On one hand, we’ve got the wacky misadventures of a failing museum administrator (Claes Bang), but the movie wanders about, exploring different sides of its themes of altruism, trust and honesty. Essentially, Claes fails the test of the Square completely and repeatedly, while the severe compositions give us Michael Haneke flashbacks and the light vocal music tells us not to take Claes’s plight too seriously.
Also, Elisabeth Moss makes a phone call while a monkey paints its face red, and guest artist Dominic West (among others) gets roughed up by an overcommitted performance artist. Matt Lynch: “This works more than it doesn’t mostly because it’s very funny and feels spontaneous even though it’s almost absurdly schematic and can’t stop bluntly explaining itself.”