Zeman’s followup to Invention for Destruction is another absolute wonder. Actors filmed b/w and composited somehow with variously tinted objects and backgrounds. Still don’t know how this was done – saving the making-of doc for after I watch the dinosaur feature.

The story opens with astronaut Tony landing on the moon and discovering the Baron (Munchhausen), who calls him a moonman and takes over the narrative (I don’t think Tony speaks in the first half). Baron returns them to Earth, but a fantasy version, the jet planes in the opening scene replaced by flying monsters.

They rescue a kidnapped princess from a sultan, she falls for Tony, and the Baron spends the rest of the movie trying to convince her that he’s more impressive that boring old Tony (true). Along the way they jump their horses off a cliff, create a tobacco smokescreen to confound the sultan’s fleet, get swallowed by a whale and scooped up by a giant bird, ride a cannonball, escape from prison and return to the moon via rocket-propelled castle tower, all in about half the runtime of the Gilliam version.

World of Tomorrow Episode Three: The Absent Destinations of David Prime (2020, Don Hertzfeldt)

Hertzfeldt comes up with his biggest horror yet: embedded-HUD popup ads. A future Emily backup clone contacts a past David and sends him on a disfiguring journey to retrieve secret messages about the clandestine between-time assassinations of various Davids by other Davids. It’s twisty! And excellent, and full of more wonderful quotes, and I’ll be watching these forever.


Stump the Guesser (2020, Maddin/Johnson/Johnson)

The Odenkirk-looking Guesser (The Editor from The Editor) is renowned for his abilities, but when he runs out of guessing milk, things go bad and his guessing license is revoked. But during this time he falls in love with his long-lost sister, spends some time scientifically disproving theories of heredity in order to marry her, but things go badly at the end when he has to guess which door she’s behind. Some fun leaps of logic and distorted visuals here, but I wasn’t feeling it as much as other Maddin films.


Accounting for some other things watched recently… The Mads from MST3K have been doing monthly live shows. I checked out Glen or Glenda, a movie that’s so busy explaining itself that it never gets to the movie, and told Neil:

That was… really fun. That’s the most I’ve enjoyed a MST3K-related thing since the end of the sci-fi channel years. I don’t know if it’s because of their obvious affection for the material, or if I’m just in the right mood. I’d never seen the feature either – shame on me, after digging the Tim Burton version for 25 years now (oh you just tried to watch it, is it cringey now? Is it Johnny Depp’s fault?) and the Mads nailed it in their intro when they said this movie has everything, but it also has nothing.

Next was The Tingler, which I already just barely remember (also explainy, features Vincent Price)… then the truly baffling, tensionless version of The Most Dangerous Game called Walk The Dark Street. I think the guy from The Rifleman played the baddie. Then some shorts I should track and name, but am not gonna.


Hannah Gadsby’s Douglas is her stand-up comedy special to follow Nanette, which was the special to end stand-up comedy, and yet she pulls off the follow-up by creating another perfectly-constructed show and this time being breathtakingly funny. That sounds like a cliche, but I had to pause the show to catch my breath.

And Katy and I watched something called Australia: Land of Parrots, which is everything you’d dream it would be, and I should just play it on a loop.