I finished two of these shows on the same day, deciding that’s a good amount of TV to write about, and wondering what to watch next. Looking through the archives I started numbering these posts retroactively, just to amuse myself, and this is roughly the 44th roundup of TV shows.


The Knick season 1 (2014)

It’s so hard to decide which Prestige TV Drama I am gonna waste 8-13 hours watching when they churn out a hundred per year and I get around to watching maybe one. This seemed safe, since it’s where Soderbergh had ended up after “retiring” from the film industry. But it took me a year to finish watching, and in that time Soderbergh has released two new films to theaters, so his fake retirement needn’t have been a factor. First half of the season is rocky, mostly unfun, with gruesome surgery scenes (most patients die) and a hella unlikable lead (moody racist drug addict Clive Owen), establishing a whole pile of characters, then the second half lets loose raining down all the drama in the world upon their heads. The writing is trash, actors mostly good, and the style pretty cool, with a terrifically unusual shot every couple scenes and bloopy Cliff Martinez music. Mobile camera, longish takes, some crazy subjective shots and a couple wicked angles per episode. But that trash writing weighs heavy upon the show, and after hate-watching the last couple eps, I’m skipping season two.

Dr. Thackery (Clive Owen, last seen in Valerian) is our hero, a brilliant doctor thinking ahead of his time, addicted to cocaine and morphine and a huge racist, though he becomes enlightened and suddenly stops being racist in episode six, just in time to defend against race-rioting whites in episode seven.

Nurse Elkins (Eve Hewson, a Hanks family member in Bridge of Spies) is the new nurse, sent to awaken Thack with coke injections before surgery. They’re having an affair by the end, and she’s on the drugs but not as hopelessly as he is.

Nurse Elkins:

Cornelia (Juliet Rylance of Sinister) is one of the hospital’s all-important rich benefactors. She goes on adventures with the health inspector tracking Typhoid Mary through the city, is a childhood friend of Dr. Edwards, and they have an affair but she decides to marry another rich white person with a pervert father instead.

Cornelia in distress:

Dr. Edwards (André Holland, Kevin in Moonlight) is just as brilliant as Thack, but black, so nobody respects him except Cornelia and post-racism Thack and he ends up opening his own secret clinic in the hospital basement. He’s asked to abort his own baby after getting Cornelia pregnant, is an excellent boxer, and likes to get his ass kicked in bar fights when frustrated.

The hospital boss is Barrow (Jeremy Bobb of the show Godless and Under the Silver Lake) who sometimes seems underwater from all the drama but can be very determined, like when he hires Thack’s opium dealer Wu to murder the gangsters who punched him in the dick. Other major doctors include young upcomer Bertie (Michael Angarano of Red State) whose dad wants him to work someplace nicer with a better salary, and pissy Everett (Eric Johnson, Flash Gordon in 2007) who was supposed to get the position that Edwards holds.

Doctors Edwards, Bertie, Everett Gallinger, Thackery:

And the others… Dr. Christiansen (Matt Frewer: Max Headroom, Trashcan Man in The Stand) was Thack’s mentor, kills himself in the first episode after the failure of an operation that the others later perfect. Tom Cleary (Chris Sullivan of Guardians of the Galaxy 2) is an ambulance driver who steals other hospitals’ patients and starts an underground business with abortionist nun Sister Harriet (Cara Seymour, abused Aunt Linda in Jack & Diane). Everett’s wife Eleanor (Zoe’s sister Maya Kazan, who would play a character named Zoe on Sleepy Hollow) loses her baby, kills the adopted replacement baby, then is sent to the booby hatch where they pull all her teeth. Dr. Zinberg (Michael Nathanson of TV’s The Punisher) is the Jewish doctor who Thack feels is his greatest rival. And Bunky (Danny Hoch of We Own the Night) was the lead gangster/loanshark/pimp killed by foot fetishist Wu (Perry Yung of John Wick 2). John Hodgman does not appear, despite a bunch of people kinda looking like John Hodgman.

Cleary and Barrow:

Bad Medicine: a pregnant woman is told to stick her belly in ice water. A nurse dies putting out an electrical fire with a bucket of water. Barrow puts his head in an x-ray machine for an hour. Thack’s ex Abby loses her nose to syphilis and gets her arm and nose grafted together. Holes are drilled in peoples’ heads, limbs are lost, things are burned and severed and pulled, and towards the end it’s all done without anesthesia because war in the Philippines has caused a cocaine shortage, causing Thack to go increasingly mental from withdrawal and kill a kid with a bad blood transfusion after misunderstanding how blood types work.

The stinger ending is the hospital shareholders vote to move uptown and Thack is given a new drug called heroin to cure his coke addiction.

The lighting is often quite nice:

Weirdly, the writer/creators are best known for a Kate Hudson romantic comedy, a Tim Allen Disney remake, and short-lived sitcoms starring Tony Danza and Jeff Foxworthy.

