Dramatisation of when totalitarianism expert Arendt was sent by The New Yorker to cover Israel’s trial of nazi controller Eichmann and she returned with a different story than everyone was expecting, bringing up the complicity of certain Jews in the holocaust and Eichmann’s non-evil ordinariness. Besides the social problems this causes, Arendt (Barbara Sukowa, Fassbinder’s Lola, also Europa and M. Butterfly) appears to be in constant, low-burning inner crisis. It’s well-acted, but I’m not sure the movie does a great job of visualizing philosophical thought by showing Arendt looking pained and distant for two hours. Katy was distracted by her “open marriage” which her generally supportive husband Heinrich took advantage of while Hannah dreamed of days past with Heidegger, and what it had to do with anything. The use of actual Eichmann footage instead of hiring an actor was a nice touch.