World of Tomorrow (2015, Don Hertzfeldt)

Emily Prime is contacted by her third-generation clone, discussing memory, robots, love and life in the outernet of the future.

Only 16 minutes long but I watched it seven times.

Choose You (2013, Spike Jonze & Chris Milk)

Written by Lena Dunham and directed by Spike Jonze – and yet it’s terrible? I think that’s because it’s a corporate-sponsored short made for a music video awards show. Anyway, subtitled and censored, club dude’s ex-gf is now dating DJ Michael Shannon, some girl he doesn’t even know freaks out about this, then Jason Schwartzmann hosts a choose-your-own-adventure ending and double suicide is chosen.

The Discontented Canary (1934, Rudolf Ising)

A sad caged canary gets his chance to escape, but nature beats the hell out of him, so he returns home, learning to appreciate his captivity. At least he wasn’t hit by lightning like the feral cat. Moral: life is just horrible.

The Alphabet (1968, David Lynch)

Now in high-def!

Les jeux des anges (1965, Walerian Borowczyk)

Heads roll.
Pipe organ becomes firing squad.
Angel wings.
Infinite scrolling.

Mouseover for decay:

The Sinking of the Lusitania (1918, Winsor McCay)

Didn’t realize this was a WWI propaganda film. “Germany, once a great and powerful nation, had done a dastardly deed in a dastardly way.”

Intro explaining how difficult the movie was to create, and plenty of title cards, so the nine minute short has maybe four minutes of animation. But the animation is real good stuff, all water and smoke.

We Give Pink Stamps (1965, Friz Freleng)

Absurd fun in a department store as the Pink Panther torments the night janitor.

Closed Mondays (1974, Will Vinton & Bob Gardiner)

Great claymation. Wino wanders into an art gallery, hallucinates (?) all the paintings and sculptures coming to life.

Night Mail (1936 Wright & Watt)

I’ve heard this is one of the greatest short documentaries. True, it’s admirably put together, showing all the moving parts in a great, manned machine that moves the mail across England and Scotland really damn fast. And it makes you marvel at the heights of human endeavor. And it ends with a post office rap song. So yeah I was gonna say it’s just a doc about a mail train, but I guess I see their point.

Monster (2005 Jennifer Kent)

Beginnings of The Babadook (there’s a pop-up book and everything). Monster-doll grows into full monster and attacks son, mom screams at it, tells it to go to its room.

Fears (2015, Nata Metlukh)

Terrific 2-minute animated short linked by Primal.
A man literally embraces his fears.

Restaurant Dogs (1994, Eli Roth)

Student film in which an evil brigade of fast-food restaurant mascots is bloodily defeated by a young dude who’s given a mission from the Burger King himself to save his daughter the Dairy Queen. Something like that, anyway. I thought the guy only wanted to buy a milkshake, and suspected he was drunk, so I’m surprised he signed up for the murderous mission so quickly.

Given all the trademarked properties being mixed with nazi images via Terry Gilliam-style cut-out animation, I thought I’d better watch this as soon as I heard about it, rather than wait until our corporate overlords remove it from the internet like they did the Soderbergh cut of 2001: A Space Odyssey which I’d been meaning to watch. Besides Reservoir Dogs, there’s some Deer Hunter and Apocalypse Now in the grimace/hamburglar flashback scene.

Ritual (1979, Joseph Bernard)

Under three minutes, viewed online as a trailer for the new Bernard blu-ray, which I obviously need. Drawings, figures, people and scenes and stuttering colors cut together into changing rhythms and overlays. My favorite bit has an overlay of two scenes, one of which is cutting, an effect I don’t see often.

How come whenever a speaking actor’s back is turned, the filmmaker thinks they can add a dubbed line and we won’t notice?

One of those DVDs I used to excitedly pick up at Tower Records and walk around with for an hour before deciding that it might not be worth $27 after all. Another was La Belle Noiseuse, which turned out to be decidedly worth $27. This one wasn’t even worth the time spent watching it.

As a former animator turned live-action director, Walerian joins (and sullies) the proud ranks of Tim Burton, Terry Gilliam, David Lynch, Jan Svankmajer, Frank Tashlin, the Bros. Quay, Emily Hubley and possibly Brad Bird and Andrew Stanton. I noticed all the snails in this movie and remembered his snail-porn animated short Escargot de Venus from the same year.

