Sweeney Todd (2007, Tim Burton)

N.P. Thompson: “the most numbingly inert movie musical ever made”.

Watched it twice in a week, the second time with good sound.

Barber is imprisoned and wife-snatched by judge, returns years later (with young sailor) for revenge, kills blackmailing rival barber, finds then loses interest in own daughter, starts meat pie business with neighbor, mistreats and tries to kill young assistant, kills judge, neighbor, and (accidentally) own wife, is killed by assistant while young sailor rides off with barber’s daughter.

Loving the songs, especially “not while I’m around,” “pretty women,” “I’ll steal you joanna,” and “these are my friends”. The actors all do wonderfully, and the ol’ Burton goth murk is back with a vengeance. Katy disliked the horror aspects and wished that any character besides the two kids in love was a likeable protagonist, someone she could root for, and not a horrible corrupt monster. I thought the two kids were plenty enough brightness in the black, black. I wouldn’t call it numbingly inert, but for a musical it doesn’t exactly pop off the screen. Maybe Thompson will dig the 3-D re-release.

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The Nightmare Before Christmas (1993, Selick/Burton)

Watched many times before, but never in dolby disney digital 3-D with cool polarized-lens non-headache-inducing glasses! The 3D effect was great, adding layers of depth (not pop-out-of-the-screen gimmicks) to an already gorgeous movie. Of course seeing the movie on a big screen again gives new appreciation to the intricate visual details, but why were some of the camera-panning motion scenes so blurry? Did the 3D effect do that, or have they always been that way?

fun fact: Chris Sarandon, lead actor in master-of-horror Tom Holland’s “Child’s Play” and “Fright Night”, voices the non-singing Jack Skellington.

Katy sorta likes it. Maria did not. Kids today… sigh.

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