Nuclear war was in the air this month, so I double-featured two hour-long films.

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Atomic (2015, Mark Cousins)

A bunch of period footage cut with no sense of rhythm… not sure what this adds to the conversation. It’s not fair that Cousins gets to use and manipulate the music of Mogwai, instead of vice versa. It’s diverting, at least.

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The Bomb (2016, Kevin Ford & Smriti Keshari)

Started out so promising… scientific documents expertly composited over footage that was mostly unique from the other movie. Then it devolves into mumford-scored bomb montages with a long segment from that old standby Duck & Cover, ending up on the surface of the sun, just like the other movie. If we could’ve taken the first half of this movie and scored it with Mogwai, then we’d really have something.