<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Brandon&#039;s movie memory &#187; storytelling</title>
	<atom:link href="http://deeperintomovies.net/journal/archives/tag/storytelling/feed" rel="self" type="application/rss+xml" />
	<link>http://deeperintomovies.net/journal</link>
	<description>Deeper Into Movies</description>
	<lastBuildDate>Tue, 07 Feb 2012 01:28:46 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
		<item>
		<title>The Fall (2006, Tarsem Singh)</title>
		<link>http://deeperintomovies.net/journal/archives/2236</link>
		<comments>http://deeperintomovies.net/journal/archives/2236#comments</comments>
		<pubDate>Tue, 05 May 2009 03:28:40 +0000</pubDate>
		<dc:creator>Brandon</dc:creator>
				<category><![CDATA[Movie]]></category>
		<category><![CDATA[africa]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Bolivia]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[Czechoslovakia]]></category>
		<category><![CDATA[Egypt]]></category>
		<category><![CDATA[india]]></category>
		<category><![CDATA[Indonesia]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[nepal]]></category>
		<category><![CDATA[romania]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[tarsem singh]]></category>
		<category><![CDATA[Turkey]]></category>

		<guid isPermaLink="false">http://deeperintomovies.net/journal/?p=2236</guid>
		<description><![CDATA[Tarsem&#8217;s previous movie The Cell had a crappy story and bad acting wrapped around a handful of intensely cool but disconnected imagery. This one has a simple but decent story and good acting, with about half the movie being intensely cool imagery, finely intertwined with the rest of the plot. A quantum leap forward! The [...]]]></description>
			<content:encoded><![CDATA[<p>Tarsem&#8217;s previous movie <em>The Cell</em> had a crappy story and bad acting wrapped around a handful of intensely cool but disconnected imagery.  This one has a simple but decent story and good acting, with about half the movie being intensely cool imagery, finely intertwined with the rest of the plot.  A quantum leap forward!</p>
<p>The gimmick of not having a gimmick (no digital effects, etc) was distracting as hell.  We were always &#8220;what country do you think that is&#8221; or &#8220;THAT isn&#8217;t a real place is it&#8221; or &#8220;aha, that&#8217;s GOT to be a digital effect&#8221; or &#8220;is the little girl acting or not, she seems so natural.&#8221;  From online trivia we learn it&#8217;s a remake of a 1981 Bulgarian film and the little girl was often improvising.</p>
<p>Movie itself is a wonder.  In <em>Princess Bride&#8217;s</em> framing story, grandpa Peter Falk is reading a great, classic storybook, so the bulk movie has to be great and classic, and it lives up &#8211; but in <strong>The Fall</strong> we have an unreliable narrator, suicidal, heartbroken, wasted on morphine, making it up as he goes along.  In a sense this makes the story more unpredictable, but it&#8217;s also a huge cop-out because if the writing is poor you can say &#8220;oh it&#8217;s supposed to be poor, didn&#8217;t you get that?&#8221;  And it is kinda poor.  Our hero the masked bandit with his lost love and archnemesis kinda fizzles, and his side characters Luigi (&#8220;explosives expert&#8221; who only uses explosives once, suicidally at the very end), The Ex-Slave and The Indian just make poses and look beautiful against the exotic scenery, getting shown up by the problem-solving Charles Darwin and his pet monkey.  So it doesn&#8217;t sound too good and it&#8217;s probably not, but if you&#8217;re gonna throw out images this nice, I&#8217;ll let your thin plot slide.  Carried over from <em>The Cell</em> we&#8217;ve still got some nightmarish imagery too.  When their guide The Mystic is captured, being chopped to death with an axe (barely offscreen), crying and repeating the safe word &#8220;googly googly&#8221;, small birds flying out of his mouth, that&#8217;s a thing that gets stuck terribly in my head while I&#8217;m trying to sleep.</p>
<p>Movie ends with a montage of Keaton and Chaplin stunt scenes, half of which I recognized, in a belated homage to stunt men (our hero is one, ended up in the hospital with the little girl by falling badly off a bridge).  Weird.  Nobody I&#8217;ve heard of in the cast, which makes sense.  If you&#8217;re shooting a self-financed movie over four years in 20+ countries, you&#8217;re not gonna get many recognizable actors to sign up.  However, Lee Pace (our storytelling hero) is now starring in <em>Pushing Daisies</em>.</p>
]]></content:encoded>
			<wfw:commentRss>http://deeperintomovies.net/journal/archives/2236/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

