Brandon's movie memory

Sometimes I rent something because it looks like a stupid good time, and sometimes I’m very wrong and it turns out to be just painfully awful. This one would look, from the screenshots, to be at least more exciting than Sukiyaki Western Django, but it is not.

Ruka (above, girl with the needles in Audition) works for the cops. Inexplicably, she’s the only one who can defeat the “engineers”, berserker killers with fleshy Cronenbergian keys in their heads. She meets the original/lead engineer (Itsuji Itao of Negative Happy Chain Saw Edge, unless that’s actually an alternate title for this movie) who killed her father long ago as a hired assassin when her dad was leading some kind of union, but it turns out the cops are corrupt and wanted her dad killed so she teams up with the engineer and takes down the cops after becoming part-engineer herself (below).

But the plot ain’t what the movie is about. It’s about limbs being chopped off and the endless watery blood sprays that follow. Seems to steal parts of Hostel and Hellraiser in addition to the Cronenberg works. I found the movie to be headachy crap, with music that made it sound like an advertisement. Tried to compensate for its MPD Psycho-like video look with a constantly moving handicam, achieving the worst of both worlds. Wasn’t even worth watching for cool fight scenes, since the fight scenes were not cool.

Itsuji Itao:

The director started as a makeup/effects artist, and it shows, since that’s all he seems to care about here. He is joined by a writer of Uzumaki. Apparently, irritating teen-girl-obsessed director Sion Sono was here as an actor somewhere. and Tak Sakaguchi (star of Versus) and Takashi Shimizu (director of Ju-on/Grudge and Marebito) also appeared, I don’t know where or when.

I’d heard this was a sequel to Suicide Circle, so I assumed it was a horror movie. A natural assumption, since Suicide Circle is very much a horror movie. But by no means is this a horror movie, nor is it any good at all, and it is almost three hours long, which means I could have watched two short, good horror movies instead of this one. Tragedy!

Lots of steadicam, with the low-budget video look of MPD Psycho. First hour is a bunch of teen girl crap, with Noriko getting tired of her family and wishing she was as accepted in real life as she is online, where her screen name is Mitsuko. The online community is related to the Suicide Circle cult (it’s the website with the colored dots), but besides a couple flashbacks to the intro train scene of that movie, some “Desert” posters on a wall and some dodgy explanations at the end by a group member, there’s no real mention of the events of the other movie. Instead, we are presented with a wholly different view on Sion Sono’s ideas of group and individual identity, life and death, and the social problems of modern Japan. Maybe it’s deep if you think about it long enough, but it doesn’t make for a very interesting movie, with its amateurish cinematography, excessive length and dull repetitive voiceovers about the boring family problems of teen girls.

Happier times. But WERE they really happy? Are the kids smiling? ARE THEY?

So, right, Noriko/Mitsuko runs away and meets her online buddy Ueno Station 54 (named after a locker full of junk she found). That’s #54, as in the 54 kids who jumped from the train station… you can look for explanations all day long, but it’s not gonna solve anything. Noriko’s sister Yuka runs away a few months later, changes her name to Yoko, and the sisters meet up in the city. With US54 they work for a family-rental business pretending to be family members of lonely people for an hourly fee. Meanwhile, their real parents are crazy with grief over their disappeared daughters, and after a year the mother kills herself so the father (Ken Mitsuishi of The Pillow Book, Chaos, Eureka, Audition, Invisible Waves) starts combing their rooms for clues and finally comes to the city to find them.

Death is no big thing in Japan

All is well in the family rental business. Sometimes a client kills a “family member”, as above, but there’s Kumiko/US54 on the left taking his money as if nothing special has happened. The dad gets a friend to help, moves all his stuff from the old house and sets up a new place just like it, then gets the three girls to come over, climactically bursts out of a closet and… stands there like a damned fool. Um, some cult dudes show up and pummel the friend, but dad kills ‘em all with a knife. Finally the girls somewhat snap out of it, and go oh yeah it’s our dad. I think Noriko runs away again at the end. I’m probably forgetting something, but whatever.

Separated by sun

Hints:
– the suicides kept going after the last movie ended… they did not stop with Dessert’s final performance.
– “What about the suicide club – it’s the result of Kumiko’s grudge, right?”
– “The world is the suicide club, with far more suicides than our circle.”
– “Being close to death gives living value”
– Dad is told by a club dude at a diner: “Feel the desert. Survive the desert. That’s your role.” Get it – Desert? Dessert? Get it?? Phthhhht!

What, no floss?

If this was better lit you’d see “Kiyoshi Kurosawa wuz here” on the windowframe

“Are you connected to yourself?”

Watching for the second time (and reviewing the plot on wikipedia), I abandoned the thought that the plot would make any sense or come together in the end (the writer/director is apparently a poet, so that explains that) and enjoyed it for what it is, a bloody and effective horror movie. Movie features high-school kids dying en masse as a muddled critique of society, which I guess is why it gets compared to Battle Royale. What with the unexplainable deaths around the country, mysterious websites and themes of interconnection, I’d say it’s more similar to Pulse.

The wiki does a good job on plot, so I’ll make this quick. Pop group Dessert (aka Dessart, Desert) has annoying hit song. Backstage at their concerts, fans who are connected to themselves have patches of skin shaved off and mailed to the police, then a few days later the fans kill themselves. Female internet informant The Bat is kidnapped by flamboyant male “suicide club” leader Genesis, but I’m not sure that either of them have anything to do with anything. The cops fail to figure anything out, but a girl named Mitsuko does. At the end, instead of throwing herself under a train, she enigmatically steps aboard it, smiling at a cop, as Des(s)aert announces their final performance.

left: Ryo Ishibashi, star of Miike’s Audition, also in Big Bang Love, Kitano’s Brother, and that Masters of Horror called Dream Cruise. right: Kimiko Yo of Hou’s Café Lumière

Akaji Maro’s distinctive face has appeared in movies by Miike, Beat Takeshi and Seijun Suzuki, as well as the Maiku Hama trilogy and he is Ichi the Killer’s (the actor’s) dad.

Masatoshi Nagase is Mike Hama, also in The Hidden Blade, Pistol Opera and Mystery Train.

skinbag:

sega genesis: