A process movie, which shows you what is happening, letting you guess about the why. Extremely precise in framing and editing, focusing as much on objects as people. I’m generally sympathetic to Bresson films, having loved A Man Escaped and Pickpocket, and have been underwhelmed or confused by some of his others, so wasn’t sure how this one would hit me… and it’s a masterpiece.
Schoolboy Norbert owes money, so his buddy Martial pulls out some counterfeit cash, which they change at a picture frame store. Later, the frame shop owners get pissed at their employee Lucien for accepting the phony bill, and conspire to pass it off to a workman Yvon Targe (Christian Patey, later of Adieu Bonaparte).
Yvon is caught passing the fake bill at a restaurant, unaware, starts a fight and gets in trouble. The frame shop owners pay off Lucien to lie in court, and Yvon loses his job. Lucien loses his job as well when he’s discovered to be pocketing money, then robs the shop and starts stealing ATM cards, is eventually caught. Norbert is also caught, and his mom pays off the frame shop to hush the scandal.
Yvon takes a darker turn, gets hired as a getaway driver and caught during a bank robbery, his daughter dies while he’s in prison, he attempts suicide, rejects help from Lucien (who is caught trying to escape) and is eventually released. Yvon immediately steals from the hotel where he’s staying, then apparently follows a woman home, is allowed to stay with her and her father, and kills them both with an axe, then turns himself in.
Adrian Martin for Criterion:
Bresson told his stories in astoundingly matter-of-fact ellipses or leaps in time; only the most significant moments of information and sensation counted for him. He fragmented the spatial relations of each location and incident, making the world both a fiercely angular labyrinth and an abiding, disorienting mystery.
Based on a Tolstoy story. Bresson tied with Tarkovsky for best director at Cannes, the palme going to Imamura. Great Cannes interview on the disc – Bresson always gives the best answers. “The question is null and void” … “I can’t explain a film. It explains itself.”