life from the local cafe.
Reverse angle of the poster shot:
Johannes tries to inject himself back into the mix, and gets killed for his efforts, while Franz was true but unfortunate, and gets resurrected.
Franz and coworker Maryam Zaree:
I need the relevance of the city planning lecture stuff explained to me, and thought the overall structure of the movie only kinda worked, but moment-to-moment I was quite thrilled to be watching it, if only as Transit-afterglow.
I lose track of who’s supposed to be dead at the end of the previous movies, but Loki is alive all through this one, Odin (Anthony Hopkins with an eyepatch) dies here, unleashing Thor’s evil sister Cate Blanchett from interdimensional prison, she’s presumably dead at the end of this since she gets her power from the planet and it’s destroyed by Ragnarok, and Thor is ok at the end, with a new hammer, now wearing an eyepatch like his dad, but they also said his power comes from the planet so I dunno if that’ll be important in later movies. Almost everyone on Asgard dies, including the warrior who becomes a lackey for Cate (Karl Urban: Bones in the new Star Treks), but Idris Elba and some refugees make it onto a spaceship.
So, Thor gets stranded hammer-less on a planet run by game-show-master Jeff Goldblum, teams up with a reluctant Tessa Thompson (the last Valkyrie) and a reluctant Loki, and a very reluctant Hulk, who somehow also ended up here, to steal a ship, fleeing an army led by Rachel House (social services in Hunt for the Wilderpeople) and return to Asgard to fight the rogue sister.
Other highlights: Bruce Banner wanders around confused in a Duran Duran t-shirt, the director plays a hilarious rock monster, Hopkins is entertained by a royal play starring Luke Hemsworth, Matt Damon and Sam Neill as Thor/Loki/Odin, the fun bright colors, the makeup and headgear and some mythic shots that are composed like religious paintings. Mostly we came for Guardians-style entertainment, and this totally delivered – seems like the most rewatchable of the Avengers movies.
Sam Neill as Anthony Hopkins:
I thought we were seeing a one-off screening of a movie that had bypassed our town in limited release, but it turns out perhaps it was an advance screening, and it’ll open here eventually? Either way, if cult movies still exist, this one would appear to qualify. It’s got the photography of those stark, perfectly-lit black-and-white Eurasian films (see also: The Virgin Spring, The Turin Horse, Hard to be a God) blending mythology with harsh reality, a romantic love story with devil-dealing – plus ghosts that turn into giant chickens, and farming implements (and snowmen) possessed with slave souls. And humor!
I think it’s director Sarnet’s third feature – his last one was a Dostoevsky adaptation. Gratified that I didn’t recognize Baron Dieter Laser from the other shit I’ve seen him in.