Spends a lot of time setting up cool characters – overweight aspiring street rapper Patti, her 80’s metalhead mom turned karaoke queen, Patti’s co-rapper drugstore clerk Jheri, and loner weirdo electronic music wizard Basterd… then culminates in an electronic 80’s-metal rap-battle. Gotta admit the Feel-Good Sundance Sensation spirit got to me, though I do keep wondering how Basterd affords all that equipment and why it doesn’t get stolen when his doors don’t seem to lock. A New Jersey movie! Danielle Macdonald (Patti) can currently be seen in Lady Bird, her mom (actual karaoke queen Bridget Everett) is from Inside Amy Schumer and Trainwreck, and Mamoudou Athie (Basterd) played Grandmaster Flash in The Get Down.
Tag: New Jersey
A lovely little movie, spanning a week in the life of Paterson bus driver Paterson (Adam Driver), who lives with quirky, fashionable Golshifteh Farahani (About Elly, Chicken With Plums, Shirin) and a bulldog (deserved Palm Dog winner).
William Harper (The Good Place) stalking Chasten Harmon:
Paterson with poetry whisperer Masatoshi Nagase (Maiku Hama himself):
“He was a weaver… an anarchist weaver” – the Moonrise Kingdom kids discuss historical figures from Paterson NJ:
Paterson is now known to New Jerseyans, if they know anything about it at all, as a poor city, avoided by tourists and locals alike and plagued by gang warfare. Jarmusch’s non-naturalistic conception of Paterson … is instead a cinephilic haven with a cozy repertory cinema that enables the happy couple to attend a screening of Erle C. Kenton’s Island of Lost Souls … Despite a few minor skirmishes in the bar among soused patrons, Paterson and Laura’s soulful English bulldog named Marvin is responsible for the film’s only bona fide act of violence. Marvin’s almost unforgivable act of aggression suffuses the film with a genuine melancholy … Unlike Loach, with his penchant for didactic political fables, Jarmusch favours a more intimate critique of everyday life, as well as savouring the utopian possibilities that might emerge if we reject the inanities of our consumer society and, say, combine bus driving with poetry.
There are many moments that, in other films, could presage the beginning of something more dramatic: a shouting match; an automotive failure; a random, puzzling encounter or two. But the film keeps its even keel. So maybe there are two sides to Jarmusch’s manifesto: Finding joy and beauty in the everyday is not just an aesthetic priority, he seems to suggest, but an existential imperative for the uneasy soul.
Watched for Cannes Month – of the movies I wanted to watch from last year’s fest, I’ve already seen 13, missed 7… 4 are opening soon, and 12 have dropped off the face of the earth (I don’t understand how film distribution works).