My main thought after watching this and Sokurov’s The Sun, more than any thoughts about the films themselves and their content, is that SD video is dingy and blurry and should be abolished. I know I don’t have the persistence to actually do this, but I should just limit myself to HD from now on, since (a) there are already more movies available in HD than I have time to watch and (b) if I’ve seen something in SD and it comes out in HD I always tell myself I have to see it again anyway.
Another fun Matsumoto movie, but unlike R100 and Symbol, which start out weird then go in crazy new directions, this one has a clear structure. Swordless samurai Nomi Kanjuro (Takaaki Nomi, per Hollywood Reporter “a near-toothless, goblin-like sixtysomething with zero acting experience”) is caught and sentenced to death, but he’ll be pardoned if he can make the young prince, in a funk since his mother died, laugh. Nomi’s not very funny, so every night he and his daughter Tae and his two sympathetic guards try to come up with something more ridiculous than yesterday in order to amuse the sullen prince, eventually involving stunts and giant props. Ultimately he’s forced to commit seppuku, but the prince starts to lighten up around Tae – they bond over the deaths of their mothers (and now her father) and become friends. Hardly a masterpiece, but cute enough, and builds very effectively towards its unexpected ending.
In the early days, his daughter’s pained expressions are funnier than Nomi’s attempts at humor:
L-R below: Would-be assassins Pakyun (Rolly, death cult leader of Suicide Circle), Oryu (RyÃ´ of Tsukamoto’s Gemini) and Gori Gori (Fukkin Zen-Nosuke of the Kamen Rider saga), who end up rooting for Nomi once the palace starts selling tickets to watch his daily gags.
Thanks to J. Mobarak at The Film Stage – no other site wanted to translate this movie’s credits. Nomi’s guards are the more serious Itsuji Itao (evil cyborg leader of Tokyo Gore Police) and Tokio Emoto (in Outrage and Norwegian Wood the same year), who I found unaccountably hilarious with his mouth always hanging open. The lord was played by the prolific Jun Kunimura (Takeshi’s boss in Outrage), and the guy who yells “I sentence you to commit seppuku!” after each failed attempt is Masato Ibu (of Shield of Straw and Turtles Swim Faster Than Expected).
Matsumoto in Cinema Scope:
I wanted to make a film that in the beginning is not at all like a film, not filmic. Only towards the end it becomes more and more like a movie. This was one of my central intentions.
As for the samurai, he breaks free of the ritual cycle when he finally rejects protocol and, pointedly, refuses to read his arduously prepared “death note.” Instead he proves that, like all of Matsumoto’s protagonists, he is, curiously, a man of action.