To make sure I don’t watch season 2, I’m spoiling it on wikipedia… looks like the abortionist nun goes to jail and Cleary blackmails their former clients into bailing her out. Bertie goes to work for Dr. Zinberg then quits after killing his own mom during cancer surgery. The guys start a prostitute clinic, discover radiation therapy, learn how to cure syphillis, and separate conjoined twins. Thack studies addiction, trying lobotomy and hypnotism. Everett becomes a eugenicist, decides to sterilize the poor, and sabotages Edwards’ surgeries. Edwards’ secret wife arrives, and he considers black nationalism. Abby dies during nose surgery. Barrow kicks out his wife, who then blackmails him over the money he’s stolen from the hospital. Nurse Elkins murders her abusive preacher father. Cornelia’s rich dad dies saving her from a fire set by her brother. And Thack performs surgery on himself, passes out, and the show was mercifully cancelled before his fate was revealed.


Assy McGee season 1 (2006)

Animated cop-show parody starring a drunken, mumbling ass with legs who often shoots innocent civilians while failing to solve silly crimes. Not a good show, but the whole season is only an hour so I let it keep running. Larry Murphy (Teddy in Bob’s Burgers) does most of the voices, including Assy, his partner Sanchez, and his angry supervisor. The creators have cred: Carl Adams wrote for Dr. Katz and Matt Harrigan for Space Ghost C2C. Director David SanAngelo worked on Home Movies and WordGirl.

Related shows to check out(?): Ugly Americans, O’Grady, 12 oz. Mouse


BoJack Horseman season 2 (2015)

Maybe the most consistently funny show about depression. BoJack gets everything he wants in this season – a perfect girlfriend who’s never seen his TV show, the leading role in his dream film, renewed friendship with his first girlfriend, and a big-ass boat – and throws it all away because he’s a self-destructive prick. Meanwhile, Princess Carolyn starts a new agency with a coworker/lover, Diane falls into a funk and hides at BoJack’s house for months, Mr. Peanutbutter hosts a hit game show produced by JD Salinger, and Todd joins an improv-comedy cult.


The Good Place season 2 (2018)

I didn’t watch most of season 1, but after hearing about its ending (it was the Bad Place all along and the entire neighborhood is Ted Danson’s torture experiment, which is why there are so many frozen yogurt stores), I joined Katy for this one, which was terrific, opening with hundreds of “reboots” of the experiment, until a desperate Danson confesses and enlists the others to play along so they all don’t get sent to the real Bad Place. Also: Chidi teaches ethics classes, Janet becomes more powerful and erratic and creates a boyfriend named Derek, they sneak into Bad Place HQ and ask mercy from a goofball Judge, then are sent back to Earth for further study.


Tales from the Tour Bus season 1 (2017)

“Paycheck stole Patsy Cline’s car!” I only heard about this from a Robbie Fulks post, am assuming it mostly flew under the radar. Good-natured stories of the highs and (mostly) lows on tour with some country legends, with generous song clips balancing out the bad behavior, animated and rotoed by Mike Judge, who clearly loves this stuff. Will be interesting to see if the new Blaze Foley movie can stand up to his episode here, and how the less country-focused second season will go.

Tammy and the President:

Johnny Cash cameo in the Waylon Jennings story:


Master of None season 2 (2017)

Bookended by double episodes with Dev’s almost-girlfriend Francesca, first in Italy then New York, the middle half has Dev hosting a cupcake show. More movie references than ever, a couple standalone/gimmick episodes, some good flashbacks in a Denise-focused episode (with Angela Bassett as her mom) and lots and lots of food.


Big Train season 2

This belongs in the pantheon of absurd sketch shows, with Mr. Show and Kids in the Hall and Human Giant and Chappelle’s Show. Created by the writers of Father Ted… so maybe that show is good? The three guys from season 1 are now joined by The Dark Haired Woman (Rebecca Front of The Day Today, The Thick of It season 3) and The Woman With The Bouncy Curls (Tracy-Ann Oberman of EastEnders).

Scene from Alfred Hitchcock’s “The Working Class”:


And we watched enough of the Great British Bake Off to last a lifetime – though I’m slightly curious to check out the Boosh-hosted season. Also watched a Todd Barry standup special, the Fred Armisen one about drumming, and probably a few others I’ve forgotten. With limited TV time we still haven’t finished The Deuce or the new Mystery Science Theater 3000, gotten back to Atlanta or Blackish or Steven Universe, or started the latest seasons of Kimmy Schmidt or Search Party or Black Mirror [edit: one of these things is no longer true – stay tuned for details in Season 45].

After a pretty decent Thursday night at the festival, we plunged right into the deep end on Friday morning with this year’s True Life Fund film, a doc following two cousins who have survived terrible traumas.

