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	<title>Brandon&#039;s movie memory &#187; Pablo Picasso</title>
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	<description>Deeper Into Movies</description>
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		<title>The Mystery of Picasso (1956, Henri-Georges Clouzot)</title>
		<link>http://deeperintomovies.net/journal/archives/591</link>
		<comments>http://deeperintomovies.net/journal/archives/591#comments</comments>
		<pubDate>Thu, 26 Jun 2008 03:47:04 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
				<category><![CDATA[Movie]]></category>
		<category><![CDATA[Henri-Georges Clouzot]]></category>
		<category><![CDATA[Pablo Picasso]]></category>
		<category><![CDATA[painting]]></category>

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		<description><![CDATA[Music by Georges Auric, who also scored Cocteau&#8217;s movies. Shot by Claude Renoir, who also shot a handful of his uncle Jean&#8217;s films and also Barbarella. Director Clouzot made this between a mystery thriller and a spy parody. A nice companion movie to La Belle noiseuse, another one where we actually watch a painting being [...]]]></description>
			<content:encoded><![CDATA[<p>Music by Georges Auric, who also scored Cocteau&#8217;s movies.  Shot by Claude Renoir, who also shot a handful of his uncle Jean&#8217;s films and also <em>Barbarella</em>.  Director Clouzot made this between a mystery thriller and a spy parody.</p>
<p>A nice companion movie to <em>La Belle noiseuse</em>, another one where we actually watch a painting being created in real time.  The movie introduces Picasso, then cuts to a full shot of a transparent canvas, Picasso&#8217;s brush (or pen, whatever) on one side, the camera on the other, so there are a few over-the-shoulder shots but mostly we&#8217;re seeing (a mirror image of) the canvas with the painting magically appearing upon it.  There are edits and time-lapse too &#8211; areas of wet paint dry in an instant, whole areas of color or pattern suddenly appear.  Sometimes we&#8217;re clearly watching a painting from start to finish in real time, and sometimes they&#8217;ll tell us in voiceover how long it actually took.</p>
<p>There&#8217;s no narration &#8211; rather what little verbal information we learn is in the form of (obviously staged) conversations between artist and camera crew.  My favorite bit is when Picasso asks for a very large canvas and suddenly the movie goes into Cinemascope ratio (&#8216;scope was less than three years old, so still a cool novelty).</p>
<p>It&#8217;s a suspense/art film as you watch the work in progress and try to wonder what PP is planning, where the painting is heading (even he doesn&#8217;t seem to know half the time), and when it&#8217;s &#8220;done&#8221;.  The wonder of this film is that the paintings exist through time &#8211; most of them look great when complete, but the process and intermediate steps are just as great&#8230; you&#8217;re not just waiting for good art to appear at an unknown end point, you&#8217;re watching it all along.  The filmmakers keep it short (<80 minutes), the music styles vary greatly between paintings, and there are some bursts of crew participation, like the time they pressure PP to finish a painting before their reel of film runs out.</p>
<p>What a great movie!  My favorite of documentary month.  Katy and Jimmy liked it too.</p>
<p><img src="http://deeperintomovies.net/journal/image08/picasso1.jpg" alt="image"></p>
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<p><img src="http://deeperintomovies.net/journal/image08/picasso3.jpg" alt="image"></p>
<p><img src="http://deeperintomovies.net/journal/image08/picasso4.jpg" alt="image"></p>
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