Trumpeter Bill (cowboy actor/boxer George Montgomery) is in Glenn Miller’s band, a womanizer who falls for high schooler Connie (Ann Rutherford, one of Scarlett’s sisters in Gone With The Wind). They get married overnight and she joins the other orchestra wives on tour. It’s unbelievable that in the 1940’s it was economical for bands of this size to afford playing park venues and touring with their families, but maybe it’s all magic Hollywood economics. Anyway, Connie’s presence ignites some of the simmering resentment among the other wives and players and the band disintegrates, then she schemes with Glenn to reunite them just in time for a randomly placed, but very welcome, Nicholas Brothers singing and dancing finale.
Episodic musical with odd framing story, Bill receiving mail and having to convince an assembled crowd of kids that he used to be a big time musician and dancer who rolled with Cab Calloway and Lena Horne and Fats Waller. In flashbacks, Bill starts in the army band then bounces to different locations, accumulating famous friends starting with Lena (wearing a series of magnificent hats). We kept hoping the movie wasn’t setting them up as a romantic couple since Bill is forty years older, but it didn’t really have romance (or story, or dialogue, or acting) on its mind – just a string of increasingly great musical numbers from an all-black cast culminating in the most outrageous Nicholas Brothers routine.
Stone was oscar-nominated a decade later for a Doris Day comedy thriller. Most of his movies star the whitiest white people and are now obscure. Neither Bill “Bojangles” Robinson nor Fats would live past the 1940’s, but Lena and Cab and the Nicholas Brothers lived another 50+ years, hopefully long enough to win every award and accolade.
Lena smiles so hard I’m surprised she didn’t hurt herself:
These two MUST have hurt themselves: