Part two of my Wes Craven tribute, because when a horror giant dies just before SHOCKtober, memorial screenings are in order. I used to have this movie’s sequel on VHS (bought at a garage sale), and saw the awesome remake in theaters, but have probably never watched the original until now.
Stupid family taking cross-country trailer trip breaks down in the desert at the foot of cannibal-infested mountains, send a few guys in different directions looking for help. But first we set up the Harbinger hillbilly gas-station attendant (and incidentally the grandfather of the cannibals) who tells them not to go poking around, and mountain thief Ruby, who’s looking for help escaping her murderous family.
Bobby (Robert Houston, later an oscar-winning documentary filmmaker) runs after his escaped dogs, discovers one of them murdered but doesn’t tell anybody. Mustache Doug (Martin Speer of Killer’s Delight) finds nothing and comes back. And Big Bob (Russ Grieve of dog-horror Dogs) returns to the old man in time to see him get slaughtered, then Bob is captured, crucified and set on fire, distracting the family into leaving their trailer unguarded, in what’s probably one of the most intense sequences of the 1970’s. Bald Pluto (Michael Berryman of too many horrors to list, also One Flew Over the Cuckoo’s Nest) and curly Mars invade, shoot Mustache’s wife Dee Wallace (star of The Howling and The Frighteners) and her now-insane mom (Virginia Vincent of The Return of Dracula and Craven’s Invitation to Hell), eat the parakeet, steal the baby and flee.
Family portrait, pre-invasion:
The next morning it’s payback time. Young Carolyn Jones (Eaten Alive) and Bobby plot to use their dead mom as bait and blow up cannibals who return to the trailer. Not sure how head mutant Papa Jupiter escapes that explosion, but they kill him good, with gun and hatchet. Mustache Doug climbs the mountain and attacks head-on to rescue his baby, unexpectedly aided by a rattlesnake-wielding Ruby. I can’t recall if Bald Pluto dies (think Bobby’s other dog gets him), but he’s definitely on the VHS box cover of part two.
Craven did interesting things to the horror genre with New Nightmare and Scream, and made some great thrillers with A Nightmare on Elm Street and Red Eye. One of the movie sites pointed out he’d been interviewed by Audobon, and had lately been writing short stories for Martha’s Vineyard Magazine about local birds, which include a strong pro-bird environmental message as well as time travel, the ghosts of passenger pigeons, and an osprey using a shotgun.
“It’s hard convincing a bird of anything in words. They’re musicians.”
Rest in peace, Wes. The birds have lost a friend.