The movie opens with close-ups of horse sex, so I knew it wasn’t going to be elegant, despite its fancy trappings. A rich girl and her aunt head for the French countryside to see about marrying the girl to the French family’s son. But the story is just an excuse for the massive rape scene between “the beast” and some lucky girl.

I don’t know or care which characters were which, but two of the actresses were Sirpa Lane (of unrelated film The Beast In Space) and Elisabeth Kaza (of Castle Freak).

Can’t say it was the worst movie in the world because I kinda liked the harpsichord music.

Watched some of the earliest shorts I downloaded, over a year ago, and had never seen before.

The World of Stainboy (2000, Tim Burton)
Stainboy is a hero of sorts whose only power is creating stains. He takes on a giant darth bowling ball, a poisonous chemical hazard, a power-sucking robot, a girl with a hypnotic stare, and a match-prostitute, then in the final episode he flashes back to birth and the orphanage (where “boy with nails in his eyes” has a cameo). Pretty okay little show, short with funny bits.


Breakfast (1976, Michael Snow)
Decided not to watch it because the quality is too low. Don’t know how I’m going to see the Michael Snow films, but not like this.

Vibroboy (1994, Jan Kounen)
Loud, cartoonish, full of threatened sexual violence, feels like taking a beating or watching the Shelly and Leo home scenes from Twin Peaks for a half hour. Explorers spirit away ancient statue from Mexico, it’s entrusted to transvestite Francesca, who comes home to his trailer park to find his pet murdered and his neighbors Leon and Brigitte fighting. Leon is a violent shit, and threatens both “women”, ends up shooting F. (not fatally), breaking the statue, retrieving the metal dildo within and turning into Vibroboy, who just goes on beating the two girls but with the dildo now. Stylishly shot, but why film such a piece of shit story? Real disappointing because Kounen is someone I’d decided I was interested in before seeing any of his movies, so now I don’t know what to do about Dobermann and Blueberry. (Update: a Kounen fan advises to check out the uneven Blueberry and the doc on psychedelics and skip Dobermann)


Escargot de Venus (1975, Walerian Borowczyk)
Camera pans over color drawings of half-snail-half-women having sex with each other and themselves and various snaily men, while renfest flute music plays. Halfway in, a woman starts narrating in French, didn’t catch most of it except some of the dirty words. We actually see her flipping through the drawings, closes with her feeding a snail to an iguana. Nice, sexy images, liked it better than his DOM short. Internet says the woman is Bona Tibertelli De Pisis, and the drawings are hers.


L’Amour monstre de tous les temps (1977, Walerian Borowczyk)
Close-up on a painter at work, nicely edited with music by Richard Wagner. Final painting involved a beast and human nudity, so right up Walerian’s alley. A good one. Can’t find who the bearded painter was.


Lapis (1966, James Whitney)
finely detailed geometric images (points of light?) falling inwards and outwards to and from the center into infinity. Sound (indian music) didn’t play right on my copy, but when it did, it adds to the trance effect. Would be pretty awesome to see this in a theater. Apparently used motion-control camera (“analogue computer equipment”) and the circular shape is a mandala, “a Tibetan Buddhist spiritual meditation aid”. Director’s brother designed the motion-control for the title sequence of Vertigo!


Recreation (1956, Robert Breer)
extremely rapidly edited shots of objects on plain backgrounds, a little animation, some guy talking in French, FIN.


A Man And His Dog Out For Air (1957, Robert Breer)
flowing line drawing animation forming many abstract shapes but nothing quite recognizable until right before the end, when they form a man and his dog out for air. Neat.


A pretty goofy look at space travel. A precursor to Terry Gilliam (the animator) and Asteroids (the video game). Awesome movie, funny. Would show this one off to other people. There’s a snail (escargot de venus) and an owl (movie is “in collaboration with” Chris Marker).


Our guy, with hat and pipe, examines the designs of different inventions and creatures and builds himself a spaceship. He and his pet owl go for a little ride. Of course the first thing he does is stop at an apartment tower and peep on some woman. He visits space, saves a troubles spacecraft, eventually gets shot down and possibly dies, but it’s all in good fun. All done with cut-out animation. Won a bunch of awards.