I stupidly wondered when their aunt mentioned in the description was going to arrive, not realizing until late that she’s the filmmaker. “Dear diary”… confessions and backstories are staged in uniquely visual ways – one is told to a friend in a lighthouse, one in a theater to an audience, plus the centerpiece long-take of the girls speaking to each other. Ro was kidnapped, beaten and burned, and is recovering from extensive plastic surgery, and Aldana was abused by her dad – both attackers caught and imprisoned with no images of either in the film. But Katy dug up a fascinating fact – the director’s previous film appears to have focused on the abusive dad before his crimes were discovered.

A dead-looking seal on a beach who turns out to be just resting… a crocodile girl… stuttery skype call… gymnastics. The visuals sometimes remind me of LoveTrue, which we saw last year on this same screen. In the final section, the girls are invited from their homes in different parts of Argentina to a performing arts program in Montreal. It’s not clear to me if the Montreal thing is an organized program for dealing with trauma, or if that’s how the girls and their aunt are approaching it, in conjunction with their poetry and stories and crocodile-play. The girls seem smart and open with supportive families – they’re as easy to root for as last year’s family.

Why have I gotten Seconds and Targets confused? I wondered why Boris Karloff wasn’t listed in the opening titles, figured he’d be an unannounced surprise guest star or something. No matter.

Shot by madman James Wong Howe:

Arthur (John Randolph) is a middle-aged married guy, gets a call from his long-dead friend, follows instructions and ends up caught in a secret surgical cult. Prominently-eyebrowed Jeff Corey (sheriff in the Butch Cassidy movies) lays out Arthur’s options: let them remake him as Rock Hudson, or release him along with the life-destroying sex tape they shot while he was drugged.

Post-surgery, “Tony” (Rock Hudson) lives on a lovely beach house with a dedicated butler/watcher (Wesley Addy, Ralph Meeker’s disapproving boss in Kiss Me Deadly), works on his paintings all day. This plus massive surgery is what $30k bought in the sixties? He attends a naked wine orgy with the neighbors but doesn’t really feel like socializing, and has a tendency to shout about his former life when drunk – turns out all his neighbors are also middle-aged losers with new bodies and lives (Reborns).

John Frankensteimer:

Rock meets a cute girl (Salome Jens, title star of Angel Baby) on the beach, but this and the parties and paintings aren’t cutting it, so he sneaks off to check on his wife (this is a year after becoming Rock) and is recaptured by the company and united with his “dead” friend (Murray Hamilton, mayor of Jaws). Both Rock and his friend “died” in their previous lives in some awful, disfiguring accident, some dope’s body substituted for their own. Now they waste their days in an office, waiting to be the dope body for some other guy’s midlife crisis dream-come-true. Depressing movie, kinda.

Frankenheimer, a few years after Manchurian Candidate, gets a neat effect by attaching the camera to walking actors, exactly as done in Pi. Supposedly this is the third in a “paranoia trilogy”, with Seven Days in May the middle piece.

2046!

D. Sterritt:

When much of American pop culture was infatuated with the swinging, psychedelic 1960s, John Frankenheimer was focused on the decade’s darker side—the sour aftertaste of McCarthyism, the expanding military-industrial complex, the growing sense that technology might be controlling us instead of the other way around. … An early clue to the Company’s sinister nature is its shifty way of inducing Arthur to sign up. Instead of inveigling him with Faustian rewards of sex, glamour, and fulfillment, the Company stresses the emptiness of his current life, making him gaze into its vacant, lusterless eyes until he’ll do anything to look away.

This seems like a good idea. Mr. Oizo (seriously, the guy with the sock puppet music video from like 1997) writes and directs a movie about two maladjusted nitwits in a wacky future, casting a comedy duo who have been in at least three movies together. A good idea, but an especially underwhelming movie. I mean, I’ve seen some underwhelming movies lately, like The GoodTimesKid, but at least that one featured the wacky kitchen dance scene as something memorable to hold onto. I watched Steak last night and it’s already starting to fade. And the trouble is I don’t think that was intentional, to make a lightweight wispy mumblecore film. It’s mostly set seven years in the future, but even its futuristic society details seem stolen from other movies. For instance, plastic surgery has run rampant (Brazil) and schoolkids form exclusive, violent clubs and drink only milk (A Clockwork Orange).

It’s not totally clear how much has changed in the future, since we mainly see one town’s high school, and still more specifically, a five-man gang called Chivers (urban dictionary: “group of people dedicated to alleviating the stress of an otherwise hectic day with daily afternoon randomness”). When Blaise gets out of psychiatric hospital for shooting up some bullies (a crime actually committed by his friend George), George wants nothing to do with him, finally beginning to fit in with the super-cool Chivers. Blaise adjusts to the new social life faster than his now-ex-friend and gets himself into Chivers just as George is kicked out for smoking (a no-no in the future). Then they kill a fellow gang member by sorta-accident and run off together. The whole thing is played for absurd comedy – few laughs, just a low-key sense of weirdness. Pleasant Oizo music runs throughout, naturally. Only technical detail I noticed was the camera’s very shallow depth of field – always some part of the shot that isn’t in focus. A nice enough waste of time, but doesn’t get me too anxious to see Oizo’s new killer-tire movie Rubber.